This Library of America volume offers what no reader has ever been able to find—an authoritative edition of all the tales and sketches of Nathaniel Hawthorne in a single comprehensive volume. Everything is included from his three books of stories, Twice-told Tales (1837, revised 1851), Mosses from an Old Manse (1846, 1854), The Snow-Image, and Other Twice-told Tales (1851) and from his two books of stories for children based on classical myths, A Wonder Book for Girls and Boys (1852) and Tanglewood Tales (1853)—along with sixteen stories not found in any of these volumes. The stories are arranged, as they never have been in any other edition, in the order of their periodical publication. Readers of Hawthorne will thereby get a unique sense of how he became one of the most powerful and experimental writers of American fiction.

In this Library of America volume are the best and most enduring works of Harriet Beecher Stowe, “the little woman,” as Abraham Lincoln said when he met her in 1861, “who wrote the book that made this great war.” He was referring, with rueful exaggeration, to Uncle Tom’s Cabin (1852), which during its first year had sold over 300,000 copies. Contemporary readers can still appreciate the powerful effects of its melodramatic characterizations and its unapologetic sentimentality. They can also recognize in its treatment of racial violence some of the brooding imagination and realism that anticipates Faulkner’s rendering of the same theme. Stowe was charged with exaggerating the evils of slavery, but her stay in Cincinnati, Ohio, where her father (the formidable Lyman Beecher, head of the Lane Theological Seminary) gave her a close look at the miseries of the slave communities across the Ohio River. People in her circle of friends were continually harboring slaves who escaped across the river from Kentucky on the way, they hoped, to Canada. Two other novels, along with Uncle Tom’s Cabin, show the range and variety of her literary accomplishment. The Minister’s Wooing (1859) is set in Newport, Rhode Island, after the Revolution. It is a romance based in part on the life of Stowe’s sister, and it traces to a happy ending the conflicts in a young woman between adherence to Calvinistic rigor and her expression of preference in the choice of a marital partner. The third novel, Oldtown Folks (1869) confirms Stowe’s genius for the realistic rendering of ordinary experience, her talent for social portraiture with a keen satiric edge, and her subtlety in exploring a wide group of themes, from child-rearing practices and religious controversy to romantic seduction and betrayal. But finally, it is the old town and a way of life that no longer exists that is the true subject of this elegiac novel.

Between 1849 and 1851, Melville wrote three masterful stories of the sea (including the classic Moby-Dick) that captured colorful and comic glimpses of shipboard life, the excitement of the whale hunt, and seascapes that move from the brutal to the sublime; they also displayed a marvelous command of language that mixes the ordinary talk of sailors with the rhythms of the Bible and Shakespearean hyperbole. Together the works in this Library of America volume reveal Melville’s obsession with the possibilities of human freedom, the sacrifice of that freedom to the demands of social cohesion, and the submission of social groups—represented by the shipboard community—to traditional forms of authority.

Here, in one Library of America volume, are all five of Hawthorne’s world-famous novels. Written in a richly suggestive style that seems remarkably contemporary, they are permeated by his own history as well as America’s. In The House of the Seven Gables, for example, Hawthorne alludes to his ancestor’s involvement in the Salem witch trials, as he follows the fortunes of two rival families, the Maules and the Pyncheons. The novel moves across 150 years of American history, from an ancestral crime condoned by Puritan theocracy to reconciliation and a new beginning in the bustling Jacksonian era. Considered Hawthorne’s greatest work, The Scarlet Letteris a dramatic allegory of the social consequences of adultery and the subversive force of personal desire in a community of laws. The transgression of Hester Prynne and Arthur Dimmesdale, the innate lawlessness of their bastard child Pearl, and the torturous jealousy of the husband Roger Chillingworth eventually erupt through the stern reserve of Puritan Boston. The Scarlet Letter engages the moral and romantic imagination of readers who ponder the question of sexual freedom and its place in the social world. _ Fanshawe_ is an engrossing apprentice work that Hawthorne published anonymously and later sought to suppress. Written during his undergraduate years at Bowdoin College, it is a tragic romance of an ascetic scholar’s love for a merchant’s daughter. _ The Blithedale Romance_ is a novel about the perils, which Hawthorne knew first-hand, of living in a utopian community. The utilitarian reformer Hollingsworth, the reticent narrator Miles Coverdale, the unearthly Priscilla, and the sensuous Zenobia (purportedly modeled on Margaret Fuller) act out a drama of love and rejection, idealism and chicanery, millennial hope and suicidal despair on an experimental commune in rural Massachusetts. _ The Marble Faun_, Hawthorne’s last finished novel, uses Italian landscapes where sunlight gives way to mythological shadings as a background for mysteries of identity and murder. Its two young Americans, Kenyon and Hilda, become caught up in the disastrous passion of Donatello, an ingenuous nobleman, for the beautiful, mysterious Miriam, a woman trying to escape her past.

