Sabina Murray was born in 1968 in Lancaster, Pennsylvania. She is of mixed parentage—her mother a Filipina from Manila, her father a former Jesuit scholastic turned anthropologist from Boston. Her parents met in Washington DC, where both were pursuing graduate degrees. At the age of two she moved to Perth with her family, when her father accepted a position at the University of Western Australia. In 1980 the family moved again, this time to Manila, to be closer to her mother’s family. Although Sabina Murray is an American citizen, she did not live again in the United States until she attended college. She feels that she moves easily through the various cultures that have forged her own identity: Australian, Filipino, and American. She now lives in Amherst, Massachusetts, with her family, where she directs, and teaches in, the Creative Writing Program at Umass. In 1989, Murray’s novel, Slow Burn, set in the decadent Manila of the mid-eighties, was accepted for publication, when Murray was twenty years old. Later, she attended the University of Texas at Austin where she started work on The Caprices, a short story collection that explores the Pacific Campaign of WWII. In 1999, Murray left Texas for Cambridge, Massachusetts, where she had a Radcliffe Fellowship at Harvard. In January, 2002, Murray published The Caprices, which won the PEN Faulkner Award. Murray’s next novel, A Carnivore’s Inquiry, follows Katherine Shea, a woman of strange appetites, as she moves from man to man ruminating on the nature of cannibalism in western history, literature and art. The book is a dark comedy that is concerned with power and hunger. Forgery is her most recent book, and this looks at authenticity by following Rupert Brigg, who is exploring art and escaping grief in Greece in the early sixties. Both novels were Chicago Tribune Best Books. Her most recent book, Tales of The New World, a collection of short stories with an interest in explorers, was released by Grove/​Black Cat in November, 2011. She is hard at work on a novel that looks at the friendship between the Irish revolutionary Roger Casement and the artist Herbert Ward. Murray is also a screenwriter and wrote the script for the film Beautiful Country, released in 2005. Beautiful Country follows the story of Binh, a young Amerasian man who comes to the U.S. from Vietnam in search of the father he never knew. Terrence Malick commissioned Murray to write the screenplay. Murray has been a Michener Fellow at UT Austin, a Bunting fellow at Radcliffe, a Guggenheim Fellow, and has received the PEN/​Faulkner Award, a Massachusetts Cultural Council Grant, a Umass Research and Creativity Award, and a Fred Brown Award for The Novel from the University of Pittsburgh. Beautiful Country was nominated for a Golden Bear and the screenplay was nominated for an Amanda Award (the Norwegian Oscars!) and an Independent Spirit Award.

Dr. José Y. Dalisay Jr. (Butch Dalisay to readers of his "Penman" column in the Philippine STAR) was born in Romblon, Philippines in 1954. As of January 2006, he had published 15 books of his stories, plays, and essays, with five of those books receiving the National Book Award from the Manila Critics Circle. In 1998, he was named to the Cultural Center of the Philippines (CCP) Centennial Honors List for his work as a playwright and fictionist. He graduated from the University of the Philippines in 1984 (AB English, cum laude ), the University of Michigan (MFA, 1988) and the University of Wisconsin-Milwaukee (PhD English, 1991). He teaches English and Creative Writing as a full professor at the University of the Philippines, where he also serves as coordinator of the creative writing program and as an Associate of the UP Institute of Creative Writing. After serving as chairman of the English Department, he became Vice President for Public Affairs of the UP System from May 2003 to February 2005. Among his distinctions, he has won 16 Palanca Awards in five genres (entering the Palanca Hall of Fame in 2000), five Cultural Center of the Philippines awards for playwriting, and Famas, Urian, Star and Catholic Film awards and citations for his screenplays. He was named one of The Outstanding Young Men (TOYM) of 1993 for his creative writing. He has been a Fulbright, Hawthornden, David TK Wong, Rockefeller, and British Council fellow.

