Margins
2003
First Published
4.25
Average Rating
92
Number of Pages
Poetry. Asian-American. Mei-mei Berssenbrugge is one of the very few poets writing in the United States today whose voice and writing style are immediately recognizable. In her new collection, NEST, the medium of her poetry continues to be the sentence. To the formalities of syntax and grammar she adds the structures of domestic architecture, isolation, health, desire, play, and family life. Her writing offers a unique poetics of metaphysics and manners. As always the poetry is sensuous and stunning, and Richard Tuttle has once again designed an arresting cover.
Avg Rating
4.25
Number of Ratings
122
5 STARS
47%
4 STARS
37%
3 STARS
12%
2 STARS
2%
1 STARS
2%
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Author

Mei-mei Berssenbrugge
Mei-mei Berssenbrugge
Author · 13 books

Mei-mei Berssenbrugge was born in Beijing, the daughter of a Chinese mother and an American father who was the son of Dutch immigrants. Her mother was a mathematician, and her maternal grandmother received a college education in prerevolutionary China. Her father was employed at the American Embassy in Chungking, and later pursued Far Eastern studies at Harvard University. Her family moved to the United States when she was a year old. She earned a BA from Reed College and an MFA from Columbia University. Berssenbrugge is the author of fourteen books of poetry, most recently A Treatise on Stars (New Directions, 2020). Her other works include The Heat Bird (1983), winner of the American Book Award; Empathy (1989), winner of the PEN West Award; Sphericity (1993); Endocrinology (1997), a collaboration with the artist Kiki Smith; Four Year Old Girl (1998), winner of the Western States Book Award; Nest (2003); I Love Artists: New and Selected Poems (2006); and Hello, the Roses (2013). Berssenbrugge has received two fellowships from the National Endowment for the Arts, two American Book Awards, and honors from the Western States Art Foundation and the Asian American Writers Workshop. She lives in New Mexico.

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