"Great art and a soft, smooth page that's slick to the touch...reading Optic Nerve is like peeking into someone's diary or flipping through your favorite photo album." —New York Daily News After self-publishing seven mini comics as a teenager, Optic Nerve became a regular comic book series when Adrian Tomine was only 20. His work developed steadily over the years, from the rough, sketchy drawings of his early mini-comics to the stark, crisp graphic approach of his D&Q series. Although his work is no longer strictly autobiographical, his contemporary stories are still deeply personal. Tomine creates a new cast of characters for each story, and he has become a master of penetrating their fragile exteriors. This first D+Q issue features five stories: "Sleepwalk" (11 pages), an account of a young man's attempts to cling to an old, fading relationship; "Echo Avenue" (5 pages), where voyeurism is the pastime of choice as a couple peers into their neighbor's bedroom window; "Long Distance" (2 pages), a brief, powerful story about a woman's cold, distant conversations with her boyfriend; "Drop" (1 page), an account of an unfortunate incident by the author's father; and "Lunch Break" (5 pages), where a solitary elderly woman thinks back to happier times in the 1950's.

This remarkably illustrated collection of postcards features the best of Tomine's distinctive, critically acclaimed Optic Nerve comic book series, as well as selections from his work for magazines such as The New Yorker, album covers, and more. Share these 30 different postcards or keep them all to yourself.

In 1991, Adrian Tomine self-published the first issue of Optic Nerve. Consisting of three xeroxed sheets of paper, and with a print run of twenty-five, it was a less-than-auspicious, largely unnoticed debut. In the following three years, though, Optic Nerve developed at a startlingly rapid pace: the artwork and writing evolved with each story, production quality improved, page counts increased, and by issue seven, sales had reached 6,000. In 1994, Drawn & Quarterly took over the publishing duties of Optic Nerve, and the original seven issues sold out and were left out of print. 32 stories presents these rare, early editions, collected for the first time in a single volume.

Collecting the first four issues of Adrian Tomine's acclaimed comic series optic nerve, this book offers sixteen concise, haunting tales of modern life. The characters here appear to be well-adjusted on the surface, but Tomine takes us deeper into their lives, subtly examining their struggle to connect with friends and lovers.

Adrian Tomine's cult comix series Optic Nerve is finally collected into one sharp-looking hardcover volume. Described as the Raymond Carver of comix, Tomine constructs tales of emotional disconnection with an ear for painfully real dialogue. Combined with his deft black and white depictions of urbane lifestyles, Tomine's fans have often accused him of eavesdropping in on their most intimate moments and, with forensic skill, laying their lives bare. The conflicts between emotional gratification, narcissistic neediness and moral discernment mark the title story in which a socially crippled man nurses an obsessive crush on a young woman. He watches close up, paralyzed by his guilt, as her beauty catches the eye of his neighbor: a hip, selfish young man with a short attention span. One of Optic Nerve's most popular stories, \`Hawaiian Getaway,\` features Hilary, telephone service rep who is having the worst week of her life. She lost her job, her apartment, and her grandmother. Close to the edge, she is losing her grip. Reaching out to random strangers on the phone, Hilary is looking for someone to help her. In "Alter Ego" a successful young author has writer\`s block. He can\`t, or won\`t, decide between another ghostwriting gig and finishing his second "real" novel. He stalls on committing to his novel and his girlfriend when a chance postcard leads him to flirt with fantasies of changing the past. Finally, "Bomb Scare" documents the early unease of his generation by setting this coming-of-age story during the tense months of the Gulf War, the event that ushered in the 1990s.

Shortcomings, Adrian Tomine's first long-form graphic novel, is the story of Ben Tanaka, a confused, obsessive Japanese American male in his late twenties, and his cross-country search for contentment (or at least the perfect girl). Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time. Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.

"\[Adrian Tomine\] has more ideas in twenty panels than novelists have in a lifetime.” ―Zadie Smith After enjoying over six months on the New York Times Bestseller list and receiving a rave review from the same institution, acclaimed cartoonist Adrian Tomine’s Killing and Dying is now available in paperback, with an updated cover and French flaps. With this work, Tomine ( Shortcomings, Scenes from an Impending Marriage ) reaffirms his place not only as one of the most significant creators of contemporary comics, but as one of the great voices of modern American literature. His gift for capturing emotion and intellect the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century. “Amber Sweet” shows the disastrous impact of mistaken identity in a hyper-connected world; “A Brief History of the Art Form Known as Hortisculpture” details the invention and destruction of a vital new art form; “Translated, from the Japanese,” is a lush, full-color display of storytelling through still images; the title story, "Killing and Dying," centers on parenthood, mortality, and stand-up comedy. In six interconnected, darkly funny stories, Tomine forms a quietly moving portrait of contemporary life. Adrian Tomine is a master of the small gesture, equally deft at signaling emotion via a subtle change of expression or writ large across landscapes illustrated in full color. Killing and Dying is a fraught, realist masterpiece.