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Library of America
Series · 12
books · 1851-2024

Books in series

Typee, Omoo, Mardi book cover
#1

Typee, Omoo, Mardi

1982

The inaugural volume of The Library of America presents one of America’s greatest writers, Herman Melville (1819–1891). These three early novels are stirring romances of the South Seas; many of their fictional details resemble some of the events in Melville’s own life in the early 1840s. Like the hero-narrator of Typee and Omoo, Melville shipped out on a whaler, jumped ship in exotic ports, was held captive by native tribes—though here he might have exaggerated his own exploits a bit—and escaped to find passage home in the service of the United States Navy. Exuberant, highly pictorial, with a clear, swift narrative, Typee (1846) was his most popular work well into the 20th century, outselling all his others, including Moby-Dick. It offers a mostly idyllic account of life among the “cannibals” in which civilized innocence is contrasted with the corrosive effects of 19th-century industrial society. A sequel to Typee, Omoo (1847) continues this inquiry into Pacific culture and those who intruded upon it, specifically in Tahiti. Melville details the misadventures of the unruly and overworked crew of the Australian trader Julia after they are imprisoned for insubordination; the story will perhaps surprise today’s readers with its humor. With Mardi (1849), Melville abandons a literary Polynesia for a mythical one. “Mardi” is the Polynesian word for “the world,” and the voyage through imaginary South Sea archipelagoes stops off at Dominora (Britain), Porpheero (Europe), and Vivenza (the United States). Tracing the quest for the elusive and beautiful Yillah, it remains a timely political allegory and a thrilling adventure. Together, these three romances give early evidence of the genius and daring that make Melville the master novelist of the sea and a precursor of modernist literature.
Nathaniel Hawthorne book cover
#2

Nathaniel Hawthorne

Tales and Sketches

1982

This Library of America volume offers what no reader has ever been able to find—an authoritative edition of all the tales and sketches of Nathaniel Hawthorne in a single comprehensive volume. Everything is included from his three books of stories, Twice-told Tales (1837, revised 1851), Mosses from an Old Manse (1846, 1854), The Snow-Image, and Other Twice-told Tales (1851) and from his two books of stories for children based on classical myths, A Wonder Book for Girls and Boys (1852) and Tanglewood Tales (1853)—along with sixteen stories not found in any of these volumes. The stories are arranged, as they never have been in any other edition, in the order of their periodical publication. Readers of Hawthorne will thereby get a unique sense of how he became one of the most powerful and experimental writers of American fiction.
Harriet Beecher Stowe book cover
#4

Harriet Beecher Stowe

Three Novels

1852

In this Library of America volume are the best and most enduring works of Harriet Beecher Stowe, “the little woman,” as Abraham Lincoln said when he met her in 1861, “who wrote the book that made this great war.” He was referring, with rueful exaggeration, to Uncle Tom’s Cabin (1852), which during its first year had sold over 300,000 copies. Contemporary readers can still appreciate the powerful effects of its melodramatic characterizations and its unapologetic sentimentality. They can also recognize in its treatment of racial violence some of the brooding imagination and realism that anticipates Faulkner’s rendering of the same theme. Stowe was charged with exaggerating the evils of slavery, but her stay in Cincinnati, Ohio, where her father (the formidable Lyman Beecher, head of the Lane Theological Seminary) gave her a close look at the miseries of the slave communities across the Ohio River. People in her circle of friends were continually harboring slaves who escaped across the river from Kentucky on the way, they hoped, to Canada. Two other novels, along with Uncle Tom’s Cabin, show the range and variety of her literary accomplishment. The Minister’s Wooing (1859) is set in Newport, Rhode Island, after the Revolution. It is a romance based in part on the life of Stowe’s sister, and it traces to a happy ending the conflicts in a young woman between adherence to Calvinistic rigor and her expression of preference in the choice of a marital partner. The third novel, Oldtown Folks (1869) confirms Stowe’s genius for the realistic rendering of ordinary experience, her talent for social portraiture with a keen satiric edge, and her subtlety in exploring a wide group of themes, from child-rearing practices and religious controversy to romantic seduction and betrayal. But finally, it is the old town and a way of life that no longer exists that is the true subject of this elegiac novel.
Herman Melville book cover
#9

