Margins
McSweeney’s Quarterly Concern book cover 1
McSweeney’s Quarterly Concern book cover 2
McSweeney’s Quarterly Concern book cover 3
McSweeney’s Quarterly Concern
Series · 59
books · 1983-2026

Books in series

Timothy McSweeney's Quarterly Concern, Issue 1, Autumn 1998 book cover
#1

Timothy McSweeney's Quarterly Concern, Issue 1, Autumn 1998

"Gegenshein", or "The Ski Instructor"

1998

Tome I : La revue McSweeney's a été créée en 1998 par le romancier Dave Eggers, l'auteur de Suive qui peut. Il l'a conçue comme un laboratoire de formes et un lieu d'accueil pour des écrivains aventureux. On trouvera ici les figures majeures de la jeune génération américaine : Rick Moody, William T. Vollmann ou David Foster Wallace, mais aussi Zadie Smith (en visite amicale et transatlantique) et une pléiade de nouveaux talents. Cette première anthologie, qui nous entraîne de l'Amérique profonde à la Bosnie et aux anneaux de Saturne, reflète la diversité d'approches et de thèmes de cette relève littéraire : satire sociale, croquis intimistes, rêveries scientifiques... mais aussi des textes à la frontière de la fiction et du reportage. On y croise aussi bien des hommes préhistoriques que le terroriste américain Unabomber, un hypnotiseur ou des indépendantistes hawaïens. Avec pour point commun une écriture inventive, un humour grinçant et un regard lucide sur la folie du monde. Dix-sept voix singulières qui offrent un panorama inestimable de la littérature américaine d'aujourd'hui et de demain. Tome II : Ce deuxième florilège de la revue McSweeney's continue de nous faire découvrir les enfants terribles de l'Amérique. Des auteurs déjà consacrés (Jonathan Lethem, Aleksandar Hemon, A. M. Homes), mais surtout leurs cadets, ceux qui façonneront l'avenir de la littérature américaine. La figure de Kafka hante plusieurs de ces nouvelles, volontiers insolites, et où la compassion est toujours tempérée d'ironie. Au fil des pages, on rencontre un éléphant assassin, des savants illuminés, des familles dysfonctionnelles, des faussaires, des missionnaires égarés. On y découvre entre autres que la Cour suprême américaine effectue ses choix juridiques sur un terrain de basket. Mais on y entend aussi le tumulte du monde, à travers l'histoire d'une jeune musulmane américaine qui choisit d'arborer le foulard en pleine guerre du Golfe. Et les allégories les plus fantastiques ne nous renvoient jamais qu'à nous-mêmes. Dans ces textes sarcastiques ou poignants, c'est notre monde qui se révèle, et c'est l'avenir de la littérature américaine qui se dessine.
Timothy McSweeney's Quarterly Concern, Issue 3, Summer-Fall 1999 book cover
#3

Timothy McSweeney's Quarterly Concern, Issue 3, Summer-Fall 1999

"Timothy McSweeney's Windfall Republic"

1999

"Windfall Republic" Jason Adams, Arthur Bradford, Dean F. Curry, Jason De Joux, Camden Joy, Jonathan Lethem, Paul Maliszewski, Denise O'Mara, Morgan Phillips, Christopher P. Riley-Zaliniev, Rodney Rothman, David Shields, Sarah Vowell, Colleen Werthmann Main Steve Amick, Zev Borow, Judy Budnitz, Paul Collins, Ana Marie Cox, Dave Eggers (as Lucy Thomas), Ken Foster, Gary Greenberg, Brian Greene, Kirsten Haas, Jim Hanas, Aleksandar Hemon, Brent Hoff, Cynthia Kaplan, Komar and Melamid, J. Robert Lennon, Dr. Randy Lewis, Magnus Mills, Rick Moody, Christina Nunez, Mark O'Donnell, Tracy Olssen, T. Z. Parsa, A. G. Pasquella, Todd Pruzan, Amy Krouse Rosenthal, Edwin Rozic, Christopher Sorrentino, Saul Steinberg, David Steinhardt, Dr. Jeff Turner, Tom Tomorrow, Dr. Fritz Vollrath, John Warner, E. Weinberger, Lawrence Weschler
Timothy McSweeney's Quarterly Concern, Issue 4, Winter 2000 book cover
#4

Timothy McSweeney's Quarterly Concern, Issue 4, Winter 2000

"Trying, Trying, Trying, Trying, Trying"

2000

Issue number 4 of the McSweeny's publication. This one comes in a box with a number of stories and articles.
McSweeney's #07 book cover
#7

McSweeney's #07

2001

The seventh edition of this American literary quarterly includes stories by nine Kevin Brockmeier, Michael Chabon, Ann Cummins, Courtney Eldridge, A.M. Homes, Heidi Julavits, JT Leroy, Allan Seager, William T. Vollmann, and Chris Ware. Each story is published separately in booklet form, held together by a blue and grey hardboard clamshell. McSweeney's features some of the most innovative writing on the American literary scene today.
McSweeney's #08 book cover
#8

McSweeney's #08

2002

Literary Anthology.
McSweeney's #09 book cover
#9

McSweeney's #09

2002

Articles by Denis Johnson and others.
McSweeney's Mammoth Treasury of Thrilling Tales book cover
#10

McSweeney's Mammoth Treasury of Thrilling Tales

2003

Includes: Jim Shepard’s "Tedford and the Megalodon" Glen David Gold’s "The Tears of Squonk, and What Happened Thereafter" Dan Chaon’s "The Bees" Kelly Link’s "Catskin" Elmore Leonard’s "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman" Carol Emshwiller’s "The General" Neil Gaiman’s "Closing Time" Nick Hornby’s "Otherwise Pandemonium" Stephen King’s "The Tale of Gray Dick" Michael Crichton’s "Blood Doesn’t Come Out" Laurie King’s "Weaving the Dark" Chris Offutt’s "Chuck’s Bucket" Dave Eggers’s "Up the Mountain Coming Down Slowly" Michael Moorcock’s "The Case of the Nazi Canary" Aimee Bender’s "The Case of the Salt and Pepper Shakers" Harlan Ellison’s "Goodbye to All That" Karen Joy Fowler’s "Private Grave 9" Rick Moody’s "The Albertine Notes" Michael Chabon’s "The Martian Agent, a Planetary Romance" Sherman Alexie’s "Ghost Dance"
McSweeney's #11 book cover
#11

