Kage Baker's stories and novels of the mysterious organization that controls time travel, The Company, have made her famous in SF. So has her talent for clever dialogue, and pointed social commentary with a light touch. The Anvil of the World is her first fantasy novel, a journey across a fantastic landscape filled with bizarre creatures, human and otherwise. It is the tale of Smith, of the large extended family of Smiths, of the Children of the Sun. They are a race given to blood feuds, and Smith was formerly an extremely successful assassin. Now he has wearied of his work and is trying to retire in another country, to live an honest life in obscurity in spite of all those who have sworn to kill him. His problems begin when he agrees to be the master of a caravan from the inland city of Troon to the seaside city of Salesh. The caravan is dogged with murder, magic, and the brooding image of the Master of the Mountain, a powerful demon, looking down from his mountain kingdom upon the greenlands and the travelers passing below. In Salesh, Smith becomes an innkeeper, but on the journey he befriended the young Lord Ermenwyr, a decadent demonic half-breed. Each time Ermenwyr turns up, he brings new trouble with him. The outgrowth of stories Baker has been writing since childhood, as engaging as Tolkien and yet nothing like him, Smith's adventure is certainly the only fantasy on record with a white-uniformed nurse, gourmet cuisine, one hundred and forty-four glass butterflies, and a steamboat. This is a book filled with intrigue, romance, sudden violence, and moments of emotional impact, a cast of charming characters, and echoes of the fantasy tradition from Lord Dunsany and Fritz Leiber to Jack Vance and Roger Zelazny.

It begins with a tragedy. Before the Riders came to their remote valley, the Yendri led a tranquil pastoral life. When the Riders conquered and enslaved them, only a few escaped to the forests. Only one of them possessed the necessary rage to fight back: Gard the foundling, half-demon, who began a one-man guerrilla war against the Riders. But his struggle ended in the loss of the family he loved and condemnation from his own people. Exiled, he was taken as a slave by powerful mages ruling an underground kingdom. Wiser and more bitter, he found more subtle ways to earn his freedom. This is the story of his rise to power, his vengeance, his unlikely redemption and marriage, and his maturation into a loving father—as well as a lord and commander of demon armies.

In this new story set in the world of The Anvil of the World and The House of the Stag, two teenagers join the crew of a huge river barge after their addict mother is drowned. The girl and her half-breed younger brother try to make the barge their new home. As the great boat proceeds up the long river, we see a panorama of cities and cultures, and begin to perceive patterns in the pirate attacks that happen so frequently in the river cities. Eliss, the girl, becomes a sharp-eyed spotter of obstacles in the river for the barge, and more than that, one who perceives deeply. A young boy her age, Krelan, trained as a professional assassin, has come aboard, seeking the head of a dead nobleman, so that there might be a proper burial. But the head proves as elusive as the real explanation behind the looting of cities, so he needs Eliss’s help. And then there is the massive Captain of the barge, who can perform supernatural tricks, but prefers to stay in his cabin and drink.

Kage Baker's death in 2010 silenced one of the most distinctive, consistently engaging voices in contemporary fiction. A late starter, Baker published her first short stories in 1997, at the age of forty-five. From then until the end of her life, she wrote prolifically and well, leaving an astonishing body of work behind. The Best of Kage Baker is a treasure trove that gathers together twenty stories and novellas, eleven of which have never been collected anywhere. The volume is bookended by a pair of tales from her best known and best loved creation: The Company, with its vivid cast of time traveling immortals. In 'Noble Mold,' Mendoza the botanist and Joseph, the ancient 'facilitator,' find themselves in 19th century California, where a straightforward acquisition grows unexpectedly complex, requiring, in the end, a carefully engineered 'miracle.' In 'The Carpet Beds of Sutro Park,' an autistic Company operative named Ezra encounters a lost soul named Kristy Ann, and finds a way to give her back the world that she has lost. Among the volume's many other highlights are a pair of brilliant Company novellas: the Hugo Award-nominated 'Son, Observe the Time' and 'Welcome to Olympos, Mr. Hearst,' a tour de force set in the Hollywood of the 1930s and featuring an encounter with legendary newspaper publisher William Randolph Hearst. There is also a generous assortment of equally brilliant standalone tales, including 'Calamari Curls,' the account of a faded resort town that takes a surprising turn into Lovecraftian terrain, and the World Fantasy Award-nominated 'Caverns of Mystery,' in which ancient stories play themselves out repeatedly, shaping and altering the world around them. These are only a few of the pleasures waiting within this book. The Best of Kage Baker is exactly what the title proclaims: the best short work of a gifted and irreplaceable writer. Anyone with an interest in first-rate imaginative fiction—anyone with an interest in lovingly crafted fiction of any kind—needs to read this book.

Never-before-published stories by Neil Gaiman, Eoin Colfer, Garth Nix, and a magical lineup of writers. Throughout the ages, the wizard has claimed a spot in human culture-from the shadowy spiritual leaders of early man to precocious characters in blockbuster films. Gone are the cartoon images of wizened gray-haired men in pointy caps creating magic with a wave of their wands. Today's wizards are more subtle in their powers, more discerning in their ways, and-in the hands of modern fantasists-more likely than ever to capture readers' imaginations. In Neil Gaiman's "The Witch's Headstone," a piece taken from his much-anticipated novel in progress, an eight-year-old boy learns the power of kindness from a long-dead sorceress. Only one woman possesses two kinds of magic-enough to unite two kingdoms-in Garth Nix's "Holly and Iron." Patricia A. McKillip's "Naming Day" gives a sorcery student a lesson in breaking the rules. And a famished dove spins a tale worthy of a meal, but perhaps not the truth, in "A Fowl Tale" by Eoin Colfer.