Herman Melville

Redburn, White-Jacket, Moby-Dick

1851

Between 1849 and 1851, Melville wrote three masterful stories of the sea (including the classic Moby-Dick) that captured colorful and comic glimpses of shipboard life, the excitement of the whale hunt, and seascapes that move from the brutal to the sublime; they also displayed a marvelous command of language that mixes the ordinary talk of sailors with the rhythms of the Bible and Shakespearean hyperbole. Together the works in this Library of America volume reveal Melville’s obsession with the possibilities of human freedom, the sacrifice of that freedom to the demands of social cohesion, and the submission of social groups—represented by the shipboard community—to traditional forms of authority.
Nathaniel Hawthorne book cover
#10

Nathaniel Hawthorne

Collected Novels

1983

Here, in one Library of America volume, are all five of Hawthorne’s world-famous novels. Written in a richly suggestive style that seems remarkably contemporary, they are permeated by his own history as well as America’s. In The House of the Seven Gables, for example, Hawthorne alludes to his ancestor’s involvement in the Salem witch trials, as he follows the fortunes of two rival families, the Maules and the Pyncheons. The novel moves across 150 years of American history, from an ancestral crime condoned by Puritan theocracy to reconciliation and a new beginning in the bustling Jacksonian era. Considered Hawthorne’s greatest work, The Scarlet Letteris a dramatic allegory of the social consequences of adultery and the subversive force of personal desire in a community of laws. The transgression of Hester Prynne and Arthur Dimmesdale, the innate lawlessness of their bastard child Pearl, and the torturous jealousy of the husband Roger Chillingworth eventually erupt through the stern reserve of Puritan Boston. The Scarlet Letter engages the moral and romantic imagination of readers who ponder the question of sexual freedom and its place in the social world. _ Fanshawe_ is an engrossing apprentice work that Hawthorne published anonymously and later sought to suppress. Written during his undergraduate years at Bowdoin College, it is a tragic romance of an ascetic scholar’s love for a merchant’s daughter. _ The Blithedale Romance_ is a novel about the perils, which Hawthorne knew first-hand, of living in a utopian community. The utilitarian reformer Hollingsworth, the reticent narrator Miles Coverdale, the unearthly Priscilla, and the sensuous Zenobia (purportedly modeled on Margaret Fuller) act out a drama of love and rejection, idealism and chicanery, millennial hope and suicidal despair on an experimental commune in rural Massachusetts. _ The Marble Faun_, Hawthorne’s last finished novel, uses Italian landscapes where sunlight gives way to mythological shadings as a background for mysteries of identity and murder. Its two young Americans, Kenyon and Hilda, become caught up in the disastrous passion of Donatello, an ingenuous nobleman, for the beautiful, mysterious Miriam, a woman trying to escape her past.
Thomas Jefferson book cover
#17

Thomas Jefferson

Writings

1984

Now fully represented in this Library of America volume is the most comprehensive testimony of the writings of our third president and foremost spokesperson for democracy. Thomas Jefferson, a brilliant political thinker, is perhaps best known for the Declaration of Independence, but he was a man of extraordinarily wide interests. He was exceptionally controversial in his own time, and many of his ideas remain the subject of national debate. In his arguments for a system of general education, for local rather than central authority, for caution in international affairs, for religious and intellectual freedom, and for economic and social justice, Jefferson defined the issues that still direct our national political life centuries after the nation's formation. This volume will give readers the opportunity to reassess one of our most influential presidents. Jefferson's First Inaugural Address is a resounding statement of faith in a democracy of enlightened people. His Notes on the State of Virginia (1785) is an invaluable record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras. His letters, more than two hundred and fifty of which are gathered here, are brilliant urbane missives to such men as Patrick Henry, Thomas Paine, Lafayette, John Adams and James Madison. His slim Autobiography (1821), written "for my own more ready reference, and for the information of my family," hardly hints at the influence and impact he had as Secretary of State under George Washington, Minister to France, opposition-party Vice President to John Adams, and, after leaving the presidency, founder of the University of Virginia. His public papers and addresses fully demonstrate both the breadth of his interests and the power of his expressive mind. Extensively read (his personal library of ten thousand volumes became the foundation of the Library of Congress) and widely traveled, Jefferson wrote with ease and spontaneity about science, archaeology, botany and gardening, religion, literature, architecture, education, the habits of his fellow citizens, and, of course, his beloved home, Monticello. Jefferson's prose has an energy, clarity, and charming off-handedness, consistent with his conviction that style in writing should impose no barrier between the most educated and the most common reader. For those who want a renewed sense of the opportunity for human freedom that the United States represented to its founders, this is an indispensable book.
Writings book cover
#34