McSweeney's #11

2003

Issue 11 features contributions by many of your favorite McSweeney's writers, as well as a chorus of new voices. Contributors include: Tom Bissell, Sean Warren, Samantha Hunt, Robert Olmstead, T.C. Boyle, David Means, Doug Dorst, Joyce Carol Oates, A.G. Pasquella, Brent Hoff, Stephen Elliott, Daphne Beal, Denis Johnson, and many others. McSweeney's Quarterly Concern Issue 11 comes complete with a letters section and an interview with prominent scientists, in this case with those investigating the recently found colossal squid, the largest known to man.
McSweeney's #13 book cover
#13

McSweeney's #13

2004

This issue is all comics. It is edited by Chris Ware (author of Jimmy Corrigan: Smartest Kid on Earth), and features so many artists to know and love: Lynda Berry, Mark Beyer, Chester Brown, Jeffrey Brown, Ivan Brunetti, Charles Burns, Malachi B. Cohen, Daniel Clowes, David Collier, Robert Crumb, Kim Deitch, Julie Douchet, Debbie Drechsler, Bud Fisher, Ira Glass, Glen David Gold, Milt Gross, Philip Guston, David Heatley, Gilbert Hernandez, Jaime Hernandez, Goerge Herriman, Ben Katchor, Kaz, Chip Kidd, John McLenan, Joe Matt, Richard McGuire, Mark Newgarden, Archer Prewitt, Gary Panter, Charles Schulz, Joe Sacco, Richard Sala, Tim Samuelson, Seth, Art Spiegelman, Adrian Tomine, Micheal Chabon, Rodolphe Topffer, John Updike, Chris Ware, and Jim Woodring.
McSweeney's #15 book cover
#15

McSweeney's #15

2005

McSweeney's began in 1998 as a literary journal, edited by Dave Eggers, which published only works rejected from other magazines. But after the first issue, the journal began to publish pieces written with McSweeney's in mind. Soon after, McSweeney's attracted works from some of the finest writers in the country, including David Foster Wallace, Ann Cummins, Rick Moody, Heidi Julavits, Jonathan Lethem, William T. Vollmann, and many new talents. Today, McSweeney's has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times. McSweeney's publishes on a roughly quarterly schedule, and each issue is markedly different from its predecessors in terms of design and editorial focus.
McSweeney's #16 book cover
#16

McSweeney's #16

1983

McSweeney's began in 1998 as a literary journal, edited by Dave Eggers, which published only works rejected from other magazines. But after the first issue, the journal began to publish pieces written with McSweeney's in mind. Soon after, McSweeney's attracted works from some of the finest writers in the country, including David Foster Wallace, Ann Cummins, Rick Moody, Heidi Julavits, Jonathan Lethem, William T. Vollmann, and many new talents. Today, McSweeney's has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times. McSweeney's publishes on a roughly quarterly schedule, and each issue is markedly different from its predecessors in terms of design and editorial focus.
McSweeney's #17 book cover
#17

McSweeney's #17

2005

Issue 17 is not an ordinary issue of McSweeney's. It is, however, an ordinary-looking bundle of mail, stacked and rubber-banded, containing the usual a recent issue of Yeti Researcher; a large envelope, called Envelope, containing fine oversized reproductions of new art; a sausage-basket catalog; a flyer for slashed prices on garments that are worn by more than one person at a time; a new magazine of experimental fiction called Unfamiliar; a couple letters... the usual. This might be the strangest and most pleasure-giving issue yet.
McSweeney's #18 book cover
#18

McSweeney's #18

2005

McSweeney's began in 1998 as a literary journal, edited by Dave Eggers, which published only works rejected from other magazines. But after the first issue, the journal began to publish pieces written with McSweeney's in mind. Soon after, McSweeney's attracted works from some of the finest writers in the country, including David Foster Wallace, Ann Cummins, Rick Moody, Heidi Julavits, Jonathan Lethem, William T. Vollmann, and many new talents. Today, McSweeney's has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times. McSweeney's publishes on a roughly quarterly schedule, and each issue is markedly different from its predecessors in terms of design and editorial focus.
McSweeney's #19 book cover
#19

McSweeney's #19

2006

McSweeney s began in 1998 as a literary journal that published only works rejected from other magazines. Today, it has grown to be one of the country s best and largest-circulation literary journals, attracting works from some of the finest writers in the country, including David Foster Wallace, Ann Cummins, Rick Moody, Heidi Julavits, Jonathan Lethem, William T. Vollmann, and many new talents. McSweeney's publishes on a roughly quarterly schedule, and each issue is markedly different from its predecessors in terms of design and editorial focus. It has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times. We have no idea what Issue 20 will be.
McSweeney's #20 book cover
#20

McSweeney's #20

2006

McSweeney's has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times. We have no idea what Issue 20 will be.
McSweeney's #21 book cover
#21

McSweeney's #21

2006

With work by Roddy Doyle, Stephen Elliott, Peter Orner, Joyce Carol Oates, Yannick Murphy, and Miranda July, as well as the triumphant return of Arthur Bradford and stories concerning fistfighting Mormons, New Zealand police malfeasance, and a man named Trang, and with all of those works interspersed with heartfelt letters to Ray Charles and storyboards by some of the finest pen-and-ink artists of our day, our twenty-first issue is sure to be one of our best assemblages yet.
Timothy McSweeney's Quarterly Concern, Issue 22, 2007 book cover
#22

Timothy McSweeney's Quarterly Concern, Issue 22, 2007

"Three Books Held Within By Magnets"

2007

McSweeney's Issue 22 is a three-part exercise in inspired restriction—of author, of content, and of form. In section one, poets (yes—poets!) including Mary Karr, Denis Johnson, C. D. Wright, and D. C. Berman initiate poet-chains, picking a poem of their own and one by another poet. The next poet will then do the same, and then again, and again, and so on. In section two, Fitzgerald (yes—F. Scott Fitzgerald!) provides a list of unused story premises first cataloged in The Crack-Up ; his mission is completed by writers like Diane Williams and Nick Flynn. In section three, finally, the president of France's (yes—France!) legendary Oulipians offers a rare glimpse into his group's current experiments with linguistic constraint. Freedom's just another word for nothing left to lose.
McSweeney's #24 book cover
#24

