Margins
Library of Korean Literature book cover 1
Library of Korean Literature book cover 2
Library of Korean Literature book cover 3
Library of Korean Literature
Series · 20
books · 1960-2015

Books in series

Stingray book cover
#1

Stingray

2006

Hailed by critics, "Stingray" has been described by its author as "a critical biography of my loving mother." With his father having abandoned his family for another woman, Se-young and his mother are forced to subsist on their own in the harsh environment of a small Korean farming village in the 1950s. Determined to wait for her husband's return, Se-young's mother hangs a dried stingray on the kitchen doorjamb; to her, it's a reminder of the fact that she still has a husband, and that she must behave as a married woman would, despite all. Also, she claims, when the family is reunited, the fish will be their first, celebratory meal together. But when a beggar girl, Sam-rae, sneaks into their house during a blizzard, the first thing she does is eat the stingray, and what follows is a struggle, at once sentimental and ideological, for the soul of the household.
One Spoon on This Earth book cover
#2

One Spoon on This Earth

1999

An autobiographical novel that takes a life to pieces, putting forward not a coherent, straightforward narrative, but a series of dazzling images ranging from the ordinary to the unbelievable, fished from the depths of the author's memory as well as from the stream of his day-to-day life as an adult author. Interweaving flashes of the horrific Jeju Uprising and the Korean War with pleasant family anecdotes, stories of schoolroom cruelty, and bizarre digressions into his personal mythology, One Spoon on this Earth stands a sort of digest of contemporary Korean history as it might be seen through the lens of one man's life and opinions.
When Adam Opens His Eyes book cover
#3

When Adam Opens His Eyes

2013

First published in 1990, this is a sensational and highly controversial novel by one of Korea's most electrifying contemporary authors. A preposterous coming-of-age story, melding sex, death, and high school in a manner reminiscent of some perverse collision between Georges Bataille and Beverly Cleary, the narrator of this book plows through contemporaneous Korean mores with aplomb, bound for destruction, or maturity—whichever comes first.
My Son's Girlfriend book cover
#4

My Son's Girlfriend

2008

At once an ironic portrayal of contemporary Korea and an intimate exploration of heartache, alienation, and nostalgia, this collection of seven short stories has earned the author widespread critical acclaim. With empathy and an overarching melancholy that is at times tinged with sarcasm but always deeply meaningful, Jung explores the ambition and chaos of urban life, the lives of the lost and damaged souls it creates, and the subtle shades of love found between them.
A Most Ambiguous Sunday and Other Stories book cover
#5

A Most Ambiguous Sunday and Other Stories

2008

Considered an eccentric in the traditional Korean literary world, Jung Young-moon s short stories have nonetheless won numerous readers both in Korea and abroad, most often drawing comparisons to Kafka. Adopting strange, warped, unstable characters and drawing heavily on the literature of the absurd, Jung's stories nonetheless do not wallow in darkness, despair, or negativity. Instead, we find a world in which the bizarre and terrifying are often put to comic use, even in direst of situations, and point toward a sort of redemption to be found precisely in the weirdest and most unsettling parts of life . . .
The House with a Sunken Courtyard book cover
#6

The House with a Sunken Courtyard

2013

An occasionally terrifying and always vivid portrayal of what it was like to live as a refugee immediately after the end of the Korean War. This novel is based on the author’s own experience in his early teens in Daegu, in 1954, and depicts six families that survive the hard times together in the same house, weathering the tiny conflicts of interest and rivalries that spring up in such close quarters, but nonetheless offering one another sympathy and encouragement as fellow sufferers of the same national misfortune: brothers and sisters in privation.
At Least We Can Apologize book cover
#7

At Least We Can Apologize

2009

At Least We can Apologize focuses on an agency whose only purpose is to offer apologies—for a fee—on behalf of its clients. This seemingly insignificant service leads us into an examination of sin, guilt, and the often irrational demands of society. A kaleidoscope of minor nuisances and major grievances, this novel heralds a new comic voice in Korean letters.
The Soil book cover
#8

