Melvin Burgess revolutionised children's literature with the infamous cult novels Junk and Doing It. In his first adult novel, Loki, he breathes new life into Norse myths. Starting with the Norse creation myths, the trickster god Loki takes the reader on a wild ride through Norse mythology, from the time the gods - the founders of Asgard - defeated races of monsters, and hurtling through famous stories, including Odin hanging himself on the World Tree, the theft of the corrupting gold ring and the murder of Baldr, the god of love and the Sun. This narrative may seem familiar enough at first, but the reader should beware. Born within the heart of a fire in the hollow of a tree-trunk, Loki arrives in Asgard as an outsider. He is a trickster, an unreliable narrator, the god of intelligence and politics. In spite of his cleverness and sparkling wit (or, perhaps, because of this...) Loki struggles to find his place among the old patriarchal gods of supernatural power and is constantly at odds with the god of thunder - Thor. This retelling contemporary in tone, at once amusing and relatable. It is a heartfelt plea to overthrow the old gods of power and authority and instigate a new era ruled by love and intelligence. Alongside the politics of Asgard, it charts the course of Loki's many loves and families, from his mothering of Odin's famous horse to his intense, turbulent, and, eventually, fatal relationship with Baldr the Beautiful - a tender and moving story of love that goes wrong, jealousy and a transitioning that is forbidden by society.
Author
Melvin Burgess is a British author of children's fiction. His first book, The Cry of the Wolf, was published in 1990. He gained a certain amount of notoriety in 1996 with the publication of Junk, which was published in the shadow of the film of Irvine Welsh's Trainspotting, and dealt with the trendy and controversial idea of heroin-addicted teenagers. Junk soon became, at least in Britain, one of the best-known children's books of the decade. Burgess again courted predictable controversy in 2003, with the publication of Doing It, which dealt with underage sex. America created a show based on the book, Life As We Know It. In his other books, such as Bloodtide and The Ghost Behind the Wall, Burgess has dealt with less realist and sometimes fantastic themes. In 2001 Burgess wrote the novelisation of the film Billy Elliot, based on Lee Hall's screenplay. Polyphony is typical for his most famous novels. http://us.macmillan.com/author/melvin...