McSweeney's #24

2007

McSweeney's began as a literary journal which published only works rejected from other magazines. But after the first issue, the journal began to publish pieces written with McSweeney's in mind, attracting works from some of the finest writers in the country and many new talents. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times. Contents: Trouble: How to make millions in the oil market - Christopher R. Howard Stockholm, 1973 - Joe Meno Bored to death - Jonathan Ames Look at me - Aaron Gwyn Death of Nick Carter - Philippe Soupault (trans. Robin Walz) Come back, Donald Barthelme: Introduction - Justin Taylor Come back Donald Barthelme: A symposium - curated & edited by Justin Taylor The bed - Donald Barthelme Pages - Donald Barthelme (writing as David Reiner)
McSweeney's #26 book cover
#26

McSweeney's #26

2008

McSweeney's 26 comes in three parts: two small, oblong books of stories by writers large and small (John Brandon, Amanda Davis, Uzodinma Iweala, and eight more), set in regions near and far (Kazakhstan, Bosnia, Spain, Arkansas), and a third book, Where to Invade Next, edited by Stephen Elliott and inspired by actual Pentagon documents, which seeks to give a picture of just how our government could create a rationale for its next round of wars. Read them one at a time, or all at once, but know that this one’s got it all—whirlwind visions of the world of today, and dead-serious essays about which parts of it the United States might soon be confronting.
McSweeney's #27 book cover
#27

McSweeney's #27

2008

Plunging straight into the grayish, faintly understood area of the art world that involves oddly drawn objects coupled with uncertainly spelled text, McSweeney's Issue 27 brings together a previously uncategorized cadre of pithy draftsmen, genius doodlers, and fine-artistic cartoonists, and buffets them with articles examining just what it is that these people are doing and why the world should know about it. Featuring work from David Shrigley, Tucker Nichols, and many others—including an unreleased Art Spiegelman sketchbook—the latest quarterly from McSweeney's presents a new kind of contemporary art.
McSweeney's #28 book cover
#28

McSweeney's #28

2008

In eight illustrated books, elegantly held together in a single beribboned case, McSweeney’s 28 explores the state of the fable—those astute and irreducible allegories one doesn’t see so much anymore in our strange new age, when everyone is wild for the latest parable or apologue but can’t find time for anything else. Featuring fable-length work by Daniel Alarcón, Sheila Heti, and Nathan Englander, and different illustrators for each piece, McSweeney’s 28 promises to offer many nights’ worth of fine reading.
McSweeney's #30 book cover
#30

McSweeney's #30

2009

Featuring new work by Wells Tower, Michael Cera, and Etgar Keret, along with as always a bevy of lesser-known but nonetheless excellent writers investigating everything from mental hospitals to sentient mists, and possibly some kind of poster, Issue 30 warrants every ounce of attention and industry you'll give it, even if you are very important and your time is valuable—even if the fate of nations rests on your weary shoulders. You should still read Issue 30.
McSweeney's #31 book cover
#31

McSweeney's #31

2009

Barthelme said that "The Novel of the Soil is dead, as are Expressionism, Impressionism, Futurism, Imagism, Vorticism, Regionalism, Realism, the Kitchen Sink School of Drama, the Theatre of the Absurd, the Theatre of Cruelty, Black Humor, and Gongorism." But he left out, pointedly, the Biji, the Nivola, the Graustarkian Romance, the Consuetudinary, the Whore's Dialogue, the Fornaldarsaga, and the eighties, which are not dead; they are all in McSweeney's 31, as rendered by Douglas Coupland, Joy Williams, John Brandon, Shelley Jackson, Mary Miller, and Will Sheff, along with other fugitive genres recaptured by our finest writers, as part of a project to bring them back alive (except for the eighties, there is actually nothing about the eighties). In an oversized format, with annotations, illustrations, and pantoums, Issue 31 aims to introduce you to all the genres you never knew you loved.
McSweeney's #34 book cover
#34

McSweeney's #34

2010

McSweeney’s began in 1998 as a literary journal that published only works rejected by other magazines. Since then, McSweeney’s has attracted works from some of the finest writers in the country and has grown to be one of the country’s best-read and most widely circulated literary journals. With an expanding, loyal subscriber base and strong independent bookstore following, McSweeney’s is committed to finding new voices.
McSweeney's #37 book cover
#37

McSweeney's #37

2010

McSweeney’s began in 1998 as a literary journal, edited by Dave Eggers, that published only works rejected by other magazines. But after the first issue, the journal began to publish pieces primarily written with McSweeney’s in mind. Since then, it has attracted works from some of the finest writers in the country, including Denis Johnson, William T. Vollmann, Rick Moody, Joyce Carol Oates, Heidi Julavits, Jonathan Lethem, Michael Chabon, Ben Marcus, Susan Straight, Roddy Doyle, T. C. Boyle, Steven Millhauser, Gabe Hudson, Robert Coover, Ann Beattie, and many others. Today, McSweeney’s has grown to be one of the country’s best-read and most-widely circulated literary journals, with an expanding, loyal subscriber base and strong independent bookstore following. As a small publishing house, McSweeney’s is committed to finding new voices � Gabe Hudson, Paul Collins, Neal Pollack, J. T. Leroy, John Hodgman, Amy Fusselman, Salvador Plascencia, and Sean Wilsey are among those whose early work appeared in McSweeney’s � and promoting the work of gifted but underappreciated writers, such as Lydia Davis and Stephen Dixon.
McSweeney's #38 book cover
#38

McSweeney's #38

2011

McSweeney's began in 1998 as a literary journal that published only works rejected by other magazines. But after the first issue, the journal began to publish pieces primarily written with McSweeney’s in mind. Since then, McSweeney’s has attracted works from some of the finest writers in the country. Today, McSweeney’s has grown to be one of the country’s best-read and widely circulated literary journals, with an expanding, loyal subscriber base and strong independent bookstore following. McSweeney’s is committed to finding new voices — Gabe Hudson, Paul Collins, Neal Pollack, J. T. Leroy, John Hodgman, Amy Fusselman, Salvador Plascencia, Wells Tower, and Sean Wilsey are among those whose early work appeared in McSweeney’s — and promoting the work of gifted but underappreciated writers, such as Lydia Davis and Stephen Dixon.
McSweeney's #39 book cover
#39

McSweeney's #39

2011

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award. Which is to say: We're not sure what the thirty-ninth issue will bring, but as always, we remain optimistic about its prospects.
McSweeney's #40 book cover
#40

McSweeney's #40

2011

Our first issue of 2012 features all kinds of amazing stuff so much, from so many good people, that we turned it into two beautiful little books. There are new stories from Neil Gaiman and Etgar Keret and David Vann (can you guess which one contains pterodactyls and Aztecs?), there is Saïd Sayrafiezadeh awaiting the uprising at Occupy Wall Street and a special compendium of the incredible writing that inspired the Egyptian Revolution, and, in its own volume, there is Rick Bass' extraordinary account of a week in Rwanda‹the most ambitious nonfiction piece McSweeney¹s has ever run, and without a doubt one of the best essays of the year.
McSweeney's #41 book cover
#41

