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Naïs Micoulin et autres nouvelles book cover
Naïs Micoulin et autres nouvelles
suivi d'un parcours « Du réalisme au naturalisme »
2014
First Published
2.70
Average Rating
256
Number of Pages
Naïs Micoulin, histoire d'une passion brûlante dans la lumière crue de L'Estaque, donne son titre à ce recueil de nouvelles peu connues de Zola. Fille d'un métayer qui la bat, la farouche et fière Naïs s'éprend du fils des propriétaires, Frédéric, élevé dans la crainte d'une mère autoritaire et qui mène, sous les dehors d'une vie studieuse, une jeunesse débauchée. Le temps d'un été caniculaire, la passion va consumer la jeune fille qui ira jusqu'au parricide pour protéger son amant. L'intrigue des Coquillages de M. Chabre est d'une tout autre facture : monsieur ne parvient pas à faire un enfant à madame ; le médecin prescrit à monsieur une cure de crustacés ; madame rencontre au bord de la mer un beau jeune homme et... Le lecteur suivra avec délice le dénouement de ce récit proche de Maupassant et plein d'une sensualité heureuse. Entre ces deux textes aux tonalités opposées, cinq autres nouvelles nous révèlent Zola sous un jour inhabituel, tour à tour parisien et ironique, passionnel et pathétique.
Avg Rating
2.70
Number of Ratings
27
5 STARS
4%
4 STARS
22%
3 STARS
33%
2 STARS
22%
1 STARS
19%
goodreads

Authors

Emile Zola
Emile Zola
Author · 89 books

Émile François Zola was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France. More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations. As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world." Although Zola and Cézanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in his novel L'Œuvre (The Masterpiece, 1886). From 1877 with the publication of L'Assommoir, Émile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author. The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.

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