


Books in series

Timothy McSweeney's Quarterly Concern, Issue 1, Autumn 1998
"Gegenshein", or "The Ski Instructor"
1998

Timothy McSweeney's Quarterly Concern, Issue 3, Summer-Fall 1999
"Timothy McSweeney's Windfall Republic"
1999

Timothy McSweeney's Quarterly Concern, Issue 4, Winter 2000
"Trying, Trying, Trying, Trying, Trying"
2000

McSweeney's #07
2001

McSweeney's #08
2002

McSweeney's #09
2002

McSweeney's Mammoth Treasury of Thrilling Tales
2003

McSweeney's #11
2003

McSweeney's #13
2004

McSweeney's #15
2005

McSweeney's #16
1983

McSweeney's #17
2005

McSweeney's #18
2005

McSweeney's #19
2006

McSweeney's #20
2006

McSweeney's #21
2006

Timothy McSweeney's Quarterly Concern, Issue 22, 2007
"Three Books Held Within By Magnets"
2007

McSweeney's #24
2007

McSweeney's #26
2008

McSweeney's #27
2008

McSweeney's #28
2008

McSweeney's #30
2009

McSweeney's #31
2009

McSweeney's #34
2010

McSweeney's #37
2010

McSweeney's #38
2011

McSweeney's #39
2011

McSweeney's #40
2011

McSweeney's #41
2012

McSweeney's #42
2012

McSweeney's #43
2013

McSweeney's #44
2013

McSweeney's #45
2013

McSweeney's Issue 46
2013

McSweeney's #47
2014

Timothy McSweeney's Quarterly Concern, Issue 48, Spring 2015
Sixteen New Stories and A Full-Length Screenplay
2014

McSweeney's #49
2017

McSweeney's #50
2017

McSweeney's #51
2017

McSweeney's #52
2018

McSweeney's #53
2018

McSweeney's #54
The End of Trust
2018

McSweeney's #55
2019

McSweeney's #57
2019

McSweeney's #58
2040 A.D.
2019

McSweeney's #59
2020

McSweeney's #60
Photography Issue
2020

McSweeney's Issue 62
The Queer Fiction Issue
2020

McSweeney's #63
2021

McSweeney's Issue 65
2021

McSweeney's Issue 66
2022

McSweeney's Issue 67
2022

McSweeney's Issue 68
2022

McSweeney's Issue 69
2022

McSweeney's Issue 70
2023

McSweeney's Issue 75
First Fiction
2024

McSweeney's Issue 76
Aftershocks
2024

McSweeney's Issue 77
2025

McSweeney's Issue 81
2026
Authors


T. Coraghessan Boyle (also known as T.C. Boyle, is a U.S. novelist and short story writer. Since the late 1970s, he has published eighteen novels and twleve collections of short stories. He won the PEN/Faulkner award in 1988 for his third novel, World's End, which recounts 300 years in upstate New York. He is married with three children. Boyle has been a Professor of English at the University of Southern California since 1978, when he founded the school's undergraduate creative writing program. He grew up in the small town on the Hudson Valley that he regularly fictionalizes as Peterskill (as in widely anthologized short story Greasy Lake). Boyle changed his middle name when he was 17 and exclusively used Coraghessan for much of his career, but now also goes by T.C. Boyle.

Born in Staffordshire and educated in Shropshire, I pursued my academic studies at Reading University. My career began in journalism, working in Amsterdam, where I honed my skills in writing and reporting. Upon returning to England, I explored my artistic side, painting and exhibiting my work in various galleries. My passion for poetry, which had always been a part of my creative journey, led me to publish collections of my poems, often featuring my paintings on their covers. Currently, I am engaged in Doctoral Research focused on the poetry of Richard Barnfield. I have published several collections of my own poetry and prose through my imprint, Harry Art Publishing. My work continues to blend visual and literary arts, reflecting a lifelong commitment to creative expression.


Born Robert Lowell Coover in Charles City, Iowa, Coover moved with his family early in his life to Herrin, Illinois, where his father was the managing editor for the Herrin Daily Journal. Emulating his father, Coover edited and wrote for various school newspapers under the nom-de-plume “Scoop.” He was also his high-school class president, a school band member, and an enthusiastic supporter of the Cincinnati Reds. In 1949 Coover enrolled in Southern Illinois University, and, after transferring to Indiana University in 1951, earned his bachelor's degree in 1953 with a major in Slavonic languages. While in college, he continued editing student papers, as well as working part-time for his father's newspaper. The day he graduated, Coover received his draft notice and went on to serve in the U.S. Naval Reserve during the Korean War, attaining the rank of lieutenant. Upon his discharge in 1957, Coover devoted himself to fiction. During the summer of that year, he spent a month sequestered in a cabin near the Canadian border, where he studied the work of Samuel Beckett and committed himself to writing serious avant-garde fiction. In 1958, he travelled to Spain, where he reunited with Maria del Pilar Sans-Mallafré, whom he had earlier met while serving a military tour in Europe. The couple married in 1959 and spent the summer touring southern Europe by motorcycle, an experience he described in “One Summer in Spain: Five Poems,” his first published work. Between 1958 and 1961, Coover studied at the University of Chicago, eventually receiving his master's degree in 1965. The Coovers lived in Spain for most of the early 1960s, a time during which Coover began regularly publishing stories in literary magazines, including the Evergreen Review. In 1966, after the couple returned to the United States, Coover took a teaching position at Bard College in New York. He also published his first novel, The Origin of the Brunists (1966), which won the William Faulkner Award for best first novel. In 1969, Coover won a Rockefeller Foundation grant and published Pricksongs and Descants, his first collection of short fiction. That year, he also wrote, produced, and directed a movie, On a Confrontation in Iowa City (1969). Coover has maintained an interest in film throughout his career. During the early 1970s, Coover published only short stories and drama, including A Theological Position (1972), a collection of one-act plays, all of which were eventually produced for the stage. He also won Guggenheim fellowships in 1971 and 1974, and served as fiction editor for the Iowa Review from 1974 to 1977. By the mid-1970s, Coover had finished his next novel, The Public Burning; it took him more than two years to find a publisher for the work, which was ultimately cited as a National Book Award nominee. Coover received a National Endowment for the Arts grant in 1985 and a Rea Award for A Night at the Movies (1987), a collection of short stories. While Coover concentrated primarily on short fiction—with the exception of Gerald's Party—during the 1980s, he produced a series of new novels during the 1990s. Coover has taught at a number of universities, including the University of Iowa, Columbia University, Princeton University, and Brandeis University, throughout his career. Since 1981 he has been a writer-in-residence and faculty member of the creative writing program at Brown University. Among the vanguard of American postmodern writers to come of age during the late 1960s, Coover is respected as a vital experimentalist whose challenging work continues to offer insight into the nature of literary creation, narrative forms, and cultural myths. Convinced early in his career that traditional fictional modes were exhausted, Coover has pioneered a variety of inventive narrative techniques, notably complex metafictional structures and ludic pastiches of various genres to satirize contemporary American society and the role of the author. In this wa