McSweeney's #41

2012

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.
McSweeney's #42 book cover
#42

McSweeney's #42

2012

With the help of guest editor Adam Thirlwell (author of Kapow!,Visual Editions), Issue 42 is a monumental experiment in translated literature—twelve stories taken through six translators apiece, weaving into English and then back out again, gaining new twists and textures each time, just as you'd expect a Kierkegaard story brought into English by Clancy Martin and then sent into Dutch by Cees Nooteboom before being made into English again by J. M. Coetzee to do. With original texts by Kafka and Kharms and Kenji Miyazawa, and translations by Lydia Davis and David Mitchell and Zadie Smith (along with others by John Banville and Tom McCarthy and Javier Marías, and even more by Shteyngart and Eugenides and A. S. Byatt), this will be an issue unlike anything you've seen before—altered, echoing narratives in the hands of the finest writers of our time, brought to you in a book that looks like nothing else we’ve ever done.
McSweeney's #43 book cover
#43

McSweeney's #43

2013

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.
McSweeney's #44 book cover
#44

McSweeney's #44

2013

With a stunning set of stories from some of the finest writers toiling away today—including breathtaking new work from Rebecca Curtis, Stuart Dybek, and Jim Shepard, and the Southeast Asian prison novella the world has been waiting for, from Mr. Wells Tower—and an all-hands-on-deck appraisal of one of the most keen-eyed cultural commentators of our time, with contributions from Rachel Cohen, Errol Morris, Geoff Dyer, David Hockney, Jonathan Lethem, Ricky Jay, and many, many more, McSweeney's 44 offers one of our best assemblages yet. We even found some very nice leatherette, to wrap around it. Don't miss this one!
McSweeney's #45 book cover
#45

McSweeney's #45

2013

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards and has had numerous stories appear in annual �best of” anthologies.
McSweeney's Issue 46 book cover
#46

McSweeney's Issue 46

2013

In thirteen electrifying stories, our very first all-Latin-American issue takes on the crime story as a starting point, and expands to explore contemporary life from every angle�swinging from secret Venezuelan prisons to Uruguayan resorts to blood-drenched bedrooms in Mexico and Peru, and even, briefly, to Epcot Center and the Havana home of a Cuban transsexual named Amy Winehouse. Featuring contemporary writers from ten different countries�including Alejandro Zambra, Juan Pablo Villalobos, Andres Ressia Colino, Mariana Enriquez, and many more�McSweeney’s 46 offers an essential cross-section of the troubles and temptations confronting the region today. It’s crucial reading for anyone interested in the shifting topography of Latin American literature and Latin American life, and a collection of writing to rival anything we’ve assembled in years.
McSweeney's #47 book cover
#47

McSweeney's #47

2014

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award. Issue 47 brings with it a gale of bracing fiction from writers new and old—two never-before-seen stories from “Lottery” author Shirley Jackson, a portrait of a celebrity interview gone terribly wrong from Thomas McGuane, dark reflections from Lynn Coady and Mona Simpson, an excerpt from Bill Cotter’s latest novel, new work from Bob Odenkirk, and much, much more. From father-daughter surfing duels to sinister substitute teachers to a parlor drama called “Hitler Dinner Party” (thank you, Mr. Odenkirk), this one may well have it all. And its packaging, in ten separate booklets bedecked with one panoramic mega-illustration, ensures that you’ll always be able to carry at least part of it around.
Timothy McSweeney's Quarterly Concern, Issue 48, Spring 2015 book cover
#48

Timothy McSweeney's Quarterly Concern, Issue 48, Spring 2015

Sixteen New Stories and A Full-Length Screenplay

2014

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.
McSweeney's #49 book cover
#49

McSweeney's #49

2017

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.
McSweeney's #50 book cover
#50

McSweeney's #50

2017

Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.
McSweeney's #51 book cover
#51

McSweeney's #51

2017

Issue 51 features eighteen brand-new stories so compelling that you'll read through the night and far into the next day, until your boss calls and warns you that you're on thin ice, buddy, and better get to the office right the {expletive} now―but we swear it's well worth it. There are high-stakes cock fights and incredibly ill-conceived murder plots, forays into booger-eating and wisdom from gruff old mermaids, church officials dressed as tortoises and ape urine-filled squirt guns, all under the same sumptuous hardcover roof, illustrated by Jesse Jacobs. splendid splendid new writing from Nadja Spiegelman, Claire Vaye Watkins, Etgar Keret, Mia McKenzie, Lawrence Weschler, Emma Hooper; a comic about one family's experience fighting the Detroit eviction machine; a photo essay that spans the length and width of the United States; an insider exclusive about censorship within the Myanmar Times by journalist RJ Vogt; and oh so much more.
McSweeney's #52 book cover
#52

McSweeney's #52

2018

There is a genre called migrant literature. It covers works by immigrant writers, often about the immigrant experience. Among its chief concerns or themes are displacement, movement, belonging, homecoming, departure, arrival, assimilation, bilingualism, and so on. I suppose we can fairly assume this collection of stories by immigrant writers belongs to that tradition. As immigrant writers, creative spirits caught between worlds whose boundaries are ever shifting, often resulting in more displacement and migration, it is comforting to know there exists a coterie to which belonging is conceivable. That said, we should embrace this veritable genre with caution, for despite its liberating possibilities, it also preserves the very logic of our exclusion, namely our “foreignness,” our “otherness,” often deployed as a mark of inferiority, marginality, and disposability. In other words, it relegates our works to the periphery of provincialism, outside the so-called canon of world literature. Migrant literature is not only a constitutive part of global literature but also arguably its most vital, exciting, innovative element, concerned as it is with exploring themes and questions that are universal and timeless, yet urgent and humane. All the pieces in this issue exhibit this irreducible quality.
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#53

