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Little God Ben book cover
Little God Ben
1935
First Published
3.70
Average Rating
256
Number of Pages

Part of Series

Ben the tramp, self-confessed coward and ex-sailor, is back in the Merchant Service and shipwrecked in the Pacific. Ben the tramp, self-confessed coward and ex-sailor, is back in the Merchant Service and shipwrecked in the Pacific. Tired of being homeless and down on his luck, the incorrigible Ben has taken a job as a stoker on a cruise ship. But his luck doesn’t last long when they are all shipwrecked in the Pacific. Seen through Ben’s eyes, the uncharted island is a hive of cannibals, mumbo-jumbo, and gals who are more nearly naked than any he has ever seen. And every time he tries to bluff his way out of a situation, he just bluffs himself further in, somehow convincing the natives that he has God-like powers . . . Brought back by popular demand after a gap of three years, Ben the tramp’s reappearance in Little God Ben transported his humour, charm and rare philosophy to a startlingly new setting in this quintessentially 1930s comedy thriller.

Avg Rating
3.70
Number of Ratings
10
5 STARS
40%
4 STARS
20%
3 STARS
20%
2 STARS
10%
1 STARS
10%
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Author

J. Jefferson Farjeon
J. Jefferson Farjeon
Author · 14 books

Joseph Jefferson Farjeon was always going to be a writer as, born in London, he was the son of Benjamin Leopold Farjeon who at the time was a well-known novelist whose other children were Eleanor Farjeon, who became a children's writer, and Herbert Farjeon, who became a playwright and who wrote the well-respected 'A Cricket Bag'. The family were descended from Thomas Jefferson but it was his maternal grandfather, the American actor Joseph Jefferson, after whom Joseph was named. He was educated privately and at Peterborough Lodge and one of his early jobs, from 1910 to 1920, was doing some editorial work for the Amalgamated Press. His first published work was in 1924 when Brentano's produced 'The Master Criminal', which is a tale of identity reversal involving two brothers, one a master detective, the other a master criminal. A New York Times reviewer commented favourably, "Mr. Farjeon displays a great deal of knowledge about story-telling and multiplies the interest of his plot through a terse, telling style and a rigid compression." This was the beginning of a career that would encompass over 80 published novels, ending with 'The Caravan Adventure' in 1955. He also wrote a number of plays, some of which were filmed, most notably Number Seventeen which was produced by Alfred Hitchcock in 1932, and many short stories. Many of his novels were in the mystery and detective genre although he was recognised as being one of the first novelists to entwine romance with crime. In addition he was known for his keen humour and flashing wit but he also used sinister and terrifying storylines quite freely. One critic for the Saturday Review of Literature reviewed one of his later books writing that it was "amusing, satirical, and [a] frequently hair-raising yarn of an author who got dangerously mixed up with his imaginary characters. Tricky." When he died at Hove in Sussex in 1955 his obituary in The Times wrote of his "deserved popularity for ingenious and entertaining plots and characterization". Gerry Wolstenholme June 2010

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