Writings

The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays and Articles

1986

Historian, sociologist, novelist, editor, and political activist, William Edward Burghardt Du Bois was the most gifted and influential black intellectual of his time. This Library of America volume presents his essential writings, covering the full span of a restless life dedicated to the struggle for racial justice. The Suppression of the African Slave-Trade to the United States 1638–1870 (1896), his first book, renders a dispassionate account of how, despite ethical and political opposition, Americans tolerated the traffic in human beings until a bloody civil war taught them the disastrous consequences of moral cowardice. The Souls of Black Folk (1903), a collection of beautifully written essays, narrates the cruelties of racism and celebrates the strength and pride of black America. By turns lyrical, historical, and autobiographical, Du Bois pays tribute to black music and religion, explores the remarkable history of the Reconstruction Freedman’s Bureau, assesses the career of Booker T. Washington, and remembers the death of his infant son. Dusk of Dawn (1940) was described by Du Bois as an attempt to elucidate the “race problem” in terms of his own experience. It describes his boyhood in western Massachusetts, his years at Fisk and Harvard universities, his study and travel abroad, his role in founding the NAACP and his long association with it, and his emerging Pan-African consciousness. He called this autobiography his response to an “environing world” that “guided, embittered, illuminated and enshrouded my life.” Du Bois’s influential essays and speeches span the period from 1890 to 1958. They record his evolving positions on the issues that dominated his long, active life: education in a segregated society; black history, art, literature, and culture; the controversial career of Marcus Garvey; the fate of black soldiers in the First World War; the appeal of communism to frustrated black Americans; his trial and acquittal during the McCarthy era; and the elusive promise of an African homeland. The editorials and articles from The Crisis (1910–1934) belong to the period of Du Bois’s greatest influence. During his editorship of the NAACP magazine that he founded, Du Bois wrote pieces on virtually every aspect of American political, cultural, and economic life. Witty and sardonic, angry and satiric, proud and mournful, these writings show Du Bois at his freshest and most trenchant.
Later Novels book cover
#272

Later Novels

Tell Me How Long the Train’s Been Gone / If Beale Street Could Talk / Just Above My Head

2015

Here for the first time in one volume are James Baldwin's revealing novels of the late 1960s and '70s: Tell Me How Long the Train's Been Gone, If Beale Street Could Talk, and Just Above My Head. In these ambitious and deeply reflective works Baldwin responds with searching intelligence and his signature passion—for music, for justice, for life—to the new realities of a rapidly changing cultural landscape, as the Civil Rights era gave way to the age of identity politics. Dramatizing the unequal treatment of African American men by the police and the justice system, depicting the black family with insight and sensitivity, and exploring the emotional depths and ambiguities of sexuality, these three novels show how Baldwin continues to speak to twenty-first century America. A companion volume collects Baldwin's three earlier novels.
The 1960s & 70s book cover
#325

The 1960s & 70s

Run, River / Slouching Towards Bethlehem / Play It As It Lays / A Book of Common Prayer / The White Album