McSweeney's #53

2018

Packed in Issue 53's purpose-built plastic bag are eight stories printed on party balloons, which one must blow up to read. Gracing these particolored balloons are arresting new stories from Carmen Maria Machado, Percival Everett, Lauren Groff, Kima Jones, Amelia Gray, Rebecca Makkai, and Sarah Wisby. You’ll also find, alongside these eight inflatable stories, a vinyl-bound hardcover book containing electrostatically charged new work from Lesley Nneka Arimah, Jamie Figueroa, Namwali Serpell, C Pam Zhang, and many more besides. Perfect for decorating a birthday party, reading and then popping as a zen meditation, or repeatedly blowing up and releasing in order to observe their whimsical flight around the room, these balloons will provide endless enrichment. Inside Issue 53 you'll uncover a medically inexplicable hunger for forks, a world of unclothed single women, a bevy of dead dads infesting a city, a mystical power within the dismembered torso of a mummified bishop, and oh so much more.
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#54

McSweeney's #54

The End of Trust

2018

Is this era of unprecedented, low-level distrust―in our tech companies and our peers, our democracy and our justice system―we never know who's watching us, what they know, and how they'll use it. Our personal data must be protected against Equifax hacks, doxxing, government tracking, and corporate data mining. Meanwhile, we wade through an unprecedented amount of disinformation and deception. Fake news and Russian-purchased propaganda are woven into our media diets, and anonymity on the internet leaves us ever suspicious. In the face of this, rather than seek privacy where we can, we eagerly offer up our remaining details to social media, craving the surveillance and scrutiny of our peers. We're unsure of how all of this is affecting the moral development of a generation coming of age in this new culture of surveillance, but we continue on. It leads us to wonder if we've reached the end of trust, and if we even care.
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#55

McSweeney's #55

2019

Issue 55 of McSweeny's Quarterly Concern gathers fiction from Laura van den Berg, Gordon Lish, T Kira Madden, and Emma Copley Eisenberg, to name a few; letters about face masks and puttanesca and the rapid disintegration of our natural world by R. O. Kwon, Alexander Chee, and Jack Pendarvis; a searing nonfiction piece by José Orduña that harkens back to shoe-leather journalism, chronicling his experience at immigrant-rights demonstrations across the spectrum of activism; oh, and a 16-page section of mesmerizing photography by Pelle Cass from his series “Crowded Fields.” Read and be renewed!
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#57

McSweeney's #57

2019

This giant fold-out issue includes a special letters section marking our big anniversary year and much more. Featuring work by Oyinkan Braithwaite, Brian Evenson, Adrienne Celt, Lorrie Moore, Alison Bechdel, Jeff Tweedy, Jerry Saltz, Ken Burns, Avery Trufleman, Hanif Abdurraqib, and more than you could possibly imagine.
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#58

McSweeney's #58

2040 A.D.

2019

Spanning six continents and nine countries—from metropolitan Mexico City to the crumbling ancient aqueducts of Turkey, the receding coastline of Singapore to the coral shores of northern Australia—McSweeney’s 58 is wholly focused on climate change, with speculative fiction from ten contributors, made in collaboration with the Natural Resources Defense Council (NRDC). Global in scope, each story is set in the year 2040 and imagines what the world might look like if the dire warnings issued by the Special Report on Global Warming of 1.5 °C were to come true. Using fiction—informed here and there by realism and climate science—this issue explores the tangible, day-to-day implications of these cataclysmic scientific projections. Featuring Tommy Orange, Elif Shafak, Luis Alberto Urrea, Asja Bakic, Rachel Heng, and others, with gorgeous full-color illustrations by Wesley Allsbrook. From the issue’s introduction by Susan Casey-Lefkowitz, Chief Program Officer of the NRDC: “Each story in this special issue is the product of a unique collaboration between its author and an NRDC policy expert with specialized knowledge of how climate change is already affecting the world, and how it could continue to affect the world in the decades to come. The result, we hope, is a collection where fiction’s already considerable power is fortified by science.” Featuring original stories by: Tommy Orange Claire G. Coleman Birna Anna Björnsdóttir Luis Alberto Urrea Elif Shafak Abbey Mei Otis Asja Bakić Rachel Heng Kanishk Tharoor Mikael Awake
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#59

McSweeney's #59

2020

The 59th issue of McSweeney's National Magazine Award-winning quarterly is a back to basics collection of cutting edge literary fiction. Featuring the conclusions to Issue 57's cliffhanger stories by Booker Prize nominee Oyinkan Braithwaite, Brian Evanson, and Mona Awad.
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#60

McSweeney's #60

Photography Issue

2020

McSweeney’s 60 features eight original stories, each accompanied...by cinematic, full-color photography from award-winning photographer Holly Andres. There are tales of healing powers discovered in a neighborhood market and retiring baseball stars, of ill-fated father-daughter float-plane trips and a romance with the ghost of an old Hollywood heartthrob. Featuring original stories by: Afabwaje Kurian, Leigh Newman, Neal Hammons, Mai Nardone, Santiago José Sánchez, Mark Chiusano, Chelsea T. Hicks, Molly McCloskey
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#62

McSweeney's Issue 62

The Queer Fiction Issue

2020

McSweeney’s 62: The Queer Fiction Issue collects absurd, bold, bleak, humorous, and astonishing works of fiction and art by queer writers of all orientations. Inside this luxurious hardcover, you’ll find stories about storm chasers and Colombian supermodels, about talking plants and DIY bands and camboys and encounters with the dead. Contributors include Bryan Washington, Eileen Myles, Kristen Arnett, Sarah Gerard, Juli Delgado Lopera, Gabby Bellot, Denne Michele, Emma Copley Eisenberg, K-Ming Chang, and many more, with dazzling full-color illustrations throughout by Derek Abella. Guest-edited and featuring an introduction by Patrick Cottrell, and filled to a surfeit with letters, stories, and dazzling full-color comics and art, you’ll be jealously hoarding this collection for decades to come. Featuring original stories by: Eileen Myles Bryan Washington Emma Copley Eisenberg Christopher James Llego K-Ming Chang Venita Blackburn hurmat kazmi Juli Delgado Lopera Kristen N. Arnett Gabrielle Bellot Paul Dalla Rosa Timi Odueso Kayla Kumari Upadhyaya Vi Khi Nao Denne Michele Sarah Gerard Bridget Brewer Full-color comics by: Garrett Young Lee Lai Full-color illustrations throughout by: Derek Abella And letters by: RL Goldberg Amanda Monti Aarushi Agni Drew Pham Emerson Whitney Cover by: Angie Wang Title-page and table-of-contents illustrations by: Ariel Davis
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#63

