
In ill health following a stroke, Sir Walter Scott wrote Letters on Demonology and Witchcraft at the behest of his son-in-law, J. G. Lockhart, who worked for a publishing firm. The book proved popular and Scott was paid six hundred pounds, which he desperately needed (despite his success as a novelist, Scott was almost ruined when the Ballantyne publishing firm, where he was a partner, went bankrupt in 1826). Letters was written when educated society believed itself in enlightened times due to advances in modern science. The book, however, revealed that all social classes still held beliefs in ghosts, witches, warlocks, fairies, elves, diabolism, the occult, and even werewolves. Sourcing from prior sixteenth- and seventeenth-century treatises on demonology along with contemporary accounts from England, Europe, and North America (Cotton Mather's Magnalia Christi, for one), Scott's discourses on the psychological, religious, physical, and preternatural explanations for these beliefs are essential reading for acolytes of the dark and macabre; the letters dealing with witch hunts, trials (Letters Eight and Nine), and torture are morbidly compelling. Scott was neither fully pro-rational modernity nor totally anti-superstitious past, as his skepticism of one of the "new" sciences (skullology, as he calls it) is made clear in a private letter to a friend. Thus, Letters is both a personal and intellectual examination of conflicting belief systems, when popular science began to challenge superstition in earnest.
Author

Librarian Note: There is more than one author in the GoodReads database with this name. British writer Sir Walter Scott popularized and refined a genre of ballads and historical novels; his works include Waverley (1814) and Ivanhoe (1819). Sir Walter Alva Scott created and called a series. Scott arranged the plots and characters so that the reader enters into the lives of great and ordinary persons, caught in violent, dramatic changes. Work of Scott shows the influence of the 18th century Enlightenment. He thought of every basically decent human, regardless of class, religion, politics, or ancestry. A major theme tolerates. They express his theory in the need for social progress that rejects not the traditions of the past. He first portrayed peasant characters sympathetically and realistically and equally justly portrayed merchants, soldiers, and even kings. In central themes, cultures conflict and oppose. Normans and Saxons warred. In The Talisman (1825), Christians and Muslims conflict. He deals with clashes between the new English and the old Scottish culture. Other great include Old Mortality (1816), The Heart of Midlothian (1819), and Saint Ronan's Well (1824). His series includes Rob Roy (1817), A Legend of Montrose (1819), and Quentin Durward (1823). Amiability, generosity, and modesty made Scott popular with his contemporaries. He also famously entertained on a grand scale at Abbotsford, his Scottish estate.