
Part of Series
Authors

Eileen Tabios (born 1960) is an award-winning Filipino-American poet, fiction writer, conceptual/visual artist, editor, anthologist, critic, and publisher. Born in Ilocos Sur, Philippines, Tabios moved to the United States at the age of ten. She holds a B.A. in political science from Barnard College and an M.B.A. in economics and international business from New York University Graduate School of Business. Her last corporate career was involved with international project finance. She began to write poetry in 1995. Tabios has released eighteen print, four electronic, one CD poetry collections, an art essay collection, a poetry essay/interview anthology, a novel, and a short story book. Tabios has created a body of work melding transcolonialism with ekphrasis. Inventor of the poetic form called "hay(na)ku," she has had her poems translated into Spanish, Tagalog, Japanese, Italian, Paintings, Video, Drawings, Visual Poetry, Mixed Media Collages, Kali Martial Arts, Modern Dance and Sculpture. Tabios has edited or co-edited five books of poetry, fiction and essays released in the United States. She also founded and edits the poetry review journal, "GALATEA RESURRECTS, a Poetry Engagement". She is the founder of Meritage Press, a multidisciplinary literary and arts press based in St. Helena, California. In addition to recipient of the Philippines’ National Book Award for Poetry, her poetry and editing projects have also received numerous awards including the PEN Oakland/Josephine Miles Literary Award, The Potrero Nuevo Fund Prize, the Gustavus Meyers Outstanding Book Award in the Advancement of Human Rights, Foreword Magazine Anthology of the Year Award, Poet Magazine's Iva Mary Williams Poetry Award, Judds Hill's Annual Poetry Prize and the Philippine American Writers & Artists’ Catalagan Award; recognition from the Academy of American Poets, the Asian/Pacific American Librarians Association and the PEN/Open Book Committee; as well as grants from the Witter Bynner Foundation, National Endowment of the Arts, the New York State Council on the Humanities, the California Council for the Humanities, and the New York City Downtown Cultural Council.

Letitia Trent's books include the novels Almost Dark and Echo Lake, the poetry collection One Perfect Bird, and the chapbooks The Women in Charge and You aren't in this movie. Her work has appeared in 32 poems, Fence, Black Warrior Review, Diode, Smokelong Quarterly, and Sou'Wester, among others. Trent's short story, Wilderness, was nominated for a Shirley Jackson award and included in Best Horror of the Year Volume 8, edited by Ellen Datlow. Trent is part of the horror podcast The Brood. She lives in Eureka Springs, Arkansas, with her husband, son, and three black cats. Photo by K Michelle Johnson

"I have just opened a Little Free Library" at my home (Charter #26112) .. If anyone would like to donate books, I will gladly share them with my dedicated readers. Send to LFL # 26112, 4975 Comanche Trail, Stow, OH 44224. Of course, I will read them first!" A poet, avid photographer and the onetime publisher/editor of Impetus Magazine, which I published through Implosion Press. I am now a book & arts reviewer for Oranges & Sardines. I also write reviews for WomenWriters.net and various other publications. My poetry and photography have appeared in hundreds of periodicals and anthologies internationally as well as in dozens of chapbooks. I have been translated into Russian, German & Chinese (that I know of)... I am the co-founder of the Women's Art Recognition Movement (W.A.R.M.), based in the North Water Street Gallery in Kent, OH and used to be the owner of Cat's Impetuous Books, also in Kent, where I specialized in small press books and held regular poetry readings, art exhibits and live musical performances. In 2004, I played Jesus in the indie film Jesus & Her Gospel of Yes with the poets Mike Basinski, as God, and John M. Bennett as Satan. Produced & directed with Alfred Eaker which is now available on DVD. I have recently collaborated with poet Belinda Subraman on an e-chap.. providing the visual enhancements to her sensual & surreal poetry. Give us a look at http://www.scribd.com/doc/7996547/Wet... View my page on Outsider Writers

Christine Klocek-Lim spends most of her time daydreaming—which isn’t much different from what she did as a girl in northeast Pennsylvania, as a college student in Pittsburgh, as a twenty-something technical writer in New York City, and as a young mother in suburban New Jersey. For the past decade or so she’s been dream-surfing in the Lehigh Valley of Pennsylvania. She received the 2009 Ellen La Forge Memorial Prize in poetry. She has one young adult novel, Disintegrate, and four chapbooks: Ballroom – a love story, Cloud Studies – a sonnet sequence, How to photograph the heart, and The book of small treasures. Her work has been nominated for the Pushcart Prize and was a finalist for 3 Quarks Daily’s Prize in Arts & Literature, Black Lawrence Press’ Black River Chapbook Competition, the Kenneth & Geraldine Gell Poetry Prize, as well as a semi-finalist for the Crab Orchard Series in Poetry First Book Award, the Sawtooth Poetry Prize, the Philip Levine Prize in Poetry, and for the Brittingham and Pollak Poetry Prizes. Her website is christinekloceklim.com.

Bob Hicok was born in 1960. His most recent collection, This Clumsy Living (University of Pittsburgh Press, 2007), was awarded the 2008 Bobbitt Prize from the Library of Congress. His other books are Insomnia Diary (Pitt, 2004), Animal Soul (Invisible Cities Press, 2001),a finalist for the National Book Critics Circle Award, Plus Shipping (BOA, 1998), and The Legend of Light (University of Wisconsin, 1995), which received the Felix Pollak Prize in Poetry and was named a 1997 ALA Booklist Notable Book of the Year. A recipient of three Pushcart Prizes, Guggenheim and two NEA Fellowships, his poetry has been selected for inclusion in five volumes of Best American Poetry. Hicok writes poems that value speech and storytelling, that revel in the material offered by pop culture, and that deny categories such as "academic" or "narrative." As Elizabeth Gaffney wrote for the New York Times Book Review: "Each of Mr. Hicok's poems is marked by the exalted moderation of his voice—erudition without pretension, wisdom without pontification, honesty devoid of confessional melodrama... His judicious eye imbues even the dreadful with beauty and meaning." Hicok has worked as an automotive die designer and a computer system administrator, and is currently an Associate Professor of English at Virginia Tech in Blacksburg.