Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website

Leslie Fish is a filk musician, author, and anarchist political activist. In addition to her work as a filk artist, Fish is also well-known within the Star Trek fan community for her works of fan fiction, which include "Shelter" (1976), one of the first Kirk/Spock stories ever published, and the fan-published Star Trek novel The Weight. "In Textual Poachers, his landmark study of fan communities, MIT's Henry Jenkins described Fish's anarchist-feminist Star Trek novel The Weight as a 'compelling narrative' that's 'remarkable in the scope and complexity of its conception, the precision of its execution, and the explicitness of its political orientation.'" She has also written original novels and short stories, both alone and in collaboration with C. J. Cherryh and others. Her song, "Carmen Miranda's Ghost is Haunting Space Station Three," inspired a collection of short stories with the same title, edited by Don Sakers and featuring stories by Anne McCaffrey and C. J. Cherryh. She is an avid roleplaying gamer, especially in regard to LARPing. She has also been a member in the Society for Creative Anachronism since the 1970s. In recent years, she has been the driving force behind in the establishment of Fan Haven, a 230-acre (0.93 km2) private park in Arizona meant to serve as a safe space for LARPers, Pagans, naturists, SCAdians, and other marginalized groups associated with fandom. However, the Federal government has disputed the validity of the mining claim that she proposed to use to establish ownership. While Fish rarely discusses her private life, she had been in a romantic relationship with anarchist political activist Mary Frohman "from the late '60s through the early '80s." Together they were part of the "Dehorn Crew", the house band for the IWW. Leslie has often asserted that bisexuality is the human norm, and that the pervasive sexual repression she sees in current society causes many of the current social ills. She briefly worked as a dominatrix in San Francisco during the 1980s, and has since been (at times) a defender of the rights of sex workers. She was recently married to long-time friend, Robert "Rasty Bob" Ralston.

Lynn Abbey began publishing in 1979 with the novel Daughter of the Bright Moon and the short story "The Face of Chaos," part of a Thieves World shared world anthology. She received early encouragement from Gordon R. Dickson. In the 1980s she married Robert Asprin and became his co-editor on the Thieves World books. She also contributed to other shared world series during the 1980s, including Heroes in Hell and Merovingen Nights. Abbey and Asprin divorced in 1993 and Abbey moved to Oklahoma City. She continued to write novels during this period, including original works as well as tie-ins to Role Playing Games for TSR. In 2002, she returned to Thieves World with the novel Sanctuary and also began editing new anthologies, beginning with Turning Points.