The Soil

2013

A major, never before translated novel by the author of "Muj?ng / The Heartless"—often called the first modern Korean novel—"The Soil" tells the story of an idealist dedicating his life to helping the inhabitants of the rural community in which he was raised. Striving to influence the poor farmers of the time to improve their lots, become self-reliant, and thus indirectly change the reality of colonial life on the Korean peninsula, "The Soil" was vitally important to the social movements of the time, echoing the effects and reception of such English-language novels as Upton Sinclair's "The Jungle."
Lonesome You book cover
#9

Lonesome You

1998

Well before her death in 2011, Park Wan-Suh had established herself as a canonical figure in Korean literature. Her work—often based upon her own personal experiences, and showing keen insight into divisive social issues from the Korean partition to the position of women in Korean society—has touched readers for over forty years. In this collection, meditations upon life in old age come to the fore—at its best, accompanied by great beauty and compassion; at its worst by a cynicism that nonetheless turns a bitter smile upon the changing world.
No One Writes Back book cover
#10

No One Writes Back

2009

Communication—or the lack thereof—is the subject of this sly update of the picaresque novel. No One Writes Back is the story of a young man who leaves home with only his blind dog, an MP3 player, and a book, traveling aimlessly for three years, from motel to motel, meeting people on the road. Rather than learn the names of his fellow travelers—or even invent nicknames for them—he assigns them numbers. There's 239, who once dreamed of being a poet, but who now only reads her poems to a friend in a coma; there's 109, who rides trains endlessly because of a broken heart; and 32, who's already decided to commit suicide. The narrator writes letters to these men and women in the hope that he can console them in their various miseries, as well as keep a record of his own experiences: "A letter is like a journal entry for me, except that it gets sent to other people." No one writes back, of course, but that doesn't mean that there isn't some hope that one of them will, someday...
Pavane for a Dead Princess book cover
#11

Pavane for a Dead Princess

2009

Park Min-gyu has been celebrated and condemned for his attacks upon what he perceives as the humorlessness of contemporary Korean literature. Pavane for a Dead Princess is his attack upon the beauty-fetish that reigns over popular culture, detailing the relationship between a man with matinee-idol good looks and "the ugliest woman of the century." To complicate matters further, Park also includes a so-called "writer's cut" of the same story, offering alternate versions of the facts, giving the reader the opportunity to imagine all the different ways this same novel might have been written.
The Square book cover
#12

The Square

1960

This groundbreaking classic of Korean modernism tackles the shattering effect of the division of Korea. Taking place just before the Korean War, it follows its protagonist as he travels to the North hoping to escape what he sees as the repressive right-wing regime in the South...only to find that a different sort of lie reigns in the so-called worker's paradise. Implying that both communism and capitalism are pernicious infections from without, The Square is a dark and complex story of the ways ideologies can destroy the individual.
Another Man's City book cover
#14

Another Man's City

2011

Another Man's City is structured as a virtual-reality narrative manipulated by an entity referred to variously as the Invisible Hand or Big Brother. The scenario is reminiscent of Peter Weir's 1998 film The Truman Show and Kazuo Ishiguro's novel The Unconsoled. The novel begins with a series of seemingly minor juxtapositions of the familiar and the strange, as a result of which the protagonist, K, gradually finds himself inside a Matrix-like reality populated with shape-shifting characters.
The Private Lives of Plants book cover
#17

The Private Lives of Plants

2000

The Private Life of Plants is about the ways in which desire can both worsen and mitigate our flaws. We meet amputee sons whose mothers cart them from brothel to brothel; we meet brothers who love their brother's lovers, and whose lovers in turn are stolen away by the husbands of their sisters. Sexuality in all its ugliness and wonder is put under the microscope by Lee Seung-U, who reminds us that love may come in various forms, but that it is, nonetheless, a force that unifies us all . . . whether we like it or not.
God Has No Grandchildren book cover
#18

