Acclaimed author, playwright, poet, and essayist Warren Adler is best known for The War of the Roses, his masterpiece fictionalization of a macabre divorce that was adapted into the iconic dark comedy that starred Michael Douglas, Kathleen Turner and Danny DeVito. Following the success of his The War of the Roses, Adler went on to option and sell film rights to more than a dozen of his novels and short stories to Hollywood and major television networks. Random Hearts, The Sunset Gang, Private Lies, Funny Boys, Madeline’s Miracles, Trans-Siberian Express and his Fiona Fitzgerald mystery series are only a few titles that have forever left Adler’s mark on contemporary American authorship from page to stage to screen. Adler illuminates the intricacies of the modern American family through wit and realism, a trademark that has earned him the moniker ‘master of dysfunction’. On the other hand, he navigates the turbulent waters of the American political and social scene with unsurpassed authenticity; his political thrillers such as The Henderson Equation, The Casanova Embrace, and American Quartet - a ‘New York Times notable crime book’ are born from his experiences as a former White House correspondent, and co-owner of Washington Dossier Magazine, chronicling the social history of the nation’s capital from 1975-1991. He was also a businessman and once campaign strategist to President Richard Nixon. With over 40 years of an insider’s view of the exclusive domain of the nation’s political elite, Adler writes with a unique insight and command rendering him an invaluable voice in the evolving American experience, and a trademark in American literature.

Also wrote five category romances under the penname Shannon Anderson ::From The Author's Website:: HOW IT ALL BEGAN I started writing my first romance novel in secret. I was working a temp job in an insurance office in Manhattan at the time, and the office manager had made it clear that even if there was nothing to do, I still had to look busy—never one of my big talents. I felt bad about the wasted time, though, and I needed something to round out my other chosen career, which was singing. Yeah, that's right. Most artists choose a more practical Plan B to back up their improbable Plan A. Me? No way. "Long Shot" is my middle name. So I sneakily set up a Document 1 and a Document 2 with a spreadsheet on it. If my Boss du Jour walked by I could quick-like-a-bunny switch screens, and whenever the coast was clear, I went back to my story. Not that I was slacking, mind you. If there was work to be done, I did it. The sneakiness felt familiar, though, because I've been teased about reading romances since I was a kid. I think the day I finally grew up was the day I stopped trying to cover up what I was reading on the bus, train or subway. Let people think whatever they like. It wasn't until I moved to Italy (details of that Long Shot provided later on) that I got serious about writing, though. I found myself with many long, quiet days alone with nothing to do, so I slogged my way bravely to the end of the manuscript and sent it out. Everybody rejected it-except for Kensington. I wrote for them for a few years, and then made a bid for an erotic novella for the new Brava imprint, and oh joy, they accepted it. Then I wrote BEHIND CLOSED DOORS. And so on, and so forth. That's how I started. I can't think of anything I'd rather do. I never knew it would be so scary, and so hard . . . all that solitude and silence, a blank computer screen, and no one to blame. But still. It's worth it. It's great.