A British "fantastic fiction" writer. He is fond of describing his work as "weird fiction" (after early 20th century pulp and horror writers such as H. P. Lovecraft), and belongs to a loose group of writers sometimes called New Weird who consciously attempt to move fantasy away from commercial, genre clichés of Tolkien epigons. He is also active in left-wing politics as a member of the Socialist Workers Party. He has stood for the House of Commons for the Socialist Alliance, and published a book on Marxism and international law. Excerpted from Wikipedia.

Emily St. John Mandel was born and raised on the west coast of British Columbia, Canada. She studied contemporary dance at the School of Toronto Dance Theatre and lived briefly in Montreal before relocating to New York. She is the author of five novels, including The Glass Hotel (spring 2020) and Station Eleven (2014.) Station Eleven was a finalist for a National Book Award and the PEN/Faulkner Award, won the Morning News Tournament of Books, and has been translated into 34 languages. She lives in NYC with her husband and daughter.

I wanted to be a writer from a very young age, and wrote my first proper short story at 14. I also wrote a novel that year, called “Skin Deep”‘, which I really need to type up. I started sending stories out when I was about 23, and sold my first one, “White Bed”", in 1993. Since then I’ve sold about 70 short stories, two short story collections and three novels. I’m an avid and broad reader but I also like reality TV so don’t always expect intelligent conversation from me.

Samuel Ray Delany, also known as "Chip," is an award-winning American science fiction author. He was born to a prominent black family on April 1, 1942, and raised in Harlem. His mother, Margaret Carey Boyd Delany, was a library clerk in the New York Public Library system. His father, Samuel Ray Delany, Senior, ran a successful Harlem undertaking establishment, Levy & Delany Funeral Home, on 7th Avenue, between 1938 and his death in 1960. The family lived in the top two floors of the three-story private house between five- and six-story Harlem apartment buildings. Delany's aunts were Sadie and Bessie Delany; Delany used some of their adventures as the basis for the adventures of his characters Elsie and Corry in the opening novella Atlantis: Model 1924 in his book of largely autobiographical stories Atlantis: Three Tales. Delany attended the Dalton School and the Bronx High School of Science, during which he was selected to attend Camp Rising Sun, the Louis August Jonas Foundation's international summer scholarship program. Delany and poet Marilyn Hacker met in high school, and were married in 1961. Their marriage lasted nineteen years. They had a daughter, Iva Hacker-Delany (b. 1974), who spent a decade working in theater in New York City. Delany was a published science fiction author by the age of 20. He published nine well-regarded science fiction novels between 1962 and 1968, as well as several prize-winning short stories (collected in Driftglass [1971] and more recently in Aye, and Gomorrah, and other stories [2002]). His eleventh and most popular novel, Dhalgren, was published in 1975. His main literary project through the late 1970s and 1980s was the Return to Nevèrÿon series, the overall title of the four volumes and also the title of the fourth and final book. Delany has published several autobiographical/semi-autobiographical accounts of his life as a black, gay, and highly dyslexic writer, including his Hugo award winning autobiography, The Motion of Light in Water. Since 1988, Delany has been a professor at several universities. This includes eleven years as a professor of comparative literature at the University of Massachusetts at Amherst, a year and a half as an English professor at the University at Buffalo. He then moved to the English Department of Temple University in 2001, where he has been teaching since. He has had several visiting guest professorships before and during these same years. He has also published several books of criticism, interviews, and essays. In one of his non-fiction books, Times Square Red, Times Square Blue (1999), he draws on personal experience to examine the relationship between the effort to redevelop Times Square and the public sex lives of working-class men, gay and straight, in New York City. In 2007, Delany was the subject of a documentary film, The Polymath, or, The Life and Opinions of Samuel R. Delany, Gentleman. The film debuted on April 25 at the 2007 Tribeca Film Festival.

Autumn Christian is the author of the books "The Crooked God Machine," "We are Wormwood", and "Ecstatic Inferno," and has written for several video-games, including Battle Nations and State of Decay 2. When not writing, she is usually practicing her side kicks and running with dogs, or posting strange and existential Instagram selfies. She's been a freelance writer, a game designer, a cheese producer, a haunted house actor, and a video game tester. She considers Philip K. Dick, Ray Bradbury, Katie Jane Garside, the southern gothic, and dubstep, as main sources of inspiration.