2019

Cool, dispassionate, and incisive, Joan Didion’s voice is electric on the page. Using autobiographical elements to stunning literary effect, she has captured the anarchic convulsions and anxious contradictions of the waning American Century and the coming new millennium with incomparable clarity and force. Now, Library of America inaugurates a definitive three-volume edition of Didion’s collected writings with the landmark works of the 1960s and 1970s, books that established her as one of the most original and influential literary figures of our time. Didion’s darkly nostalgic debut novel Run River (1963) is set among the ranch families of her native Sacramento Valley, their prosperity and pioneer traditions threatened by suburban sprawl and the changing values of a postwar world. A riveting chronicle of passion, infidelity, and betrayal in the twenty-year marriage of Lily Knight and Everett McClellan, it eloquently evokes one woman’s alienation amid the landscapes of a disappearing California. A major milestone in the rise of the New Journalism, Slouching Towards Bethlehem (1968) gathers Didion’s kaleidoscopic essays of the mid-1960s: masterpieces whose subjects include an aging John Wayne, a Los Angeles Maoist, the Las Vegas wedding industry, and the acid-tripping counterculture of San Francisco’s Haight-Ashbury. The collection showcases Didion’s signature literary persona—“a memorable voice, partly eulogistic, partly despairing, always in control” (Joyce Carol Oates)—while introducing a style of reportage that transformed the expectations of generations of readers and writers. In Play It As It Lays (1970) model and actress Maria Wyeth, her brief career fading, finds herself adrift in a sun-drenched, air-conditioned, and utterly benumbed world in which pills, fast cars, and casual sex have replaced human connection. The pared-down, impressionistic prose frames a harrowing story of a Hollywood life gone wrong. Well-meaning norteamericana Charlotte Douglas arrives in the lush, dangerously chaotic Central American republic of Boca Grande, in Didion’s third novel, A Book of Common Prayer (1977), hoping to trace the whereabouts of her daughter Marin, an affluent teenager turned Marxist-revolutionary terrorist. “Immaculate of history, innocent of politics,” Douglas is swept up in intrigues and violence beyond her ability to comprehend, as Didion dissects the menacing realities of imperialism and revolution. In The White Album (1979) Didion continues her intense, intimate, clear-eyed investigations of a California coming apart at the seams. In trips to shopping malls and to the Getty Museum; visits with Nancy Reagan, The Doors, and the Black Panthers; accounts of the prosecution of the Manson Family—all counterpointed with her own dark moods and obsessions—she offers a brilliant mosaic of a time that continues to shape our own and a monument of superlative literary nonfiction.
Charlotte Perkins Gilman book cover
#356

Charlotte Perkins Gilman

Novels, Stories & Poems

2022

A definitive edition of the groundbreaking feminist fiction of a nineteenth century pioneer Library of America presents the fullest selection ever of visionary American writer Charlotte Perkins two novels, forty-four brilliant short stories, nearly two-hundred poems, and both the published and manuscript versions of the landmark story “The Yellow Wall-Paper.” The short fiction presented here showcases Gilman’s mastery of ghost stories, allegorical fantasy, and social realism and includes a virtuoso series of stories written in imitation of the most acclaimed authors of her day. The utopian novels Herland and With Her in Ourland—about a remote and isolated society of women—are pioneering works of speculative fiction and still-incisive commentaries on the politics of gender. Gilman was known to her contemporaries first and foremost as a poet, and this volume brings together her collection In This Our World with more than fifty other poems, many written in support of suffrage and other causes.
Wendell Berry book cover
#381

Wendell Berry

Port William Novels & Stories: The Postwar Years (LOA #381)