God Has No Grandchildren

2015

The nine stories that make up this collection depict a wide variety of contemporary Koreans navigating a world focused on material wealth and social power, in which family ties have been disrupted and all relationships are dysfunctional. Unpredictable and enigmatic, these tales, though taking place in what would appear to be a shallow, materialistic environment, are nonetheless woven through with rich threads of imagination and fantasy: parables for the self-help age.
Son of Man book cover
#20

Son of Man

1979

One of the greatest living Korean writers here details the quest of a young seminary student seeking transcendence, running through many Western and East Asian theologies in the process. Deciding that Jesus was not truly "the son of man," the student sets out to create his own alternative to Christ, and winds up dead. Soon, the detective called in to solve the killing winds up with more than a simple murder on his hands, as this metaphysical mystery advances to its unforgettable climax.
Beauty Looks Down on Me book cover
#21

Beauty Looks Down on Me

2007

Beauty Looks Down On Me is a collection of by turns sad and funny stories about the thwarted expectations of the young as they grow older. HeeKyung s characters are misfits who by virtue of their bodies or their lack of social status are left to dream of momentous changes that will never come. Unsatisfied with work, with family, with friends, they lose themselves in diets, books, and blogs. Heekyung s collection humorously but humanely depicts the loneliness and monotony found in many modern lives."
Evening Proposal book cover
#23

Evening Proposal

2011

Evening Proposal is a collection of eight stories about the grim and often faceless nature of urban life. Faintly reminiscent of Franz Kafka, the stories range from a man who discovers that his job performance has no significance while taking refuge in taking care of an abandoned rabbit to a man who finally expresses his love to discover that his expression frightened him more than his fear in anticipating the event. Evening Proposal reissues the warning that the orderliness and system that civilization created in order to confront nature’s chaos is in fact “the hell of monotony.”
The Library of Musical Instruments book cover
#25

The Library of Musical Instruments

2008

The second short-story collection by Kim Jung-hyuk, the author of Penguin News, features a total of eight short stories, including “Syncopation D” which won the 2nd Kim You-jeong Literary Award in 2008. They represent the many sounds sampled by the author when he recorded over 600 kinds of musical instruments. Like instruments coming together in a symphony, the stories combine to make an opus consisting of variations on a theme. While the stories begin in an upbeat fashion and work to a crescendo, they end with notes in a minor key filling the vacuum. The Library of Musical Instruments is a collection to contemplate on more than one occasion.
Mannequin book cover
#26

Mannequin

2003

Ch oe Yun s Mannequin is a novel that reflects on the meaning of beauty and its many facets of existence. The beauty of the main character, Jini, is captured through a carefree imagination that describes it as the music of the wind, or something that can t be described in words. Through the beauty that penetrates and captivates us in fleeting moments, the novel leads us to critically reflect on the question of what true beauty is in a world where people are captivated by the beauty of advertising models in a flood of new products. In that respect, Mannequin, as the title implies, is a sad allegory on a capitalistic society in which a woman s body, artificial and standardized, becomes a product."

Authors

Ki-young Hyun
Author · 2 books
Hyun Ki-young was born on Jeju Island in 1941 and graduated from Seoul National University. He has served as the Managing Director of the National Literary Writers Association and as the President of the Korean Arts & Culture Foundation (2003). Hyun was also the director of the Committee for the Investigation of the April 3rd Jeju Uprising as well as the President of the Jeju Institute for the Investigation of Social Problems.
Lee Seung-u
Lee Seung-u
Author · 3 books

소설가 이승우 1959년 전남 장흥에서 태어나 서울신학대학교를 졸업하였고, 연세대학교 연합신학대학원에서 공부하였다. 1981년 '한국문학' 신인상에 '에리직톤의 초상'이 당선되어 등단하였으며, 소설집 '구평목 씨의 바퀴벌레', '일식에 대하여', '미궁에 대한 추측', '목련공원', '사람들은 자기 집에 무엇이 있는지도 모른다', '나는 아주 오래 살 것이다', '심인 광고'와 장편소설 '에리직톤의 초상', '가시나무 그늘', '생의 이면', '내 안에 또 누가 있나', '사랑의 전설', '태초에 유혹이 있었다', '식물들의 사생활', '그곳이 어디든', '한낮의 시선', '지상의 노래' 등이 있다. 1993년 '생의 이면'으로 제 1회 대산문학상, 2002년 '나는 아주 오래 살 것이다'로 제 15회 동서문학상, 2007년 '전기수 이야기'로 제 52회 현대문학상, 2010년 '칼'로 제 10회 황순원문학상 수상.