Lavie Tidhar was raised on a kibbutz in Israel. He has travelled extensively since he was a teenager, living in South Africa, the UK, Laos, and the small island nation of Vanuatu. Tidhar began publishing with a poetry collection in Hebrew in 1998, but soon moved to fiction, becoming a prolific author of short stories early in the 21st century. Temporal Spiders, Spatial Webs won the 2003 Clarke-Bradbury competition, sponsored by the European Space Agency, while The Night Train (2010) was a Sturgeon Award finalist. Linked story collection HebrewPunk (2007) contains stories of Jewish pulp fantasy. He co-wrote dark fantasy novel The Tel Aviv Dossier (2009) with Nir Yaniv. The Bookman Histories series, combining literary and historical characters with steampunk elements, includes The Bookman (2010), Camera Obscura (2011), and The Great Game (2012). Standalone novel Osama (2011) combines pulp adventure with a sophisticated look at the impact of terrorism. It won the 2012 World Fantasy Award, and was a finalist for the Campbell Memorial Award, British Science Fiction Award, and a Kitschie. His latest novels are Martian Sands and The Violent Century. Much of Tidhar’s best work is done at novella length, including An Occupation of Angels (2005), Cloud Permutations (2010), British Fantasy Award winner Gorel and the Pot-Bellied God (2011), and Jesus & the Eightfold Path (2011). Tidhar advocates bringing international SF to a wider audience, and has edited The Apex Book of World SF (2009) and The Apex Book of World SF 2 (2012). He is also editor-in-chief of the World SF Blog, and in 2011 was a finalist for a World Fantasy Award for his work there. He also edited A Dick and Jane Primer for Adults (2008); wrote Michael Marshall Smith: The Annotated Bibliography (2004); wrote weird picture book Going to The Moon (2012, with artist Paul McCaffery); and scripted one-shot comic Adolf Hitler’s I Dream of Ants! (2012, with artist Neil Struthers). Tidhar lives with his wife in London.

BIO Nikhil Singh is a South African artist, writer and musician. Former projects include the graphic novels: Salem Brownstone written by John Harris Dunning (longlisted for the Branford Boase Award, Walker Books 2009) as well as The Ziggurat (Bell-Roberts 2003) by The Constructus Corporation (now Die Antwoord). His/her/It's work has also been featured in various magazines including Dazed, i-D Online, Creative Review, as well as Pictures and Words: New Comic Art and Narrative Illustration (Laurence King, 2005) and Design Week UK. His/her/It's debut novel Taty Went West was published by Kwani? Trust in 2015, Jacaranda Books (UK) in 2017, and Rosarium (US) in 2018. The book was released with illustrations by the author, a self-produced soundtrack and was shortlisted for Best African Novel in the inaugural Nommo Awards. He/She/It was invited to submit a story to The Unquiet Dreamer, a prestigious Harlan Ellison tribute, from PS Publishing in 2019. The story The Re-Evolution of Cloud 9, was also longlisted for Best Story in the 2020 Nommo Awards. The novel Club Ded, published by Luna Press Publishing (UK) in June 2020 was shortlisted for Best Novel in the 2021 British Science Fiction Association Awards and the 2021 Nommo Awards. He/She/It has recently completed the James Currey workshop for writing and publishing at Oxford University and was invited to chair a panel at the Oxford Literary Festival 2022, discussing his/her/it's work. To date, the author has participated in the following festivals as either an a panelist, awards presenter, featured reader: African Futures (Nairobi 2015), Time of the Writer (SA 2015), African Utopia (Southbank Center UK 2015), Africa Writes (British Library UK / Royal African Society 2016), Worldcon 75/Hugo Awards (Hugo Awards presenter / profiled writer Helsinki 2017), South African Book Fair / Book week (SA 2017), Readercon (Boston 2018), New York Science Fiction Review (NY 2018). Cymera (Edinburgh Festival 2020), DisCon III (Washington 2021), Oxford Literary Festival (2022) SALEM BROWNSTONE quotes ANTHONY MINGHELLA: “Salem Brownstone is a graphic novel that is both original and compelling. There's a seamless relationship between the images and the text, and the characters linger in the mind. I look forward to the continuing adventures of Salem Brownstone!” HARMONY KORINE: Salem Brownstone kicked my ass and made me believe in the beautiful darkness of the world again.’ JEFFERSON HACK (editorial director of the Dazed magazine group, founding Dazed magazine with photographer Rankin ) : 'Salem Brownstone is a hypnotically beautiful gothic fantasy.” ALAN MOORE: "A wonderfully imaginative and stylish piece of work and a perfect example of the adventurous new directions that comic books should be taking in the future." CLUB DED quotes ‘Club Ded is a kaleidoscopic look at the processes of creation and art through the dual lenses of realism and Afrofuturism. The cultural clash between Bryson and Fortunanto microcosmically reflect the complexities of relations and exchanges between the US and South Africa. It feels as though author Nikhil Singh is on an academic discourse against generalisation and stereotype: comparisons in ideals of American commercialism and ‘African’ mysticism. Singh bolsters the narrative with a penetrating understanding of contemporary South Africa, and subtle, but astute, use of social commentary. He writes unapologetically about issues such as poverty, racism, substance abuse and classism. With incredible humanity, all characters are flawed. If not relatable, they are believable. Singh creates mystery in a steady release of plot. With no real clues to puzzle things together, the narrative is unclear for a large part of the book, yet Singh successfully retains the reader in actively focusing their attention on what proves to be key information. Club Ded is a self-aware novel. Singh makes a calculated contribution to Afrofuturism in quest

