Margins
Paulicéia Desvairada book cover
Paulicéia Desvairada
1922
First Published
3.54
Average Rating
102
Number of Pages
Pauliceia Desvairada é o primeiro livro a celebrar abertamente o espírito da Semana de Arte Moderna de 1922. Publicado no mesmo ano da Semana, que em 2022 completa 100 anos, o livro traz no Prefácio Interessantíssimo, que abre o volume, as ideias que nortearão a obra de Mário de Andrade e que projetarão um verdadeiro clarão nas décadas seguintes na literatura e na cultura brasileira. Mário de Andrade tinha 27 anos quando iniciou o volume e 29 quando o publicou - porém tinha a clara consciência de que o que fazia era já história, não por um espírito vaidoso, que nunca teve, mas pela erudição que já tão jovem acumulara no espírito, graças a uma capacidade de trabalho intelectual impressionante, a um espírito inquieto e curioso de pesquisador apaixonado, e a uma energia juvenil que o acompanhou até o fim.
Avg Rating
3.54
Number of Ratings
397
5 STARS
20%
4 STARS
33%
3 STARS
33%
2 STARS
10%
1 STARS
4%
goodreads

Author

Mário de Andrade
Mário de Andrade
Author · 11 books

Mário Raul de Morais Andrade was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. One of the founders of Brazilian modernism, he virtually created modern Brazilian poetry with the publication of his Paulicéia Desvairada (Hallucinated City) in 1922. He has had an enormous influence on Brazilian literature in the 20th and 21st centuries, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was the central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism, and became Brazil's national polymath. He was the driving force behind the Week of Modern Art, the 1922 event that reshaped both literature and the visual arts in Brazil. After working as a music professor and newspaper columnist he published his great novel, Macunaíma, in 1928. At the end of his life, he became the founding director of São Paulo's Department of Culture, formalizing a role he had long held as the catalyst of the city's—and the nation's—entry into artistic modernity. From Wikipedia

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