Afterword on the history of pulp paperbacks Digitized from rare pulp edition His only escape was to become another man! Allen Sibley was a frightened little man—frightened for his life. In the corrupt, swindling world of cutthroat big business on Earth in 2197, Sibley had made the unforgiv¬able error—he had been found out. And worse, someone had known this would happen, someone who waited quietly to collect Sibley's entire fortune in exchange for a gamble—but it was the only gamble which might save his life! When circumstances forced him to do it, he took a new name—Sullivan—and bought himself a new big, strong and healthy. And then he gradually learned that he had a new mind—which was neither Sibley's nor Sullivan's. The only thing he hadn’t known, was that he’d have to live the rest of his days on Pluto… tormented by the knowledge that those from whom he was escaping on Earth were now closing in on him. About Vintage Paperback Pulp A new revolution was underway at the start of the 1940s in America—a paperback revolution that would change the way publishers would produce and distribute books and the reading public would consume them. In 1939 a new publishing company—Pocket Books—stormed onto the scene with the publication of its first paperbound book. Unlike hardback books, these pulp paperbacks were inexpensive and readily available everywhere. The American public could not get enough of them. During the 1940s, mysteries and romances were the hot sellers. In the early 1950s, new pulp fiction subgenres emerged—science fiction, westerns, gay & lesbian fiction, juvenile delinquent and “sleaze”, for instance—that would tantalize readers with gritty, realistic and lurid stories never seen before. Publishers soon came to realize that sex sells. In a competitive frenzy for readers, they turned from straightforward "tasteful" cover images to alluring covers that frequently featured a sexy woman in some form of undress, along with a suggestive tag line that promised stories of sex and violence within the covers. To this day, the pulp cover art of these vintage paperback books is just as sought after as the books themselves were sixty years ago. We are excited to make these wonderful pulp fiction stories available in ebook format to new generations of readers, as a new revolution—the ebook revolution—is in full swing. We hope you will enjoy this nostalgic look back at a period in American history when dames were dangerous, tough-guys were deadly and dolls were downright delicious.
Author
Algis Budrys was a Lithuanian-American science fiction author, editor, and critic. He was also known under the pen names Frank Mason, Alger Rome, John A. Sentry, William Scarff, Paul Janvier, and Sam & Janet Argo. Called "AJ" by friends, Budrys was born Algirdas Jonas Budrys in Königsberg in East Prussia. He was the son of the consul general of the Lithuanian government, (the pre-World War II government still recognized after the war by the United States, even though the Soviet-sponsored government was in power throughout most of Budrys' life). His family was sent to the United States by the Lithuanian government in 1936 when Budrys was 5 years old. During most of his adult life, he held a captain's commission in the Free Lithuanian Army. Budrys was educated at the University of Miami, and later at Columbia University in New York. His first published science fiction story was The High Purpose, which appeared in Astounding Science Fiction in 1952. Beginning in 1952 Budrys worked as editor and manager for such science fiction publishers as Gnome Press and Galaxy Science Fiction. Some of his science fiction in the 1950s was published under the pen name "John A. Sentry", a reconfigured Anglification of his Lithuanian name. Among his other pseudonyms in the SF magazines of the 1950s and elsewhere, several revived as bylines for vignettes in his magazine Tomorrow Speculative Fiction, is "William Scarff". He also wrote several stories under the names "Ivan Janvier" or "Paul Janvier." He also used the pen name "Alger Rome" in his collaborations with Jerome Bixby. Budrys' 1960 novella Rogue Moon was nominated for a Hugo Award, and was later anthologized in The Science Fiction Hall of Fame, Volume Two (1973). His Cold War science fiction novel Who? was adapted for the screen in 1973. In addition to numerous Hugo Award and Nebula Award nominations, Budrys won the Science Fiction Research Association's 2007 Pilgrim Award for lifetime contributions to speculative fiction scholarship. In 2009, he was the recipient of one of the first three Solstice Awards presented by the SFWA in recognition of his contributions to the field of science fiction. Budrys was married to Edna Duna; they had four sons. He last resided in Evanston, Illinois. He died at home, from metastatic malignant melanoma on June 9, 2008.
