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Los pazos de Ulloa book cover
Los pazos de Ulloa
1886
First Published
3.78
Average Rating
264
Number of Pages

Part of Series

A rich and unforgettable tragic-comic novel of sexual intrigue and political scheming in nineteenth-century Spain, The House of Ulloa fully deserves to be recognised as one of the great novels of the age. The House of Ulloa follows pure and pious Father Julián Alvarez, who is sent to a remote country estate to put the affairs of the marquis, an irresponsible libertine, in order. When he discovers moral decadence, cruelty and corruption at his new home, Julián's well-meaning but ineffectual attempts to prevent the fall of the House of Ulloa end in tragedy. Combining gothic elements with humour and social satire, The House of Ulloa is the finest achievement of Emilia Pardo Bazán, a prolific writer, feminist, traveller and intellectual, and one of the most dynamic figures of her time.

Avg Rating
3.78
Number of Ratings
5,337
5 STARS
24%
4 STARS
40%
3 STARS
27%
2 STARS
6%
1 STARS
2%
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Author

Emilia Pardo Bazán
Emilia Pardo Bazán
Author · 31 books

Emilia Pardo Bazán was a Galician author and scholar from Galicia. She is known for bringing naturalism to Spanish literature, for her detailed descriptions of reality, and for her role in feminist literature of her era. Her first novel, Pascual López (1879), is a simple exercise in fantasy of no remarkable promise, though it contains good descriptive passages of romance. It was followed by a more striking story, Un viaje de novios (1881), in which a discreet attempt was made to introduce into Spain the methods of French realism. The book caused a sensation among the literary cliques, and this sensation was increased by the appearance of another naturalistic tale, La tribuna (1885), wherein the influence of Émile Zola is unmistakable. Meanwhile, the writer's reply to her critics was issued under the title of La cuestion palpitante (1883), a clever piece of rhetoric, but of no special value as regards criticism or dialectics. The best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family. A sequel, with the significant title of La madre naturaleza (1887), marks a further advance in the path of naturalism. She was also a journalist, essayist and critic. She died in Madrid.

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