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May It Fill Your Soul book cover
May It Fill Your Soul
Experiencing Bulgarian Music
1994
First Published
4.12
Average Rating
386
Number of Pages

In this vivid musical ethnography, Timothy Rice documents and interprets the history of folk music, song, and dance in Bulgaria over a seventy-year period of dramatic change. From 1920 to 1989, Bulgaria changed from a nearly medieval village society to a Stalinist planned industrial economy to a chaotic mix of capitalist and socialist markets and cultures. In the context of this history, Rice brings Bulgarian folk music to life by focusing on the biography of the Varimezov family, including the musician Kostadin and his wife Todora, a singer. Combining interviews with his own experiences of learning how to play, sing and dance Bulgarian folk music, Rice presents one of the most detailed accounts of traditional, aural learning processes in the ethnomusicological literature. Using a combination of traditionally dichotomous musicological and ethnographic approaches, Rice tells the story of how individual musicians learned their tradition, how they lived it during the pre-Communist era of family farming, how the tradition changed with industrialization brought under Communism, and finally, how it flourished and evolved in the recent, unstable political climate. This work—complete with a compact disc and numerous illustrations and musical examples—contributes not only to ethnomusicological theory and method, but also to our understanding of Slavic folklore, Eastern European anthropology, and cultural processes in Socialist states.

Avg Rating
4.12
Number of Ratings
26
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4 STARS
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Author

Timothy Rice
Timothy Rice
Author · 3 books
Timothy Rice is a professor of ethnomusicology at the UCLA Herb Alpert School of Music. He specializes in the traditional music of the Balkans, especially from the Slavic-speaking nations of Bulgaria and Macedonia. He has served the field of ethnomusicology in a variety of ways, including editing the journal Ethnomusicology (1981-1984), acting as President of the Society for Ethnomusicology (2003-2005), and serving on the Executive Board of the International Council for Traditional Music (2007-20013). He served as Associate Dean of the UCLA School of the Arts and Architecture from 2005 to 2008. He served as director of The UCLA Herb Alpert School of Music from 2007 to 2013.
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