From the Mississippi west to the Pacific, from border to border north and south, here is the first thorough overview of novelists, historians, and artists of the modern American West. Examining a full century of cultural-intellectual forces at work, a leading authority on the twentieth-century West brings his formidable talents to bear in this pioneering study. Richard W. Etulain divides his book into three major sections. He begins with the period from the 1890s to the 1920s, when artists and authors were inventing an idealized frontier—especially one depicting initial contacts and conflicts with new landscapes and new peoples. The second section covers the regionalists, who focused on regional (mostly geographical) characteristics that shaped distinctively "western" traits of character and institutions. The book concludes with a discussion of the postregional West from World War II to the ’90s, a period when novelists, historians, and artists stressed ethnicity, gender, and a new environmentalism as powerful forces in the formation of modern western society and culture. Etulain casts a wide net in his new study. He discusses novelists from Jack London to John Steinbeck and on to Joan Didion. He covers historians from Frederick Jackson Turner to Earl Pomeroy and Patricia Nelson Limerick, and artists from Frederic Remington and Charles Russell to Georgia O’Keeffe and R. C. Gorman. The author places emphasis on women painters and authors such as Mary Hallock Foote, Mary Austin, Willa Cather, and Judith Baca. He also stresses important works of ethnic writers including Leslie Marmon Silko, Rudolfo Anaya, and Amy Tan. An intriguing survey of tendencies and trends and a well-defined profile of influences and outgrowths, this book will be valuable to students and scholars of western culture and history, American studies, and related disciplines. General readers will appreciate the book’s balanced structure and spirited writing style. All readers, whatever their level of interest, will discover the major cultural inventions of the American West over the past one hundred years.

This is a lively history of three Rocky Mountain states in the twentieth century. With the sure hand of an experienced writer and the engaging voice of a veteran storyteller, the well-known historian Duane A. Smith recounts the major social, political, and economic events of the period with verve and zest. Smith is thoroughly familiar with his subject and has a genuine enthusiasm for the history of the region. Written with the general reader in mind, Rocky Mountain Heartland will appeal to students, teachers, and “armchair historians” of all ages. This is the colorful saga of how the Old West became the New West. Beginning at the end of the nineteenth century and concluding after the turn of the twenty-first, Rocky Mountain Heartland explains how Colorado, Montana, and Wyoming evolved over the course of the century. Smith is mindful of all the factors that propelled the mining, agriculture, water, immigration, tourism, technology, and two world wars. And he points out how the three states responded in varying ways to each of these forces. Although this is a regional story, Smith never loses sight of the national events that influenced events in the region. As Smith skillfully shows, the vast natural resources of the three states attracted optimistic, hopeful Americans intent on getting rich, enjoying the outdoors, or creating new lives for themselves and their families. How they resolved these often-conflicting goals is the modern story of the Rocky Mountain region.

At the beginning of the twentieth century, the greater Northwest was ablaze with change and seemingly obsessed with progress. The promotional literature of the time praising railroads, population increases, and the growing sophistication of urban living, however, ignored the reality of poverty and ethnic and gender discrimination. During the course of the next century, even with dramatic changes in the region, one constant remained—inequality. With an emphasis on the region’s political economy, its environmental history, and its cultural and social heritage, this lively and colorful history of the Pacific Northwest—defined here as Oregon, Washington, Idaho, Montana, and southern British Columbia—places the narrative of this dynamic region within a national and international context. Embracing both Canadian and American stories in looking at the larger region, renowned historians William Robbins and Katrine Barber offer us a fascinating regional history through the lens of both the environment and society. Understanding the physical landscape of the greater Pacific Northwest—and the watersheds of the Columbia, Fraser, Snake, and Klamath rivers—sets the stage for understanding the development of the area. Examining how this landscape spawned sawmills, fish canneries, railroads, logging camps, agriculture, and shared immigrant and ethnic traditions reveals an intricate portrait of the twentieth-century Northwest. Impressive in its synthesis of myriad historical facts, this first-rate regional history will be of interest to historians studying the region from a variety of perspectives and an informative read for anyone fascinated by the story of a landscape rich in diversity, natural resources, and Native culture.

The American West has taken on a rich and evocative array of regional identities since the late nineteenth century. Wilderness wonderland, Hispanic borderland, homesteader’s frontier, cattle kingdom, urban dynamo, Native American homeland. Hell of a Vision explores the evolution of these diverse identities during the twentieth century, revealing how Western regionalism has been defined by generations of people seeking to understand the West’s vast landscapes and varied cultures. Focusing on the American West from the 1890s up to the present, Dorman provides us with a wide-ranging view of the impact of regionalist ideas in pop culture and diverse fields such as geography, land-use planning, anthropology, journalism, and environmental policy-making. Going well beyond the realm of literature, Dorman broadens the discussion by examining a unique mix of texts. He looks at major novelists such as Cather, Steinbeck, and Stegner, as well as leading Native American writers. But he also analyzes a variety of nonliterary sources in his book, such as government reports, planning documents, and environmental impact studies. Hell of a Vision is a compelling journey through the modern history of the American West—a key region in the nation of regions known as the United States.

The Sagebrush Trail is a history of Western movies but also a history of twentieth-century America. Richard Aquila’s fast-paced narrative covers both the silent and sound eras, and includes classic westerns such as Stagecoach, A Fistful of Dollars, and Unforgiven, as well as B-Westerns that starred film cowboys like Tom Mix, Gene Autry, and Hopalong Cassidy. The book is divided into three parts. Part 1 traces the birth and growth of Westerns from 1900 through the end of World War II. Part 2 focuses on a transitional period in Western movie history during the two decades following World War II. Finally, part 3 shows how Western movies reflected the rapid political, social, and cultural changes that transformed America in the 1960s and the last decades of the twentieth century. The Sagebrush Trail explains how Westerns evolved throughout the twentieth century in response to changing times, and it provides new evidence and fresh interpretations about both Westerns and American history. These films offer perspectives on the past that historians might otherwise miss. They reveal how Americans reacted to political and social movements, war, and cultural change. The result is the definitive story of Western movies, which contributes to our understanding of not just movie history but also the mythic West and American history. Because of its subject matter and unique approach that blends movies and history, The Sagebrush Trail should appeal to anyone interested in Western movies, pop culture, the American West, and recent American history and culture. The mythic West beckons but eludes. Yet glimpses of its utopian potential can always be found, even if just for a few hours in the realm of Western movies. There on the silver screen, the mythic West continues to ride tall in the saddle along a “sagebrush trail” that reveals valuable clues about American life and thought.