Paul Di Filippo is the author of hundreds of short stories, some of which have been collected in these widely-praised collections: The Steampunk Trilogy, Ribofunk, Fractal Paisleys, Lost Pages, Little Doors, Strange Trades, Babylon Sisters, and his multiple-award-nominated novella, A Year in the Linear City. Another earlier collection, Destroy All Brains, was published by Pirate Writings, but is quite rare because of the extremely short print run (if you see one, buy it!). The popularity of Di Filippo’s short stories sometimes distracts from the impact of his mindbending, utterly unclassifiable novels: Ciphers, Joe’s Liver, Fuzzy Dice, A Mouthful of Tongues, and Spondulix. Paul’s offbeat sensibility, soulful characterizations, exquisite-yet-compact prose, and laugh-out-loud dialogue give his work a charmingly unique voice that is both compelling and addictive. He has been a finalist for the Hugo, Nebula, BSFA, Philip K. Dick, Wired Magazine, and World Fantasy awards. Despite his dilatory ways, Paul affirms that the sequel to A Year in the Linear City, to be titled A Princess of the Linear Jungle, will get written in 2008. He has two books forthcoming from PS Publications: the collection entitled Harsh Oases and the novel titled Roadside Bodhisattva. His 2008 novel Cosmocopia is graced by Jim Woodring illustrations. Paul lives in Providence, Rhode Island.

My latest book is Victories Greater Than Death. Coming in August: Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. Previously: All the Birds in the Sky, The City in the Middle of the Night, and a short story collection, Six Months, Three Days, Five Others. Coming soon: An adult novel, and a short story collection called Even Greater Mistakes. I used to write for a site called io9.com, and now I write for various places here and there. I won the Emperor Norton Award, for “extraordinary invention and creativity unhindered by the constraints of paltry reason.” I've also won a Hugo Award, a Nebula Award, a William H. Crawford Award, a Theodore Sturgeon Award, a Locus Award and a Lambda Literary Award. My stories, essays and journalism have appeared in Wired Magazine, the Boston Review, Conjunctions, Tin House, Slate, MIT Technology Review, the New York Times, the Washington Post, the San Francisco Chronicle, Tor.com, Lightspeed Magazine, McSweeney’s, The Magazine of Fantasy & Science Fiction, Asimov’s Science Fiction Magazine, ZYZZYVA, Strange Horizons, Apex Magazine, Uncanny Magazine, 3 AM Magazine, Flurb.net, Monkey Bicycle, Pindeldyboz, Instant City, Broken Pencil, and in tons and tons of anthologies. I organize Writers With Drinks, which is a monthly reading series here in San Francisco that mashes up a ton of different genres. I co-host a Hugo Award-winning podcast, Our Opinions Are Correct, with Annalee Newitz. Back in 2007, Annalee and I put out a book of first-person stories by female geeks called She’s Such a Geek: Women Write About Science, Technology and Other Nerdy Stuff. There was a lot of resistance to doing this book, because nobody believed there was a market for writing about female geeks. Also, Annalee and I put out a print magazine called other, which was about pop culture, politics and general weirdness, aimed at people who don’t fit into other categories. To raise money for other magazine, we put on events like a Ballerina Pie Fight – which is just what it sounds like – and a sexy show in a hair salon where people took off their clothes while getting their hair cut. I used to live in a Buddhist nunnery, when I was a teenager. I love to do karaoke. I eat way too much spicy food. I hug trees and pat stone lions for luck. I talk to myself way too much when I’m working on a story.

Clive Barker was born in Liverpool, England, the son of Joan Rubie (née Revill), a painter and school welfare officer, and Leonard Barker, a personnel director for an industrial relations firm. Educated at Dovedale Primary School and Quarry Bank High School, he studied English and Philosophy at Liverpool University and his picture now hangs in the entrance hallway to the Philosophy Department. It was in Liverpool in 1975 that he met his first partner, John Gregson, with whom he lived until 1986. Barker's second long-term relationship, with photographer David Armstrong, ended in 2009. In 2003, Clive Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards. This award is presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities". While Barker is critical of organized religion, he has stated that he is a believer in both God and the afterlife, and that the Bible influences his work. Fans have noticed of late that Barker's voice has become gravelly and coarse. He says in a December 2008 online interview that this is due to polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars. On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for eleven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions. Barker is one of the leading authors of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories. Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou. Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim. Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early Nineties, as well on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996), as well as on the second printing of the original UK publications of his Books of Blood series. A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles—set outside the Marvel universe—were Ectokid,