2024

Library of America continues its definitive edition of Wendell Berry's complete fiction, including the novels The Memory of Old Jack and Remembering and 23 brilliant and beautiful stories In this second volume, Port William faces the disappearance of farms and farmers in the decades after World War II, while Andy Catlett resolves to remain in the Membership Set along the banks of the Kentucky River in America’s heartland, fictional Port William, Kentucky, is an agrarian world is peopled with memorable and beloved characters collectively known as the Port William Membership. For more than 50 years, Wendell Berry has told Port William’s history from the Civil War to the present day, recapturing a time when farming, faith, and family were the anchors of community and the ligaments that bound one generation to the next. Now Library of America continues its definitive edition, prepared in close consultation with the author and published for his 90th birthday, presenting the complete story of Port William for the first time in the order of narrative chronology. This second volume contains 23 stories and 2 novels that span the years 1945 to 1978, as the town faces the forces of mechanization and the looming possibility of its own disappearance. As the generation that came of age after the Civil War disappears, the younger generation increasingly chooses to leave and not return; one of the only exceptions is Andy Catlett, who resolves to remain in and to maintain the Membership. This definitive edition of Wendell Berry's complete fiction includes detailed notes, endpapers featuring a map of Port William and a Membership family tree, and a chronology of Berry's remarkable life and career.
Latino Poetry book cover
#382

Latino Poetry

The Library of America Anthology

2024

Top pick for Hispanic Heritage Month by NYT best-selling author Elizabeth Acevedo for Good Morning America This landmark Latinx poetry collection offers "a wondrous journey through the passions, the ideas, and the diversity of a people redefining what it means to be American" (Héctor Tobar, Pulitzer Prize winner) Includes more than 180 poets, spanning from the 17th century to today, and presents those poems written in Spanish in the original and in English translation For nearly five centuries, the rich tapestry of Latino poetry has been woven from a wealth of languages and cultures—a “tremendous continental mixturao,” in the words of the poet Tato Laviera. Now, in an unprecedented anthology edited by the poet and critic Rigoberto González, Library of America brings together more than 180 poets whose poems bear witness to the beauty and power of this vital and expanding tradition: its profound engagement with pasts both mythical and historical, its reckoning with the complexities of language, land, and identity, and its vision of a nation enriched by the stories of immigrants, exiles, refugees, and their descendants. There are a brilliant array of contemporary voices here as well, spinning out the tapestry of Latino poetry in daring new directions. Taking the measure of this current renaissance, the anthology culminates with the most comprehensive survey of twenty-first century Latino poetry yet published. Featured poets include: José Martí Julia de Burgos Sandra Cisneros Pedro Pietri Juan Felipe Herrera Jaime Manrique Javier Zamora Aracelis Girmay Natalie Diaz U.S. Poet Laureate Ada Limón, and 2023 Pulitzer Prize winner Brandon Som. This groundbreaking collection captures as never before the richness, diversity, and power of the Latino poetic imagination.

Authors

W.E.B. Du Bois
W.E.B. Du Bois
Author · 45 books

In 1868, William Edward Burghardt Du Bois (pronounced 'doo-boyz') was born in Massachusetts. He attended Fisk College in Nashville, then earned his BA in 1890 and his MS in 1891 from Harvard. Du Bois studied at the University of Berlin, then earned his doctorate in history from Harvard in 1894. He taught economics and history at Atlanta University from 1897-1910. The Souls of Black Folk (1903) made his name, in which he urged black Americans to stand up for their educational and economic rights. Du Bois was a founder of the National Association for the Advancement of Colored People, and edited the NAACP's official journal, "Crisis," from 1910 to 1934. Du Bois turned "Crisis" into the foremost black literary journal. The black nationalist expanded his interests to global concerns, and is called the "father of Pan-Africanism" for organizing international black congresses. Although he used some religious metaphor and expressions in some of his books and writings, Du Bois called himself a freethinker. In "On Christianity," a posthumously published essay, Du Bois critiqued the black church: "The theology of the average colored church is basing itself far too much upon 'Hell and Damnation'—upon an attempt to scare people into being decent and threatening them with the terrors of death and punishment. We are still trained to believe a good deal that is simply childish in theology. The outward and visible punishment of every wrong deed that men do, the repeated declaration that anything can be gotten by anyone at any time by prayer." Du Bois became a member of the Communist Party and officially repudiated his U.S. citizenship at the end of his life, dying in his adopted country of Ghana. D. 1963. More: http://www.britannica.com/EBchecked/t... http://www.pbs.org/wnet/jimcrow/stori... http://www.math.buffalo.edu/~sww/0his... http://www.americaslibrary.gov/aa/dub...

