Hettie Jones (born 1934 as Hettie Cohen) is best known as the first wife of Amiri Baraka, known as LeRoi Jones at the time of their marriage, but is also a writer herself. While known for her poetry, she has received acclaim for her memoir, How I Became Hettie Jones (published 1990 by Grove Press). Jones held various clerical jobs at Partisan Review and started the literary magazine Yugen with her husband. Jones is currently on the faculty in the graduate program in creative writing at The New School in New York City. From 1989-2002 she ran a writing workshop at the New York State Correctional Facility for Women at Bedford Hills, which included inmate Judy Clark as a student, and which published a nationally distributed collection, Aliens At The Border. Jones is a former chair of the PEN Prison Writing Committee and is currently a member of PEN's Advisory Council. (from Wikipedia)

Thomas Francis McGuane III is an American writer. His work includes ten novels, short fiction and screenplays, as well as three collections of essays devoted to his life in the outdoors. He is a member of the American Academy of Arts and Letters, National Cutting Horse Association Members Hall of Fame and the Fly-Fishing Hall of Fame. McGuane's early novels were noted for a comic appreciation for the irrational core of many human endeavors, multiple takes on the counterculture of the 1960s and 1970s. His later writing reflected an increasing devotion to family relationships and relationships with the natural world in the changing American West, primarily Montana, where he has made his home since 1968, and where his last five novels and many of his essays are set. He has three children, Annie, Maggie and Thomas.

Mark Strand was a Pulitzer Prize-winning American poet, essayist, and translator. He was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 1990. He was a professor of English at Columbia University and also taught at numerous other colleges and universities. Strand also wrote children's books and art criticism, helped edit several poetry anthologies and translated Spanish poet Rafael Alberti. He is survived by a son, a daughter and a sister.

Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information. James Myers Thompson was a United States writer of novels, short stories and screenplays, largely in the hardboiled style of crime fiction. Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in the New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction. Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism. The writer R.V. Cassills has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever "wrote a book within miles of Thompson". Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because "The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it." Thompson admired Fyodor Dostoevsky and was nicknamed "Dimestore Dostoevsky" by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.

Author Daniel Pinchbeck has deep personal roots in the New York counterculture of the 1950s and 1960s. His father was an abstract painter, and his mother, Joyce Johnson, was a member of the Beat Generation and dated Jack Kerouac as On the Road hit the bestseller lists in 1957 (chronicled in Johnsons bestselling book, Minor Characters: A Beat Memoir). Pinchbeck was a founder of the 1990s literary magazine Open City with fellow writers Thomas Beller and Robert Bingham. He has written for many publications, including Esquire, The New York Times Magazine, The Village Voice, and Rolling Stone. In 1994, he was chosen by The New York Times Magazine as one of Thirty Under Thirty destined to change our culture. Pinchbeck lives in New Yorks East Village, where he is editorial director of Reality Sandwich (www.realitysandwich.com). He writes a column, Prophet Motive, for Conscious Enlightment publishing (www.cemagazines.com), which appears in Conscious Choice (Chicago), Conscious Choice (Seattle), Whole Life Times (LA), and Common Ground (SF)."