The first annotated paperback publication of Lawrence's autobiographical and strikingly innovative unfinished novel Begun in 1920, Mr Noon is divided into two distinct parts, the first of which appeared in 1934 and the second of which remained unpublished until the Cambridge edition of 1984, the first publication of the novel in full. Abandoning a promising academic career at Cambridge, Gilbert Noon returns to Whetstone, where he becomes a teacher at the local technical school. His rootlessness leads him into an inept experiment of 'spoony' love with a fellow schoolteacher, Emmie Bostock. The ensuing scandal causes him to flee to Germany, where he finds true passion in his developing relationship with Johanna, the unhappily married wife of an English doctor. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author
David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism, and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature. http://en.wikipedia.org/wiki/D.H.\_Law...
