Margins
Michael Martone book cover
Michael Martone
2005
First Published
3.99
Average Rating
186
Number of Pages

A giddy exploration of the parts of books nobody ever reads Michael Martone, by Michael Martone, continues the author's giddy exploration of the parts of books nobody ever reads. Michael Martone is its own appendix, comprising fifty “contributors notes,” each of which identifies in exorbitant biographical detail the author of the other forty-nine. Full of fanciful anecdotes and preposterous reminiscences, Martone’s self-inventions include the multiple deaths of himself and all his family members, his Kafkaesque rebirth as a giant insect, and his stints as circus performer, assembly-line worker, photographer, and movie extra. Expect no autobiographical consistency here. A note revealing Martone's mother as the ghost-writer of all his books precedes the note beginning, “Michael Martone, an orphan . . . “ We learn of Martone’s university career and sketchy formal education, his misguided caretaking of his teacher John Barth’s lawn, and his impersonation of a poor African republic in political science class, where Martone's population is allowed to starve as his more fortunate fellow republics fight over development and natural resource trading-cards. The author of Michael Martone, whose other names include Missy, Dolly, Peanut, Bug, Gigi-tone, Tony's boy, Patty's boy, Junior's, Mickey, Monk, Mr. Martone, and “the contributor named in this note," proves as Protean as fiction itself, continuously transforming the past with every new attribution but never identifying himself by name. It is this missing personage who, from first note to last, constitutes the unformed subject of Michael Martone.

Avg Rating
3.99
Number of Ratings
179
5 STARS
42%
4 STARS
30%
3 STARS
17%
2 STARS
7%
1 STARS
4%
goodreads

Author

Michael Martone
Michael Martone
Author · 15 books

Michael A. Martone is a professor at the creative writing program at the University of Alabama, and is the author of several books. His most recent work, titled Michael Martone and originally written as a series of contributor's notes for various publications, is an investigation of form and autobiography. A former student of John Barth, Martone's work is critically regarded as powerful and funny. Making use of Whitman's catalogues and Ginsberg's lists, the events, moments and places in Martone's landscapes—fiction or otherwise—often take the same Mobius-like turns of the threads found the works of his mentor, Barth.

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