
Part of Series
Who can forget our beloved gentleman's personal gentleman, Jeeves, who ever comes to the rescue when the hapless Bertie Wooster falls into trouble. My Man Jeeves is sure to please anyone with a taste for pithy buffoonery, moronic misunderstandings, gaffes, and aristocratic slapstick. Contents: "Leave It to Jeeves" "Jeeves and the Unbidden Guest" "Jeeves and the Hard-boiled Egg" "Absent Treatment" "Helping Freddie" "Rallying Round Old George" "Doing Clarence a Bit of Good" "The Aunt and the Sluggard" Of the eight stories in the collection, half feature the popular characters Jeeves and Bertie Wooster, while the others concern Reggie Pepper, an early prototype for Bertie Wooster. Revised versions of all the Jeeves stories in this collection were later published in the 1925 short story collection Carry On, Jeeves. One of the Reggie Pepper stories in this collection was later rewritten as a Jeeves story, which was also included in Carry On, Jeeves.
Author

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).