Margins
Margins
Sign in
Margins
Subscribe to our newsletter
548 Market St PMB 65688, San Francisco California 94104-5401 USA
hello@margins.app
Β·
+1 (650) 223-5283
Privacy Policy
Β·
Terms of Use
Β© 2026 Paratext Inc. All rights reserved
π Owned
π
Owned
Welcome to the Hyunam-dong Bookshop
2022
Hwang Bo-reum
μμΈ μ΄λμλ μμ κ² κ°μ λλ€μ νλ―Έμ§ κ³¨λͺ©κΈΈ. μ€κ°λ μ¬λλ λ§μ§ μμ κ°μ μ§λ€ μ¬μ΄μ νλ²ν λλ€ μμ νλκ° λ€μ΄μ λ€. λ°λ‘ ν΄λ¨λ μμ ! μ¬ν μ¬μ°μ κ°κ³ μλ μ¬λμ²λΌ μΌκ΅΄μ μλ¬΄λ° μμλ 보μ΄μ§ μλ μμ μ£ΌμΈ μμ£Όλ μ²μ λͺ λ¬κ°μ μμ μ΄ μλμΈ λ― μΌμ νμ§ μκ³ κ°λ§ν μμ μ± λ§ μ½λλ€. κ·Έλ κ² μμ΄λ²λ¦° κ²λ€μ νλλ λμ°Ύλ κΈ°λΆμΌλ‘ ν루ν루λ₯Ό 보λ΄λ€ 보λ μμ§λκ³ ν λΉ κ²λ§ κ°μλ λ΄λ©΄μ λλμ΄ μμν μ¬λΌμ§λ€. κ·Έλ¬λ€ μ΄λ μκ° κΉ¨λ«λλ€. μμ μ΄ κ½€ 건κ°ν΄μ‘λ€λ μ¬μ€μ. κ·Έ μκ°λΆν° ν΄λ¨λ μμ μ μμ ν μλ‘μ΄ κ³΅κ°μ΄ λλ€. μ¬λμ΄ λͺ¨μ΄κ³ κ°μ μ΄ λͺ¨μ΄κ³ μ λ§λ€μ μ΄μΌκΈ°κ° λͺ¨μ΄λ 곡κ°μΌλ‘. λ°λ¦¬μ€ν λ―Όμ€, λ‘μ€ν μ 체 λν μ§λ―Έ, μκ° μΉμ°, λ¨κ³¨μλ μ μ, μ¬λ κ² μ¬λ―Έμλ κ³ λ±νμ λ―Όμ² κ³Ό κ·Έμ μλ§ ν¬μ£Ό λ± ν¬κ³ μμ μμ²μ ν¬λ§μ κ°μ§ μ¬λλ€μ΄ ν΄λ¨λ μμ μ΄λΌλ 곡κ°μ μμμ²λ‘ μΌμ ν¨κ» μ΄μκ°λ λ²μ λ°°μ΄λ€. γμ΄μ μ€μΈμ, ν΄λ¨λ μμ μ λλ€γλ μ°λ¦¬κ° μμ΄λ²λ¦° μ± μ΄κ³ μμ§λ§ μ¬λ λ° κΌ νμν κ²λ€μ΄ κ°λν μ± μ΄λ€. λ°°λ €μ μΉμ , 거리λ₯Ό μ§ν¬ μ€ μλ μ¬λλ€λΌλ¦¬μ μ°μ κ³Ό λμ¨ν μ°λ, μ§μνκ³ κΉμ΄ μλ λν λ±.
All the Lovers in the Night
2011
Mieko Kawakami
Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyuko stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward, and spiritless woman who has lacked the strength to change her life and decides to do something about it. As the long overdue change occurs, however, painful episodes from Fuyukoβs past surface and her behavior slips further and further beyond the pale. All the Lovers in the Night is acute and insightful, entertaining and engaging; it will make readers laugh, and it will make them cry, but it will also remind them, as only the best books do, that sometimes the pain is worth it.
The Murders in the Rue Morgue
1841
Edgar Allan Poe
".. Rue Morgue" is a short story by Edgar Allan Poe first published in "Graham's Magazine" in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his tales of "ratiocination," his concept of analyzing a fictional crime to find the resolution. Brand new idea in its day. Poe's amateur detective, C. Auguste Dupin, takes an interest in the murder in Paris of two women. It was terribly brutal but difficult to categorize; there appeared to be no robbery or sexual assault, no obvious reason for the crimes. The newspapers carried sensational headlines. Dupin gets involved because the man arrested for the crimes, Monsieur Le Bon, had previously done him a favour. It becomes a challenge to Dupin. Get set for a step back in the history of detective fiction that leaves the impression that it was written just a short while ago. Librarian's note: this entry is for the story "The Murders in the Rue Morgue." It is the first of three in the author's Dupin series. Collections of the series, including those under this title, and other stories by the author, are located elsewhere on Goodreads. Each of the Dupin stories can be found by searching Goodreads for "a C. Auguste Dupin Short Story."
Notes from Underground
1864
Fyodor Dostoevsky
Dostoevskyβs most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of manβs essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.