Yi Mun-Yol
Yi Mun-Yol
Author · 7 books

Yi Mun-yol (born May 18, 1948) is a South Korean writer. Yi Mun-yol was born in Seoul, South Korea in 1948, but the outbreak of the Korean War and his father's defection to North Korea forced his family to move about until they settled in Yeongyang, Gyeongsangbuk-do, the ancestral seat of his family. The fact that his father defected dramatically affected his life, as he was seen and treated as "the son of a political offender," and was "passed around among relatives[.] After dropping out of the College of Education of Seoul National University in 1970, Yi Mun-yol made his literary debut through the annual literary contests of the Daegu Maeil Newspaper in 1977, and the Dong-A Ilbo in 1979. On being awarded the prestigious "Today's Writer Award" for The Son of Man in 1979, Yi emerged as the most noteworthy writer of the time. The Son of Man explores the theme of the complex relationship between God and humanity in light of the finite nature of human existence inadvertently cast in infinite universe, through the eyes of the protagonist who is doubtful of the Christian Weltanschauung. From 1994 to 1997, he taught Korean language and literature at Sejong University. Since 1999, he has also served as the head of Buak Literary Center, a residential program for budding writers. He is currently a chair professor at Hankuk University of Foreign Studies. (from Wikipedia) Associated Names: * Yi Mun-Yol * 이문열 (Korean Profile)

Kim Joo-Young
Author · 2 books
Kim Joo-Young was born in 1939, and graduated from the Sorabol Art College majoring in creative writing, and made his literary début with Resting Stage, which won the 1971 New Writer’s Award. A leading and popular exponent of “documentary” fiction, set in meticulously researched historical periods, Kim has also served as the director of the Paradise Culture Foundation in Seoul since 2005.
Kwang-su Yi
Kwang-su Yi
Author · 2 books
Yi Kwang-su (Hangul: 이광수) was born in 1892 during the twilight years of the Korean monarchy, which ended in 1910 with the anexation of Korea by Japan. Recognized as one of modern Korea's best novelists, especially for his 1917 novel The Heartless, he died in disfavor in 1950, accused of collaboration with the Japanese.
Ch'oe Yun
Ch'oe Yun
Author · 2 books

Ch'oe Hyon-mu (born 1953), better known by her pen name Ch'oe Yun (This is the author's preferred Romanization per LTI Korea) is a South Korean writer and professor of French literature. Ch'oe's works are varied, but typically founded in particular political contexts. The Gray Snowman is told by a young woman on the edges of the 1980s’ dissident movement, and Father’s Surveillance and A Voiceless Window show the pain of families split by the Korean War and the sundering of the nation. Ch'oe, however, keeps her lens firmly fixed on the interior lives of her characters, even as they are stuck in the larger web of history. Ch'oe's narrative style, following the twisted inner world of her characters, is often non-realist. Ch'oe frequently uses memory as one of her themes, but refuses to indulge in appeals to cheap sentiment. Many of her works, including There a Petal Silently Falls (1988), Gray Snowman (1991), and Whispers (1993), are semi-autobiographical depictions of the events surrounding the Kwangju Uprising. Her 1994 work The Last of Hanako won the Yi Sang Literary Award. [excerpted from Wikipedia]

Mi-Kyung Jung
Mi-Kyung Jung
Author · 1 books

Jung Mi-Kyung (Korean: 정미경; 4 February 1960 – 18 January 2017) was a modern South Korean novelist. Jung graduated from Ewha Womans University with a degree in English literature and in 1987 made her literary debut by winning the drama category of the JoongAng Literary Award. After this, however, she withdrew from literary work for over a decade, re-entering the scene as a novelist, debuting with the short story "The Woman With Arsenic" in the Fall volume of World Literature. Thereafter, she has concentrated on her literary career with great success.

