Monsieur de Phocas (1901) has been ranked with Huysmans' À Rebours (1884) as the summation of the French Decadent Movement. In the novel, Jean Lorrain presents experiences of the darker side of his life in Paris as the adventures of the Duc de Freneuse (Phocas) and his relationship with the svengaliesque English painter Claudius Ethal This book ranks with 'A Rebours' as the summation of the French Decadent Movement. Modelled on 'The Portrait of Dorian Gray, ' it drips with evil and certainly would have been unpublishable in fin de siecle England. “The madness of the eyes is the lure of the abyss. Sirens lurk in the dark depths of the pupils as they lurk at the bottom of the sea, that I know for sure - but I have never encountered them, and I am searching still for the profound and plaintive gazes in whose depths I might be able, like Hamlet redeemed, to drown the Ophelia of my desire.” ― Jean Lorrain, Monsieur De Phocas
Author
Jean Lorrain, born Paul Duval, was a French poet and novelist of the Symbolist school. Lorrain was a dedicated disciple of dandyism, and openly gay. Lorrain wrote a number of collections of verse, including La forêt bleue (1883) and L'ombre ardente, (1897). He is also remembered for his decadent novels and short stories, such as Monsieur de Phocas (1901) and Histoires des masques (1900), as well as for one of his best novels, Sonyeuse, which he links to portraits exhibited by Antonio de La Gandara in 1893.
