Margins
Of Cannibals book cover
Of Cannibals
1580
First Published
3.39
Average Rating
63
Number of Pages

E' peggio mangiare un uomo alla maniera amazzonica, o bruciarlo su un patibolo recitando preghiere tutt'attorno, alla maniera europea? Scritta sulle prime testimonianze dei viaggiatori nel Nuovo Mondo, la meditazione di Montaigne sui cannibali è nello stesso tempo un'indagine sulla diversità dei costumi umani, una testimonianza storica sui costumi degli indigeni americani e un passo insuperabile di scrittura rinascimentale. Dato alle stampe nel 1580 negli Essais, mette in discussione le certezze consolidate sui costumi "orribili" di chi ci pare diverso e scopre un fondo di "mostruosità" anche in noi, uomini normali e civilizzati. Una lettura attuale, in un'epoca in cui i valori degli occidentali continuano a cannibalizzare uomini e culture.

Avg Rating
3.39
Number of Ratings
176
5 STARS
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4 STARS
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3 STARS
34%
2 STARS
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1 STARS
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Author

Michel de Montaigne
Michel de Montaigne
Author · 27 books

Michel Eyquem de Montaigne (1532-1592) was one of the most influential writers of the French Renaissance. Montaigne is known for popularizing the essay as a literary genre. He became famous for his effortless ability to merge serious intellectual speculation with casual anecdotes and autobiography—and his massive volume Essais (translated literally as "Attempts") contains, to this day, some of the most widely influential essays ever written. Montaigne had a direct influence on writers the world over, from William Shakespeare to René Descartes, from Ralph Waldo Emerson to Stephan Zweig, from Friedrich Nietzsche to Jean-Jacques Rousseau. He was a conservative and earnest Catholic but, as a result of his anti-dogmatic cast of mind, he is considered the father, alongside his contemporary and intimate friend Étienne de La Boétie, of the "anti-conformist" tradition in French literature. In his own time, Montaigne was admired more as a statesman then as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that, "I am myself the matter of my book", was viewed by his contemporaries as self-indulgent. In time, however, Montaigne would be recognized as embodying, perhaps better than any other author of his time, the spirit of freely entertaining doubt which began to emerge at that time. He is most famously known for his skeptical remark, "Que sais-je?" ("What do I know?"). Remarkably modern even to readers today, Montaigne's attempt to examine the world through the lens of the only thing he can depend on implicitly—his own judgment—makes him more accessible to modern readers than any other author of the Renaissance. Much of modern literary nonfiction has found inspiration in Montaigne, and writers of all kinds continue to read him for his masterful balance of intellectual knowledge and personal storytelling.

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