In-ho Choi
Author · 1 books
Choi In-ho was born in 1945 in Seoul and graduated from English literature from Yonsei University. He first came to public notice when three of his stories were selected in competitions sponsored by the Hanguk ilbo and Chosun ilbo newspapers and the journal Sasanggye (World of Thought), in 1963, 1967, and 1968. In 1982 he received the sixth Yi Sang Literature Prize.
Lee Ki-Ho
Author · 2 books
Lee Ki-ho is a South Korean writer. He is currently a professor in the department of creative writing at Gwangju University.
Hye-Young Pyun
Hye-Young Pyun
Author · 7 books

편혜영(片惠英,1972년~)은 대한민국의 소설가이다. 서울에서 태어났으며, 서울예대 문예창작과를 졸업하고 한양대학교 국어국문학과 대학원 석사과정을 졸업했다. 2000년 서울신문 신춘문예에 단편소설 〈이슬털기〉가 당선되면서 데뷔했다. 2007년 단편소설 〈사육장 쪽으로〉로 제40회 한국일보문학상을, 2009년 단편소설 〈토끼의 묘〉로 제10회 이효석문학상을, 2012년 소설집 〈저녁의 구애〉로 제42회 동인문학상을, 2014년 단편소설 〈몬순〉으로 제38회 이상문학상을 수상했다. 현재 명지대학교 문예창작학과 교수(2013~)로 재직 중이다. Pyun Hye-young was born in Seoul in 1972. She earned her undergraduate degree in creative writing and graduate degree in Korean literature from Hanyang University. After receiving these degrees, Pyun worked as an office worker, and many office workers appear in her stories. Pyun began publishing in 2000 and published three collections of stories, Aoi Garden, To The Kennels, and Evening Courtship as well as the novel Ashes and Red. In 2007, To the Kennels won the Hankook Ilbo Literary Award, in 2009 the short story O Cuniculi won the Yi Hyo-Seok Literature prize and then the Today’s Young Writer Award in 2010, while in 2011 Evening Courtship won the Dong-in Literary Award. Her works have several themes including alienation in modern life, an apocalyptic world, and they are often infused with grotesque images. The novel Ashes and Red explores irony and the dual nature of humanity.

In-hun Choi
In-hun Choi
Author · 2 books

소설가 최인훈 Choi In-hun was born in 1936 in Hoeryong City, North Hamgyong Province, which is now in North Korea. When the Korean War broke out in 1950, he and his family fled to South Korea aboard a U.S. Navy ship. He studied law at Seoul National University, but joined the army without completing his final semester. His began publishing fiction while in the army, and was discharged in 1963. From 1977-2001, he served as a Professor of Creative Writing at the Seoul Institute of the Arts.

Jang Eun-Jin
Jang Eun-Jin
Author · 1 books

Jang Eun-Jin (born 1976) is a female South Korean writer. Jang attended Cheonam National University in Gwangju from which she graduated with a degree in Geography. She has published four novels and a collection of short stories and has won three literary prizes in total The Chonnam Ilbo New Short Story Award in 2002, the Joongang Ilbo New Writers Contest in 2004, and the 14th annual Munhakdongne Award in 2009. Jang has had one book translated into English, No One Writes Back (Translated by Jung Yewon), which The Guardian reviewed as, “An extraordinarily rich and moving novel about a young man's journey through South Korea with his dog” Her subject is communication, or its absence, and the book is written as a picaresque. It is the story of a young man, MP3 player and blind dog, and their three-year goal-less journey, and who they meet on that journey. The fellow travelers are anonymous, earning numbers in replacement for names, but the narrator nonetheless writes them letters, in the hope that someday a letter will come back.

Min-gyu Park
Min-gyu Park
Author · 4 books

소설가 박민규 Born in 1968, Park Min-gyu published his first book Legend of the World's Superheroes in 2003, for which he was awarded the Munhakdongne New Writer Award.

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