Owned

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

The stunning conclusion to the story that started in What the River Knows. A lush immersive historical fantasy set in Egypt filled with adventure, and a rivals\-to\-lovers romance like no other! 1885, Egypt Inez Olivera is left reeling from her cousin Elvira’s murder, and her mother’s betrayal, and when Tío Ricardo issues an ultimatum about her inheritance, she’s left with only one option to consider. Marriage to Whitford Hayes. Former British soldier, her uncle’s aide de camp, and one time nemesis, Whit has his own mysterious reasons for staying in Egypt. With her heart on the line, Inez might have to bind her fate to the one person whose secret plans could ruin her.

'He put the glass to his lips and drank at one gulp... his face became suddenly black and the features seemed to melt and alter' Published as a 'shilling shocker', Robert Louis Stevenson's dark psychological fantasy gave birth to the idea of the split personality. The story of respectable Dr Jekyll's strange association with 'damnable young man' Edward hyde; the hunt through fog\-bound London for a killer; and the final revelation of Hyde's true identity is a chilling exploration of humanity's basest capacity for evil. The other stories in this volume also testify to Stevenson's inventiveness within the Gothic tradition: 'Olalla', a tale of vampirism and tainted family blood, and 'The Body Snatcher', a gruesome fictionalization of the exploits of the notorious Burke and Hare. This edition contains a critical introduction by Robert Mighall, which discusses class, criminality and the significance of the story's London setting. It also includes an essay on the scientific contexts of the novel and the development of the idea of the Jekyll\-and\-Hyde personality.