


Books in series

Oxford Handbook of Dialysis
2001

Oxford Handbook of Urology
2005

Oxford Handbook of Dental Patient Care
1998

Oxford Handbook of Gastroenterology & Hepatology
2006

Oxford Handbook of Complementary Medicine
2001

Oxford Handbook of Clinical and Laboratory Investigation
2002

Oxford Handbook of Clinical Immunology and Allergy
1999

Oxford Handbook of Head and Neck Anatomy
2022

Oxford Handbook of Occupational Health
2007

Oxford Handbook of Clinical and Healthcare Research
2016

Oxford Handbook of Medical Dermatology
2011

Oxford Handbook of Infectious Diseases and Microbiology
2009

Oxford Handbook of Neonatology
2010

Oxford Handbook of Practical Drug Therapy
2005

Oxford Handbook of Sleep Medicine
2022

Oxford Handboook of Clinical Pathology
2012

Oxford Handbook of Tropical Medicine
2014

Oxford Handbook of Operative Surgery
1996

Oxford Handbook of Geriatric Medicine
2006

Oxford Handbook of Integrated Dental Biosciences
2018

Oxford Handbook of Oral and Maxillofacial Surgery
2012

Oxford Handbook of Forensic Medicine
2011

Oxford Handbook of Epidemiology for Clinicians
2012

Oxford Handbook for the Dental Foundation and Core Training Programmes
2023

Oxford Handbook of Pain Management
2011
Oxford Handbook of Rehabilitation Medicine
2005

Oxford Handbook of ENT and Head and Neck Surgery
2006

Oxford Handbook of Medical Imaging
2011

Oxford Handbook of Rheumatology
2002

Oxford Handbook of Sports and Exercise Medicine
2006

Oxford Handbook of Humanitarian Medicine
2019

Oxford Handbook of Genitourinary Medicine, HIV, and Sexual Health
2005

Oxford Handbook of Genetics
2009

Oxford Handbook of Medical Ethics and Law
2021

Oxford Handbook for Medical School
2019

Oxford Handbook of Clinical Medicine
2006

Oxford Handbook of Medical Sciences 2e and Oxford Handbook of Clinical Pathology
2016
Authors
Librarian Note: There is more than one author by this name in the Goodreads database. Michael P. Barnes, MD, FRCP is a Professor of Neurological Rehabilitation, University of Newcastle upon Tyne and Consultant Neurologist and Consultant in Rehabilitation Medicine, Walkergate Park International Centre for Neurorehabilitation, Newcastle upon Tyne, UK.
Dr. Robert Wheeler developed a keen interest in the view people have about meaning and purpose in their lives during 20 years of military experience working with people of various cultures as an infantryman, aviator, engineer, advisor, and research & development coordinator. For another 20 years, he filled positions in academia where his major work was research about personality characteristics that contribute to health, well-being, and performance. He developed measuring instruments and performed analyses for health promotion programs to assist participants, determine effectiveness, and increase knowledge of health enhancement and quality of life improvement.

Peter Brook is a world-renowned theater director, staging innovative productions of the works of famous playwrights. A native of London, he has been based in France since the 1970s. Peter Brook's parents were immigrant scientists from Russia. A precocious child with a distaste for formal education but a love of learning, Brook performed his own four-hour version of Shakespeare's Hamlet at the age of seven. After spending two years in Switzerland recovering from a glandular infection, Brook became one of the youngest undergraduates at Oxford University. At the same time he directed his first play in London, a production of Marlowe's Dr. Faustus. Brook made his directing debut at the Stratford Theatre at the age of 21, with a production of Love's Labours Lost. Over the next several years, Brook directed both theater and opera, as well as designing the sets and costumes for his productions. He eventually grew disillusioned with opera, calling it "deadly theater." He directed prominent actors, including Laurence Olivier in Titus Andronicus and Paul Schofeld in a filmed King Lear. He also directed a film adaptation of Lord of the Flies. In 1962, he was named a director of the Royal Shakespeare Company. Despite his popular successes, Brook sought out alternative ways to create vibrant, meaningful theater. He directed a season of experimental theater with the Royal Shakespeare Company, inspired by Antonin Artaud's "Theatre of Cruelty." He sought to turn away from stars and to create an ensemble of actors who improvised during a long rehearsal period in a search of the meaning of "holy theater." Out of this search came Brook's finest work. In 1964 he directed Genet's The Screens and Peter Weiss' Marat/Sade, for which he received seven major awards and introduced Glenda Jackson to the theater. Influenced by Brecht and Artaud, Marat/Sade shocked the audience with its insane asylum environment. In 1966 he developed US, a play about the Vietnam experience and the horrors of war. Jerzy Grotowski, one of the most important theater directors of this century and a man who profoundly influenced Brook, came to work with the company during this production. Brook also did an adaptation of Seneca's Oedipus by poet Ted Hughes, a who continued to collaborate with him for many years. The culmination of this phase of Brook's work was his production of A Midsummer Night's Dream (1970). Using trapezes, juggling, and circus effects, Brook and his actors created a sense of magic, joy, and celebration in this interpretation of Shakespeare's play. After this, Brook moved to Paris and founded the International Center of Theatre Research. He wanted to find a new form of theater that could speak to people worldwide—theater which was truly universal. He also wanted to work in an environment of unlimited rehearsal time in order to allow for a deep search-of-self for all involved. The first production that came out of this phase was Orghast (1971), which employed a new language developed by Ted Hughes. This production, performed at the ruins of Persepolis in Persia, used actors from many different countries.