Wendell Berry
Wendell Berry
Author · 97 books
Wendell Berry is a conservationist, farmer, essayist, novelist, professor of English and poet. He was born August 5, 1934 in Henry County, Kentucky where he now lives on a farm. The New York Times has called Berry the "prophet of rural America."
Herman Melville
Herman Melville
Author · 117 books

There is more than one author with this name Herman Melville was an American novelist, short story writer, essayist, and poet. His first two books gained much attention, though they were not bestsellers, and his popularity declined precipitously only a few years later. By the time of his death he had been almost completely forgotten, but his longest novel, Moby Dick—largely considered a failure during his lifetime, and most responsible for Melville's fall from favor with the reading public—was rediscovered in the 20th century as one of the chief literary masterpieces of both American and world literature.

Nathaniel Hawthorne
Nathaniel Hawthorne
Author · 210 books

Nathaniel Hawthorne was a 19th century American novelist and short story writer. He is seen as a key figure in the development of American literature for his tales of the nation's colonial history. Shortly after graduating from Bowdoin College, Hathorne changed his name to Hawthorne. Hawthorne anonymously published his first work, a novel titled Fanshawe, in 1828. In 1837, he published Twice-Told Tales and became engaged to painter and illustrator Sophia Peabody the next year. He worked at a Custom House and joined a Transcendentalist Utopian community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment took Hawthorne and family to Europe before returning to The Wayside in 1860. Hawthorne died on May 19, 1864, leaving behind his wife and their three children. Much of Hawthorne's writing centers around New England and many feature moral allegories with a Puritan inspiration. His work is considered part of the Romantic movement and includes novels, short stories, and a biography of his friend, the United States President Franklin Pierce.

James Baldwin
James Baldwin
Author · 60 books

Librarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information. James Arthur Baldwin was an American novelist, essayist, playwright, poet, and social critic. James Baldwin offered a vital literary voice during the era of civil rights activism in the 1950s and '60s. He was the eldest of nine children; his stepfather was a minister. At age 14, Baldwin became a preacher at the small Fireside Pentecostal Church in Harlem. In the early 1940s, he transferred his faith from religion to literature. Critics, however, note the impassioned cadences of Black churches are still evident in his writing. Go Tell It on the Mountain, his first novel, is a partially autobiographical account of his youth. His essay collections Notes of a Native Son, Nobody Knows My Name, and The Fire Next Time were influential in informing a large white audience. From 1948, Baldwin made his home primarily in the south of France, but often returned to the USA to lecture or teach. In 1957, he began spending half of each year in New York City. His novels include Giovanni's Room, about a white American expatriate who must come to terms with his homosexuality, and Another Country, about racial and gay sexual tensions among New York intellectuals. His inclusion of gay themes resulted in a lot of savage criticism from the Black community. Eldridge Cleaver, of the Black Panthers, stated the Baldwin's writing displayed an "agonizing, total hatred of blacks." Baldwin's play, Blues for Mister Charlie, was produced in 1964. Going to Meet the Man and Tell Me How Long the Train's Been Gone provided powerful descriptions of American racism. As an openly gay man, he became increasingly outspoken in condemning discrimination against lesbian and gay people. On November 30, 1987 Baldwin died from stomach cancer in Saint-Paul-de-Vence, France. He was buried at the Ferncliff Cemetery in Hartsdale, near New York City.

Joan Didion
Joan Didion
Author · 43 books

Joan Didion was born in California and lived in New York City. She was best known for her novels and her literary journalism. Her novels and essays explore the disintegration of American morals and cultural chaos, where the overriding theme is individual and social fragmentation. A sense of anxiety or dread permeates much of her work.

Charlotte Perkins Gilman
Charlotte Perkins Gilman
Author · 96 books

Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was a prominent American sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story, "The Yellow Wallpaper", which she wrote after a severe bout of post-partum depression. She was the daughter of Frederic B. Perkins.

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