Almayer’s Folly, Joseph Conrad’s first novel, is a tale of personal tragedy as well as a broader meditation on the evils of colonialism. Set in the lush jungle of Borneo in the late 1800s, it tells of the Dutch merchant Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice. Nadine Gordimer writes in her Introduction, “Conrad’s writing is lifelong questioning . . . What was ‘ Almayer’s Folly ’? The pretentious house never lived in? His obsession with gold? His obsessive love for his daughter, whose progenitors, the Malay race, he despised? All three?” Conrad established in Almayer’s Folly the themes of betrayal, isolation, and colonialism that he would explore throughout the rest of his life and work.

I have been called a writer of the sea, of the tropics, a descriptive writer - and also a realist. But as a matter of fact all my concern has been with the 'ideal' value of things, events and people. That and nothing else - Joseph Conrad When Willems stepped off the straight and narrow path of his own peculiar honesty he thought it would be a short episode - a sentence in brackets, so to speak - in the flowing tale of his life. But Willems was wrong, for he was about to embark on a voyage of discovery and self-discovery that would change, if not destroy, the reset of his life. Marooned by his own people on the shore of a Malayan island, Willems is caught in the grip of his own vulnerability and corruption. An Outcast of the Islands was only Conrad's second novel, but in its theme, in its impressionistic use of scenery, and, and over all, in the enormous richness and power of the writing, it predicts Conrad's position as a literary figure of the highest rank. The cover shows a detail from Old Boathouse and Riverside Vegetation, Sarawak by Marianne North.

The shallow sea that foams and murmurs on the shores of the thousand islands, big and little, which make up the Malay Archipelago has been for centuries the scene of adventurous undertakings.