Margins
Mock Orange book cover
Mock Orange
2023
First Published
4.00
Average Rating
300
Number of Pages
Louise Glück is considered by many to be one of America’s most talented contemporary poets. The poet Robert Hass has called her “one of the purest and most accomplished lyric poets now writing,” and her poetry is noted for its technical precision, sensitivity, and insight into loneliness, family relationships, divorce, and death. Her poems are frequently described as “spare.” James K. Robinson in Contemporary Women Poets also noted that “Glück’s poetry is intimate, familial, and what Edwin Muir has called the fable, the archetypal.” Rosanna Warren has described Glück’s “classicizing gestures”—her frequent reworking of Greek and Roman myths such as Persephone and Demeter, for example—as necessary to her lyric project. According to Warren, Glück’s “power [is] to distance the lyric ‘I’ as subject and object of attention” and to “impose a discipline of detachment upon urgently subjective material.” Glück’s early books feature personae grappling with the aftermaths of failed love affairs, disastrous family encounters, and existential despair, and her later work continues to explore the agony of the self. In the New York Times, critic William Logan described her work as “the logical outcome of a certain strain of confessional verse—starved of adjectives, thinned to a nervous set of verbs, intense almost past bearing, her poems have been dark, damaged and difficult to avert your gaze from.”
Avg Rating
4.00
Number of Ratings
17
5 STARS
41%
4 STARS
24%
3 STARS
29%
2 STARS
6%
1 STARS
0%
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Author

Louise Gluck
Louise Gluck
Author · 27 books

American poet Louise Elisabeth Glück served as poet laureate of the United States from 2003 to 2004. Parents of Hungarian Jewish heritage reared her on Long Island. She attended Sarah Lawrence College and later Columbia University. She is the author of twelve books of poetry, including: A Village Life (2009); Averno (2006), which was a finalist for The National Book Award; The Seven Ages (2001); Vita Nova (1999), which was awarded The New Yorker's Book Award in Poetry; Meadowlands (1996); The Wild Iris (1992), which received the Pulitzer Prize and the William Carlos Williams Award of the Poetry Society of America; Ararat (1990), which received the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress. She also published a collection of essays, Proofs and Theories: Essays on Poetry (1994), which won the PEN/Martha Albrand Award for First Nonfiction. In 2001, Yale University awarded Louise Glück its Bollingen Prize in Poetry, given biennially for a poet's lifetime achievement in his or her art. Her other honors include the Lannan Literary Award for Poetry, the Sara Teasdale Memorial Prize (Wellesley, 1986), the Pulitzer Prize for Poetry in 1993 for her collection, The Wild Iris . Glück is the recipient of the National Book Critics Circle Award ( Triumph of Achilles ), the Academy of American Poet's Prize ( Firstborn ), as well as the Massachusetts Institute of Technology Anniversary Medal (2000), and fellowships from the Guggenheim, Rockefeller foundations and the National Endowment for the Arts. In 2020, Glück was awarded the Nobel Prize in Literature, "for her unmistakable poetic voice that with austere beauty makes individual existence universal." Glück also worked as a senior lecturer in English at Williams College in Williamstown, Massachusetts, served as a member of the faculty of the University of Iowa and taught at Goddard College in Vermont. She currently lives in Cambridge, Massachusetts, and teaches as the Rosencranz writer in residence at Yale University and in the creative writing program of Boston University.

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