McSweeney's #63

2021

McSweeney’s Quarterly returns with our first issue of 2021, a handsome and sturdy hardcover with a beautiful foil-stamped cover by Jon McNaught. McSweeney’s 63 features four posthumous, never-before-published short stories by acclaimed author and dear friend Stephen Dixon, with an introduction and retrospective on the late writer’s work by author—and onetime Dixon student—Porochista Khakpour. To boot we’ve got brand-new fiction from Etgar Keret and Esmé Weijun Wang, Illustrated diaries by Abang and full-color comics by Michael Kennedy, letters from Kashana Cauley and Legna Rodríguez Iglesias, an essay on a grief and long-distance biking by Adam Iscoe, and so much more. Start your literary year off right with this sumptuous issue. Featuring Original Stories by: Esmé Weijun Wang Kevin Moffett Mikkel Rosengaard Etgar Keret Rita Chang-Eppig I Drink a Glass of Water: four posthumous stories by Stephen Dixon With an introduction by Porochista Khakpour Illustrated stories by: Abang Michael Kennedy An original essay by Adam Iscoe An excerpt from You People by Nikita Lalwani And letters by: Gillian Linden Jessi Jezewska Stevens Legna Rodríguez Iglesia Kashana Cauley Marie-Helene Bertino Larissa Pham
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#65

McSweeney's Issue 65

2021

McSweeney’s 65: Plundered spans the American continent, from a bone-strewn Peruvian desert to inland South Texas to the streets of Mexico City, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and defiancé. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by Valeria Luiselli with Heather Cleary, McSweeney’s 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. With contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and elsewhere, Plundered is a sweeping portrait of a hemisphere on fire. Contains contributions by: Valeria Luiselli and Heather Cleary Karen Tei Yamashita and Ronaldo Lopes de Oliveira Gabriela Wiener Laia Jufresa Carlos Manuel Álvarez Sophie Braxton Gabriela Jauregui Julia Wong Kcomt Brenda Lozano Mahogany L. Browne Samanta Schweblin Sabrina Helen Li Edmundo Paz Soldán Nimmi Gowrinathan MJ Bond C. T. Mexica Letters by: Claudina Domingo Karla Cornejo Villavicencio Lia García (La Novia Sirena) Yásnaya Elena Aguilar Gil Translations by: Heather Cleary Gabriela Jauregui Megan McDowell Julia Sanches Jennifer Shyue Jenna Tang
McSweeney's Issue 66 book cover
#66

McSweeney's Issue 66

2022

McSweeney’s National Magazine Award-winning quarterly brings you our 66th issue, an elegant paperback festooned with coded illustrations by Jacques Kleynhans (see how many versions of the number 66 you can spot). Featuring “Willie the Weirdo,” a brand-new story by legendary horror writer Stephen King; plus stories by Taisia Kitaiskaia, Hernan Diaz, and T.C. Boyle; poems by Soviet poet Anna Akhmatova newly translated by Katie Farris and Ilya Kaminsky; a surreal full-color comic by Teddy Goldenberg; letters from Samantha Hunt and Kate Folk; and more. McSweeney’s Issue 66 promises a rip-roaring time you won’t soon forget—peel back its pages and dig in. Letters / from Samantha Hunt, Shayna Conde, Kate Folk, and Afabwaje Kurian—Pelican Paradise / Nicky Gonzalez—When a man dies / Anna Akhmatova (trans. Katie Farris and Ilya Kaminsky) — Dog lab / T.C. Boyle—The world of interiors / Hernan Diaz—Origin story / Corinna Vallianatos—Soil Science / Teddy Goldenberg—Willie the weirdo / Stephen King—from Northern elegies, #4 / Anna Akhmatova (trans. Katie Farris and Ilya Kaminsky) — Neighborhood dogs / Taisia Kitaiskaia—Viperidae / Victor Ladis Schultz—The little men / Carl Napolitano—Wild honey has a scent of freedom / Anna Akhmatova (trans. Katie Farris and Ilya Kaminsky) — The sorrows of others / Ada Zhang.
McSweeney's Issue 67 book cover
#67

McSweeney's Issue 67

2022

Fasten your seatbelts. Sound the alarm. Hot on the heels of the best-selling McSweeney's 66 comes the latest issue of our nine-time National Magazine Award-finalist McSweeney's Quarterly . Prepare yourself for McSweeney's Issue 67 . Tear open this thrilling three-volume issue to find original stories by John Brandon and Eider Rodríguez ; letters from Shelly Oria and Diana Spechler ; a collection of poems by bus driver Sasha Pearl, composed on her lunch breaks (and introduced by Samantha Hunt ); and so much more, all inside a series of interconnected cover illustrations by French artist Yann Le Bec that culminate in a standalone illustrated booklet. Steady yourself, readers—the time has come for another unforgettable issue of McSweeney's Quarterly . A three-time winner and nine-time finalist of the National Magazine Award for fiction, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction .
McSweeney's Issue 68 book cover
#68

McSweeney's Issue 68

2022

Coming this October, the 68th issue of our National Magazine Award-winning McSweeney's Quarterly features stories of duplicity and deception, double lives and secret histories, waiting for you underneath a cover by Italian artist Daniele Castellano (inspired by the Roman god Janus depicting duality in its many forms). Inside, readers will find an essay by Alejandro Zambra on soccer sadness; an epic, time-bending short story from Carmen Maria Machado ; and new work from National Book Award finalist Lisa Ko . Like all editions of McSweeney's, this issue includes work from established contemporary talents ( Catherine Lacey, Andrew Martin, Laura van den Berg ) alongside fresh emerging voices ( Stephanie Ullmann, Hallie Gayle ). Readers will find new translations of Peruvian writer Santiago Roncagliolo and Italian novelist Andrea Bajani, and a little diamond of flash fiction by James Yeh . Compiled by visiting editor Daniel Gumbiner, McSweeney's Issue 68 offers a host of delights and surprises, from some of the world's best writers. Always changing, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction.
McSweeney's Issue 69 book cover
#69

