One of America's most adored juvenile fiction writers, Louisa May Alcott (1832-1888) also penned anonymous and pseudonymous sensation stories for popular magazines. Her spellbinding tales of intrigue and suspense, violence and evil, jealousy and revenge, were uncovered by the detective work of Madeleine Stern and others, who scrutinized published and unpublished sources for clues to Alcott's secret literary life. Now Alcott's known thrillers are available for the first time in a single volume. Originally published between 1863 and 1870, these twenty-nine tales illuminate Alcott's versatility as a writer and her storytelling talents. The sensation stories, which feature a succession of powerful and passionate heroines, also reveal Alcott's feminist convictions. Alcott wrote for various magazines geared toward different groups of readers, and her works were tailored to conform to the standards and perceived interests of each audience. Serials carried by Frank Leslie's Illustrated Newspaper, with its mass readership, were sensational shockers that contained violent themes of narcotics addiction and brutal murder, while the stories for Frank Leslie's Lady's Magazine required genteel overtones and less violent plots. The toned-down sensationalism, however, did not preclude feminist heroines, or the titillation of sexual exchanges and the excitement of sexual power struggles. All the tales in Louisa May Alcott Unmasked are engaging potboilers with vivid characters, exotic backdrops, and complex plots that will beguile today's readers.
Author
People best know American writer Louisa May Alcott for Little Women (1868), her largely autobiographical novel. As A.M. Barnard: Behind a Mask, or a Woman's Power (1866) The Abbot's Ghost, or Maurice Treherne's Temptation (1867) A Long Fatal Love Chase (1866 – first published 1995) First published anonymously: A Modern Mephistopheles (1877) Philosopher-teacher Amos Bronson Alcott, educated his four daughters, Anna, Louisa, Elizabeth and May and Abigail May, wife of Amos, reared them on her practical Christianity. Louisa spent her childhood in Boston and Concord, Massachusetts, where visits to library of Ralph Waldo Emerson, excursions into nature with Henry David Thoreau, and theatricals in the barn at Hillside (now "Wayside") of Nathaniel Hawthorne enlightened her days. Like Jo March, her character in Little Women, young Louisa, a tomboy, claimed: "No boy could be my friend till I had beaten him in a race, ... and no girl if she refused to climb trees, leap fences...." Louisa wrote early with a passion. She and her sisters often acted out her melodramatic stories of her rich imagination for friends. Louisa preferred to play the "lurid" parts in these plays, "the villains, ghosts, bandits, and disdainful queens." At 15 years of age in 1847, the poverty that plagued her family troubled her, who vowed: "I will do something by and by. Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich and famous and happy before I die, see if I won’t!" Confronting a society that offered little opportunity to women, seeking employment, Louisa determined "...I will make a battering-ram of my head and make my way through this rough and tumble world." Whether as a teacher, seamstress, governess, or household servant, Louisa ably found work for many years. Career of Louisa as an author began with poetry and short stories in popular magazines. In 1854, people published Flower Fables, her first book, at 22 years of age. From her post as a nurse in Washington, District of Columbia, during the Civil War, she wrote home letters that based Hospital Sketches (1863), a milestone along her literary path. Thomas Niles, a publisher in Boston, asked 35-year-old Louisa in 1867 to write "a book for girls." She wrote Little Women at Orchard House from May to July 1868. Louisa and her sisters came of age in the novel, set in New England during Civil War. From her own individuality, Jo March, the first such American juvenile heroine, acted as a living, breathing person rather than the idealized stereotype that then prevailed in fiction of children. Louisa published more than thirty books and collections of stories. Only two days after her father predeceased her, she died, and survivors buried her body in Sleepy Hollow cemetery in Concord.
