
The Human Family is the first complete translation of the cycle of ten novellas that Lou Andreas-Salomé (1861–1937) wrote between 1895 and 1898. This collection contributes to the rediscovery of Andreas-Salomé’s significance as a thinker and writer, above all with regard to her literary contribution to modern feminism and the principles of women’s emancipation. Born in St. Petersburg to a German diplomat and his wife, Andreas-Salomé has always been a figure of interest because of her close relationships to influential thinkers such as Friedrich Nietzsche, Rainer Maria Rilke, and Sigmund Freud. Only since the mid-1980s, however, have her prose fiction and theoretical writings been reconsidered as important documents of emerging ideas and debates in twentieth-century feminism. The ten stories of The Human Family drive home her critical perspective on feminine stereotypes. They depict a wide variety of young women as they relate to men representing different degrees of enlightenment and tolerance, struggling to express a complete and independent feminine identity in the face of the confining but often seductive roles that convention and tradition impose on female potential. The Human Family provides a subtle and nuanced perspective on European feminist writing from the turn of the last century by a woman writer who was intimately involved with the literary mainstream of her time and whose theoretical and literary works played a significant role in feminist debates of the period, prefiguring present-day feminist discourse on essentialism and constructivism.
Author

Lou Andreas-Salomé (née Louise von Salomé or Luíza Gustavovna Salomé) was born in St. Petersburg, Russia to parents of French Huguenot and northern German descent. Her diverse intellectual interests led to friendships with an astounding array of luminaries, including Nietzsche, Wagner, Freud, and Rilke. Andreas-Salomé was a prolific author, writing several plays, essays and more than a dozen novels. It was Andreas-Salome who began calling Rilke "Rainer" instead of "René." Her Hymn to Life so deeply impressed Nietzsche that he was moved to set it to music. She was one of the first female psychoanalysts (a career she maintained until a year before her death) and also one of the first women to write on female sexuality. Her book, Lebensrückblick, written toward the end of her life, is based on her memories as a liberated woman.