Eric T. Gamalinda is a poet, a fictionist and an essayist. He took undergraduate courses at the UST for three years and the UP for a semester. He was a local fellow for poetry of the UP ICW in 1983. In 1990, he went to Great Britain to represent the Philippines in the Cambridge International Writers’ Conference and to attend the Hawthornden International Writers’ Retreat in Scotland, 1991. he got a Rockefeller Foundation residency in Bellagio, Italy. He participated in the Japan International Cooperation Agency’s Programme for the 21st century. He currently works with the Center for Investigative Journalism. Gamalinda’s poems are collected in Fire Poem/Rain Poem (1976) and Lyrics From a Dead Language (1991). His stories have been gathered in Peripheral Vision (1992). His first novel, Planet Waves (1989), was set during the turbulent Martial Law era. A second novel, Confessions of a Volcano (1990), was written after a visit to Japan, and explores the differences between Filipino and Japanese consciousness. A third novel, The Empire of Memory (1992), is set against the momentous events before, during, and after the EDSA revolt. Two of Gamalinda’s poetry collections won prizes in the Palanca. Ara Vos Prec won in 1985, while Patria y Muerte won in 1988. He also won Palanca awards for: Anatomy of a Passionate Derangement, a one-act play in 1980, "Mourning and Weeping in this Valley of Tears," a short story in 1988, and "The Unbearable Lightness of EDSA," an essay in 1990. His novel, Planet Waves received the National Book Award for fiction from the Manila Critics Circle in 1989. (Source here.)

Maria Felisa H. Batacan is a Filipino journalist and a writer of crime and mystery fiction. Her work has been published in the Philippines and abroad under the name F.H. Batacan. She was a fellow at the 1996 Dumaguete National Writers' Workshop. Batacan worked in the Philippine intelligence community and then became a broadcast journalist. She attended the University of the Philippines, where she pursued a master's degree in Arts Studies. In 1999 her manuscript, Smaller and Smaller Circles, won the Don Carlos Palanca Memorial Awards for Literature Grand Prize for the English Novel. This novel was published in 2002 by the University of the Philippines Press. Although most Filipino English-language fiction works garner a single print run of only 1,000 copies,Smaller and Smaller Circles had been reprinted four times by the year 2006, for a total of 6,000 copies. The novel was one of the first Filipino works of crime fiction. The novel also won the 2002 Manila Critics’ Circle National Book Award and the Madrigal-Gonzales Best First Book Award in 2003. In 2008, she won 1st prize in the English short story category of the Philippines Free Press Literary Awards.

Lourd Ernest Hanopol de Veyra is a multi-awarded Filipino musician, poet, journalist, broadcast personality, and activist who first became famous for being the vocalist of Manila-based jazz rock band Radioactive Sago Project. De Veyra graduated with a Bachelor of Arts in Journalism from the University of Santo Tomas. As literary influences, de Veyra cites Beat movement writers such as Allen Ginsberg and Jack Kerouac. He explains, speaking as a fellow at the 45th UP National Writers Workshop: “What I look for in poetry is an uneasy kind of energy. An energy that is already beyond the configuration of words and then assumes a density that is akin to music. At the heart of it all is jazz. Jazz, the manipulation of breath—the unleashing of breath, the holding of breath, the destruction of breath. The most basic unit of jazz is the swing and the breath. My primary influence is the Beat movement and I think my initial fascination for them was rather hinged on the wrong reasons: the radical visual arrangement of lines on the page, the profanity and the absurdity that struck my mind as a welcome relief from the stultifying archaisms of 17th-century English poetry force-fed on us by high school teachers. Here was, at long last, literature that spoke to me. It was in sympathy with the energy of free jazz and punk rock records that I was listening to at that time. Through the lyrics of punk rock and hardcore records, I had an inkling of how words can be more powerful than a guitar amplifier cranked up all the way to ten. My exposure to the poetry of Ginsberg and Kerouac opened me up to the world of possibilities. And I am obsessed with the idea of ‘possibility’. ‘Possibility’ is what art is all about. It is the constant wrestling with forms, styles, and structures. It is the idea that something better is always out there. It is about discontent. It is about discontent with the safe, the middling, the accepted, and the acceptable.” He has thrice been a recipient of a Don Carlos Palanca Memorial Award for Literature - A Third prize in essay (English division) in 1999, a second prize in the same category in 2003; and a first prize in teleplay (Filipino division) in 2004. When the hardcore punk band Dead Ends ended their 4 year hiatus, he became the band's lead guitarist in 1994, thus making Dead Ends a four piece band. Then, they recorded their comeback and final album, the influential Mamatay sa Ingay(1994), it was a different sound than their past materials, it was more of a crossover-thrash approach. When Dead Ends disbanded in 1996(because of Jay Dimalanta's passing). He also became a member of Al Dimalanta's new band Throw, with his brother Francis playing the bass.