McSweeney's Issue 69

2022

Just in time for the holidays, the sixty-ninth issue of our National Magazine Award-winning McSweeney's Quarterly is a gift to adventurous readers. Featuring an irresistible mix of original fiction from daring new voices and beloved favorites, this issue is certain to delight one and all. Often hilarious and always surprising, these are tales of contemporary life flipped and twisted, skewed and skewered. Inside this supermarket pulp-inspired paperback featuring cover art by Benjamin Marra, readers will find a novelette about a sex co-op by Lydia Conklin ; a relato about Veracruz dockworkers by Fernanda Melchor ; a story about an eccentric childhood neighbor by Julie Hecht ; speculative fiction about mothers and daughters in the apocalypse by Siqi Liu ; a shocking tale of baby bath time by Zach Williams ; a DeafBlind remix of an ancient Indian fable by John Lee Clark ; an encounter with your dimmer, more winsome doppelgänger by Yohanca Delgado ; and much more. Not only that, we've gathered for you painfully new fiction about feral "glamping" trips ( Max Delsohn ) and mysterious deep-fakers ( Mikkel Rosengaard ), ghoulish bachelorette parties ( Mel Kassel ) and obstreperous crank-yankers ( Evan James )—all topped off by an extended post-breakup stay at your nearest fast-food joint ( Leila Renee ). Prepare to be entertained by letters from Ikechukwu Ufomadu, April Ayers Lawson, Anelise Chen, Bianca Giaever, and Ricardo Frasso Jaramillo ; drift away to a trash-strewn island in a full-color psychedelic comic by Connor Willumsen . Compiled by visiting editor James Yeh, McSweeney's 69 is a vast topography of literary thrills and spills that you'll return to again and again. Ever changing, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction.
McSweeney's Issue 70 book cover
#70

McSweeney's Issue 70

2023

This April, three-time National Magazine Award-winning McSweeney's Quarterly returns with its 70th edition, a paperback with a special die-cut cover design with French flaps. Inside you'll find brilliant fiction—and two essays—from places near and far, including Patrick Cottrell 's story about a surprisingly indelible Denver bar experience; poignant, previously untranslated fiction from beloved Danish writer Tove Ditlevsen ; Argentine writer Olivia Gallo 's English language debut about rampaging urban clowns; the rise and fall of an unusual family of undocumented workers in rural California by Francisco González ; and Indian writer Amit Chaudhuri 's sojourn to the childhood home of Brooklyn native Neil Diamond. Readers will be sure to delight in Guggenheim recipient Edward Gauvin 's novella-length memoir-of-sorts in the form of contributors' notes, absorbing short stories about a celebrated pianist ( Lisa Hsiao Chen ) and a reclusive science-fiction novelist ( Eugene Lim ), flash fiction by Véronique Darwin and Kevin Hyde, and a suite of thirty-six very short stories by the outsider poet Sparrow . Plus letters from Seoul, Buenos Aires, Las Vegas, Philadelphia, and Lake Zurich, Illinois, by E. Tammy Kim, Drew Millard, and more. Compiled by deputy editor James Yeh, McSweeney's Issue 70, like all editions of the quarterly, features the very best in new literary fiction, in a unique and beautifully designed format, that will occupy a cherished spot on your bookshelves for years to come.
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#75

McSweeney's Issue 75

First Fiction

2024

In a June 2023 submission call for new work by never-before-published writers, McSweeney’s received thousands of submissions in a single month. The stories in this issue (our seventy-fifth, an almost unfathomable milestone) are the crème de la crème of that bounty. Guest-edited by longtime McSweeney’s editor Eli Horowitz, our seventy-fifth issue contains ten radiant stories, each published as an individual booklet with stunning art by ten different artists. All ten booklets are collected inside a beautiful and sturdy and elaborately foil-stamped dossier-like case, which opens (rather extravagantly) to reveal a series of accordion pockets—each one containing a pair of booklets—and snaps shut (rather satisfyingly) with a magnetic closure. In these brilliant literary debuts there are fish guts, meteor hunters, military coups, ghost towns, and fake orphans. The stories, whose authors and settings span continents, dazzle in their originality of vision and voice. They announce themselves with bravado, excellence, and energy. In his introduction to the issue, Horowitz writes, “I’m not sure what set of circumstances allowed these wizards to escape previous publication—youth? shyness? vast conspiracies?—but the wait is over: they have arrived.” Get this issue for eternal bragging rights of being present at the ground floor of each of these ten writers’ sure-to-be-storied futures.
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#76

McSweeney's Issue 76

Aftershocks

2024

At this urgent time of crisis, McSweeney’s 76: Aftershocks presents a collection of contemporary Syrian prose—short stories, novel excerpts, and plays—that chronicles the literal and metaphorical earthquakes that haunt the Syrian people. Guest-edited by acclaimed Syrian American journalist Alia Malek, and encompassing the work of eight Arabic translators and sixteen Syrian writers (some of which have never before been translated in English), these contributors write across diasporic and refugee experiences, as well as from inside present-day Syria. In these pages, skeletons fall in love, Damascus alleys become time portals, letters tucked in bullet wounds reanimate the dead, minarets gush blood, and photographs become more human than humans. The requisite actors in these stories, and in any conflict (and crime) — victim, killer, survivor—are blurred and intimate. Magical realism, the absurd, and the surreal course through these pages. These stories ask us to imagine the unimaginable. They ask not “what is real?” but rather “how can this be real?”
McSweeney's Issue 77 book cover
#77

McSweeney's Issue 77

2025

Three-time National Magazine Award-winning McSweeney’s Quarterly returns, now helmed by new Editor Rita Bullwinkel. Inside this ecstatic paperback you’ll find a stunningly exuberant and delirious portfolio of paintings by former Quarterly Editor Claire Boyle, and new work by seventeen writers. Gasp in awe at a story by Mieko Kawakami told entirely through the lens of overheard phone calls; a sci-fi epic by Yuri Herrera; fresh, heartstopping, and scathingly beautiful prose by Venita Blackburn, Joanna Howard, and Icarus Koh—a never-before-published fiction writer; and brilliant letters from Nell Zink, Jennifer S. Cheng, Elisa Gonzalez, and more! Get through the winter blues with this issue’s vibrating, radiant, maximalist energy and stand squarely in opposition to the literary vogue de jour of cold, minimalist austerity.
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#81

McSweeney's Issue 81

2026

Authors

Eider Rodríguez
Eider Rodríguez
Author · 7 books
Eider Rodríguez Martín (Rentería, 1979) es periodista, editora, traductora y guionista. Ha publicado hasta el momento el volumen de relatos Y poco después ahora (Ttarttalo, 2007, publicado en versión original como Eta handik gutxira gaur, Susa, 2004). Carne es la versión castellana, realizada por la propia autora, de su segundo libro, Haragia (Susa,2007). En la actualidad vive en Hendaya.
T. Coraghessan Boyle
T. Coraghessan Boyle
Author · 47 books

T. Coraghessan Boyle (also known as T.C. Boyle, is a U.S. novelist and short story writer. Since the late 1970s, he has published eighteen novels and twleve collections of short stories. He won the PEN/Faulkner award in 1988 for his third novel, World's End, which recounts 300 years in upstate New York. He is married with three children. Boyle has been a Professor of English at the University of Southern California since 1978, when he founded the school's undergraduate creative writing program. He grew up in the small town on the Hudson Valley that he regularly fictionalizes as Peterskill (as in widely anthologized short story Greasy Lake). Boyle changed his middle name when he was 17 and exclusively used Coraghessan for much of his career, but now also goes by T.C. Boyle.

