This volume is the second in a chronological series, The Complete Love and Rockets Library, and the first that collects comics writer-artist Gilbert Hernandez's main "Palomar" storyline and more. Heartbreak Soup reprints the earliest tales a small Central American town, Palomar, beginning with the groundbreaking "Sopa de Gran Pena" (which introduces most of his main cast of characters as children, plus imposing newcomer Luba), and continuing on through such classics as "Ecce Homo," "Act of Contrition," "Duck Feet," and the great love story "For the Love of Carmen." In addition to seeing Hernandez develop as a cartoonist from 1983 to 1988, readers will see how he draws characters with various body types that change as they age in "real-time." These stories first appeared in the long-running (and ongoing) Love and Rockets comics series, also featuring work by Gilbert's brothers, Jaime and Mario. L has been called "the greatest American comic book series of all time" by Rolling Stone and "a great, sprawling American novel" by GQ. It broke ground with its craft and the casual intersectionality of its huge and diverse casts of nuanced characters (many of whom are LGBQTIA+) who live and have relationships in often-naturalistic settings and situations (although L has SF and magical realist elements too). Along with contemporaries Chris Ware, Lynda Barry, and Daniel Clowes, the Hernandez brothers pushed the comics medium into new artistic heights.

For the first half decade of Love and Rockets, Gilbert Hernandez focused on fleshing out his small Central American hamlet of Palomar. But eventually this became too restrictive for the kinds of stories he wanted to tell, and he created, in quick succession, two major standalone graphic novels. Beyond Palomar collects these two groundbreaking works, together for the first time. "Poison River" is a dizzying period piece often hailed as one of Hernandez's masterpieces. It traces the pre-Palomar childhood of Luba, her teenage marriage to gangster Peter Rio, the secrets behind her mysterious mother, all the way up to her subsequent escape and arrival in Palomar. This story introduces a number of characters and themes that occupied later issues of Love and Rockets (including Luba's mother Maria and her sinister guardian angel Gorgo), and is a riveting page-turner besides, with lots of sex, drugs, guns, politics, and women who can crack walnuts with their stomachs. "Love and Rockets X," set in the early 1990s (in the waning years of Bush I's post-Reagan hangover, with Gulf War I in the background), takes us from plush Beverly Hills to the dangerous east side and introduces us to a dizzyingly diverse cast of characters, including a lowlife rock 'n' roll band, a "posse" of black youths, a ditzy Hollywood mom and her spoiled son, a gay activist filmmaker and his rebellious, half-Iraqi daughter, and a group of racist thugs whose violent attack on an older woman sets the plot in motion—as well as bringing in several older characters, including a couple of Palomar expatriates. Beyond Palomar is a wildly original diptych of graphic novels by one of the great cartooning talents of the last quarter century.

Gilbert Hernandez’s sprawling family saga focuses on the United States, where newly immigrated Luba and her sisters, body-builder Petra and therapist/film star Fritz, find their families’ and friends’ lives becoming more and more intertwined. As the three sisters have “memories of sweet youth,” the next generation finds the spotlight: Luba’s adult daughter Doralís emcees the proceedings in her role as mischievous host of a children’s TV show, while Petra’s little girl, Venus, has adventures with her aunt Fritz and her best friend Yoshio. At her mother’s urging, Venus also writes missives to her fierce, one-armed cousin Casimira, who’s back in Palomar. In these stories—never before collected together—Venus tells it like it is!

In Ofelia, the sisters, the kids, and the cousins are all settled comfortably in California after leaving Palomar in Luba and Her Family. Luba and her cousin Ofelia's relationship has always been fraught, but when Ofelia threatens to write a book about Luba, past memories, secrets, resentments, and pain resurface. Meanwhile, Luba's children genius Socorro, recently out-and-proud Doralis, and prickly Maricela show that a talent for trouble may be hereditary. Luba's sisters, Fritz and Petra, swap lovers (as usual), but . . . are Fritz and family friend Pipo sittin' in a tree? These vividly drawn characters are charged with Hernandez's trademark complexity; they live, love, age, fight and die in this sweeping, multigenerational saga.

For the first time ever, Fantagraphics is proud to present a single-volume collection of Gilbert Hernandez's "Heartbreak Soup" stories from Love & Rockets, which along with RAW magazine defined the modern literary comics movement of the post-underground generation. This massive volume collects every "Heartbreak Soup" story from 1993 to 2002 in one 500-page deluxe hardcover edition, presenting the epic for the first time as the single novel it was always intended to be. Palomar is the mythical Central American town where the "Heartbreak Soup" stories take place. The stories weave in and out of the town's entire population, crafting an intricate tapestry of Latin American experience. Hernandez's densely plotted and deeply imagined tales are often compared with magic realist authors like Gabriel Garcia Marquez and Isabel Allende (House of the Spirits). His depictions of women and Mexican-American experience have been universally lauded as the best examples the artform has to offer. Luba, the guiding spirit of Palomar since the outset, has been hailed by The Nation, Rolling Stone, and Time magazine as one of the great characters of contemporary American fiction. Hernandez's work, in addition to the obvious magic realist comparisons, shares an affinity with other Latin American and Spanish writer/artists, like Frida Kahlo, Federico Garcia Lorca and Pablo Picasso, all of whom applied a surrealist eye to what they saw and experienced. Palomar follows the lives of its residents from Luba's arrival in the town to her exit, twenty years later. Included are such classic tales as "Sopa de Gran Pena," "Ecce Homo," "An American in Palomar," "Human Diastrophism," and "Farewell, Mi Palomar." Palomar presents one of the richest accomplishments in the history of the artform in its ideal format for the first time, making it a must-have for longtime Love & Rockets fans and new readers alike.