A provocative collection of meditations on coupledom and its discontents that is "playful, brilliant ... profound ... keeps us faithful to the last page" ( The New York Observer)— from the witty psychoanalyst and author of On Kissing, Tickling, and Being Bored. Adam Phillips manages to unsettle one of our most dearly held ideals, that of the monogamous couple, by speculating upon the impulses that most threaten it—boredom, desire, and the tempting idea that erotic fulfillment might lie elsewhere. With 121 brilliant aphorisms, the witty, erudite psychoanalyst who gave us On Kissing, Tickling, and Being Bored distills the urgent questions and knotty paradoxes behind our mating impulse, and reveals the centrality of monogamy to our notions of marriage, family, the self—in fact, to everything that matters. The only truly monogamous relationship is the one we have with ourselves. Every marriage is a blind date that makes you wonder what the alternatives are to a blind date. There's nothing more scandalous than a happy marriage.
Author
Adam Phillips is a British psychotherapist and essayist. Since 2003 he has been the general editor of the new Penguin Modern Classics translations of Sigmund Freud. He is also a regular contributor to the London Review of Books. Phillips was born in Cardiff, Wales in 1954, the child of second-generation Polish Jews. He grew up as part of an extended family of aunts, uncles and cousins and describes his parents as "very consciously Jewish but not believing". As a child, his first interest was the study of tropical birds and it was not until adolescence that he developed an interest in literature. He went on to study English at St John's College, Oxford, graduating with a third class degree. His defining influences are literary – he was inspired to become a psychoanalyst after reading Carl Jung's autobiography and he has always believed psychoanalysis to be closer to poetry than medicine. Adapted from Wikipedia. Phillips is a regular contributor to the London Review of Books. He has been described by The Times as "the Martin Amis of British psychoanalysis" for his "brilliantly amusing and often profoundly unsettling" work; and by John Banville as "one of the finest prose stylists in the language, an Emerson of our time."