John Brandon
John Brandon
Author · 7 books
Although John Brandon is an MFA graduate of the writing program at Washington University in St. Louis, while drafting the novel Arkansas, he "worked at a lumber mill, a windshield warehouse, a Coca-Cola distributor, and several small factories producing goods made of rubber and plastic." In his spare time, he obsesses over Florida Gators football.
Harry Matthews
Author · 1 book

Born in Staffordshire and educated in Shropshire, I pursued my academic studies at Reading University. My career began in journalism, working in Amsterdam, where I honed my skills in writing and reporting. Upon returning to England, I explored my artistic side, painting and exhibiting my work in various galleries. My passion for poetry, which had always been a part of my creative journey, led me to publish collections of my poems, often featuring my paintings on their covers. Currently, I am engaged in Doctoral Research focused on the poetry of Richard Barnfield. I have published several collections of my own poetry and prose through my imprint, Harry Art Publishing. My work continues to blend visual and literary arts, reflecting a lifelong commitment to creative expression.

Emma Hooper
Emma Hooper
Author · 4 books
Books about Places and People. Songs about Dinosaurs and Insects. Research about Pop Music and Robots. Emma lives, writes, plays and teaches in Bath, England, but goes home to Canada to cross-country ski as often as she can.
Robert Coover
Robert Coover
Author · 40 books

Born Robert Lowell Coover in Charles City, Iowa, Coover moved with his family early in his life to Herrin, Illinois, where his father was the managing editor for the Herrin Daily Journal. Emulating his father, Coover edited and wrote for various school newspapers under the nom-de-plume “Scoop.” He was also his high-school class president, a school band member, and an enthusiastic supporter of the Cincinnati Reds. In 1949 Coover enrolled in Southern Illinois University, and, after transferring to Indiana University in 1951, earned his bachelor's degree in 1953 with a major in Slavonic languages. While in college, he continued editing student papers, as well as working part-time for his father's newspaper. The day he graduated, Coover received his draft notice and went on to serve in the U.S. Naval Reserve during the Korean War, attaining the rank of lieutenant. Upon his discharge in 1957, Coover devoted himself to fiction. During the summer of that year, he spent a month sequestered in a cabin near the Canadian border, where he studied the work of Samuel Beckett and committed himself to writing serious avant-garde fiction. In 1958, he travelled to Spain, where he reunited with Maria del Pilar Sans-Mallafré, whom he had earlier met while serving a military tour in Europe. The couple married in 1959 and spent the summer touring southern Europe by motorcycle, an experience he described in “One Summer in Spain: Five Poems,” his first published work. Between 1958 and 1961, Coover studied at the University of Chicago, eventually receiving his master's degree in 1965. The Coovers lived in Spain for most of the early 1960s, a time during which Coover began regularly publishing stories in literary magazines, including the Evergreen Review. In 1966, after the couple returned to the United States, Coover took a teaching position at Bard College in New York. He also published his first novel, The Origin of the Brunists (1966), which won the William Faulkner Award for best first novel. In 1969, Coover won a Rockefeller Foundation grant and published Pricksongs and Descants, his first collection of short fiction. That year, he also wrote, produced, and directed a movie, On a Confrontation in Iowa City (1969). Coover has maintained an interest in film throughout his career. During the early 1970s, Coover published only short stories and drama, including A Theological Position (1972), a collection of one-act plays, all of which were eventually produced for the stage. He also won Guggenheim fellowships in 1971 and 1974, and served as fiction editor for the Iowa Review from 1974 to 1977. By the mid-1970s, Coover had finished his next novel, The Public Burning; it took him more than two years to find a publisher for the work, which was ultimately cited as a National Book Award nominee. Coover received a National Endowment for the Arts grant in 1985 and a Rea Award for A Night at the Movies (1987), a collection of short stories. While Coover concentrated primarily on short fiction—with the exception of Gerald's Party—during the 1980s, he produced a series of new novels during the 1990s. Coover has taught at a number of universities, including the University of Iowa, Columbia University, Princeton University, and Brandeis University, throughout his career. Since 1981 he has been a writer-in-residence and faculty member of the creative writing program at Brown University. Among the vanguard of American postmodern writers to come of age during the late 1960s, Coover is respected as a vital experimentalist whose challenging work continues to offer insight into the nature of literary creation, narrative forms, and cultural myths. Convinced early in his career that traditional fictional modes were exhausted, Coover has pioneered a variety of inventive narrative techniques, notably complex metafictional structures and ludic pastiches of various genres to satirize contemporary American society and the role of the author. In this wa

Ann Beattie
Ann Beattie
Author · 31 books
Ann Beattie (born September 8, 1947) is an American short story writer and novelist. She has received an award for excellence from the American Academy and Institute of Arts and Letters and a PEN/Bernard Malamud Award for excellence in the short story form. Her work has been compared to that of Alice Adams, J.D. Salinger, John Cheever, and John Updike. She holds an undergraduate degree from American University and a masters degree from the University of Connecticut.
Dave Eggers
Dave Eggers
Author · 62 books
Dave Eggers is the author of ten books, including most recently Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, The Circle and A Hologram for the King, which was a finalist for the 2012 National Book Award. He is the founder of McSweeney’s, an independent publishing company based in San Francisco that produces books, a quarterly journal of new writing (McSweeney’s Quarterly Concern), and a monthly magazine, The Believer. McSweeney’s also publishes Voice of Witness, a nonprofit book series that uses oral history to illuminate human rights crises around the world. Eggers is the co-founder of 826 National, a network of eight tutoring centers around the country and ScholarMatch, a nonprofit organization designed to connect students with resources, schools and donors to make college possible. He lives in Northern California with his family.
Stephen Dixon
Stephen Dixon
Author · 28 books
Stephen Dixon was a novelist and short story author who published hundreds of stories in an incredible list of literary journals. Dixon was nominated for the National Book Award twice—in 1991 for Frog and in 1995 for Interstate—and his writing also earned him a Guggenheim Fellowship, the American Academy Institute of Arts and Letters Prize for Fiction, the O. Henry Award, and the Pushcart Prize.
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