Margins
Muscular Music book cover
Muscular Music
1999
First Published
4.24
Average Rating
80
Number of Pages
The poems in Terrance Hayes' book, Muscular Music, are atypical of most writers' first books of poetry. One cannot categorize these poems simply as confessional, narrative, or lyrical. They are all these things at once. They move beyond usual explorations of childhood or family to blend themes and influences that range from Neruda to Coltrane, Fat Albert to Orpheus, John Shaft to Gershwin. This book gives us an almost Whitmanesque account of an America, and an African American, replete with grace and imperfection. Moreover, it gives us a voice that does not sacrifice truth for music or music for accessibility. At the end of a poem that includes Bill Strayhorn, Andrew Carnegie, and Dante, Hayes says, "I know one of the rings of hell is reserved for men who refuse to weep. So I let it come. And it does not move from me." These lines reflect what is always at the core of Hayes' poetry: a faithfulness, not to traditional forms or themes, but to heart and honesty. It is a core bounded by and cradled by a passion for the music in all things.
Avg Rating
4.24
Number of Ratings
249
5 STARS
45%
4 STARS
36%
3 STARS
17%
2 STARS
2%
1 STARS
0%
goodreads

Author

Terrance Hayes
Author · 13 books
Terrance Hayes is the author of six poetry collections, including American Sonnets for My Past and Future Assassin, How to Be Drawn, and Lighthead, which won the National Book Award. He is a MacArthur Fellow and teaches at the University of Pittsburgh.
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