Now fully represented in this Library of America volume is the most comprehensive testimony of the writings of our third president and foremost spokesperson for democracy. Thomas Jefferson, a brilliant political thinker, is perhaps best known for the Declaration of Independence, but he was a man of extraordinarily wide interests. He was exceptionally controversial in his own time, and many of his ideas remain the subject of national debate. In his arguments for a system of general education, for local rather than central authority, for caution in international affairs, for religious and intellectual freedom, and for economic and social justice, Jefferson defined the issues that still direct our national political life centuries after the nation's formation. This volume will give readers the opportunity to reassess one of our most influential presidents. Jefferson's First Inaugural Address is a resounding statement of faith in a democracy of enlightened people. His Notes on the State of Virginia (1785) is an invaluable record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras. His letters, more than two hundred and fifty of which are gathered here, are brilliant urbane missives to such men as Patrick Henry, Thomas Paine, Lafayette, John Adams and James Madison. His slim Autobiography (1821), written "for my own more ready reference, and for the information of my family," hardly hints at the influence and impact he had as Secretary of State under George Washington, Minister to France, opposition-party Vice President to John Adams, and, after leaving the presidency, founder of the University of Virginia. His public papers and addresses fully demonstrate both the breadth of his interests and the power of his expressive mind. Extensively read (his personal library of ten thousand volumes became the foundation of the Library of Congress) and widely traveled, Jefferson wrote with ease and spontaneity about science, archaeology, botany and gardening, religion, literature, architecture, education, the habits of his fellow citizens, and, of course, his beloved home, Monticello. Jefferson's prose has an energy, clarity, and charming off-handedness, consistent with his conviction that style in writing should impose no barrier between the most educated and the most common reader. For those who want a renewed sense of the opportunity for human freedom that the United States represented to its founders, this is an indispensable book.

Library of America continues its definitive edition of Wendell Berry's complete fiction, including the novels The Memory of Old Jack and Remembering and 23 brilliant and beautiful stories In this second volume, Port William faces the disappearance of farms and farmers in the decades after World War II, while Andy Catlett resolves to remain in the Membership Set along the banks of the Kentucky River in America’s heartland, fictional Port William, Kentucky, is an agrarian world is peopled with memorable and beloved characters collectively known as the Port William Membership. For more than 50 years, Wendell Berry has told Port William’s history from the Civil War to the present day, recapturing a time when farming, faith, and family were the anchors of community and the ligaments that bound one generation to the next. Now Library of America continues its definitive edition, prepared in close consultation with the author and published for his 90th birthday, presenting the complete story of Port William for the first time in the order of narrative chronology. This second volume contains 23 stories and 2 novels that span the years 1945 to 1978, as the town faces the forces of mechanization and the looming possibility of its own disappearance. As the generation that came of age after the Civil War disappears, the younger generation increasingly chooses to leave and not return; one of the only exceptions is Andy Catlett, who resolves to remain in and to maintain the Membership. This definitive edition of Wendell Berry's complete fiction includes detailed notes, endpapers featuring a map of Port William and a Membership family tree, and a chronology of Berry's remarkable life and career.