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Peças Escolhidas 1 book cover
Peças Escolhidas 1
Quando Nós, os Mortos, Despertarmos / John Gabriel Borkman / O Pequeno Eyolf / O Construtor Solness
1854
First Published
4.38
Average Rating
428
Number of Pages
Este projecto consiste na publicação, pela primeira vez em Portugal, de uma importante selecção de peças de teatro do grande dramaturgo norueguês Henrik Ibsen. Publicam-se, em 4 volumes, 14 peças: as 12 últimas, escritas em prosa, e as famosas Brand e Peer Gynt, em verso. Todas as traduções são feitas a partir da língua norueguesa original. A organização dos volumes obedece a uma inversão cronológica, isto é, inicia-se a publicação com a última peça escrita e prossegue-se recuando no tempo. Todos os volumes oferecem também textos, nalguns casos originais, portugueses ou estrangeiros, sobre o Autor e a obra. A par de Henrik Ibsen: Teatro I saiu uma curta e maravilhosa biografia do dramaturgo, assinada por Alberto Savinio, intitulada Vida de Henrik Ibsen . Com este projecto homenageamos um dos maiores escritores de todos os tempos cuja obra suscitou os mais superlativos elogios a gente como James Joyce, George Steiner, Rainer Maria Rilke, Henry James, E.M.Forster, W.H.Auden, Bernard Shaw, etc.
Avg Rating
4.38
Number of Ratings
78
5 STARS
55%
4 STARS
31%
3 STARS
12%
2 STARS
3%
1 STARS
0%
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Author

Henrik Ibsen
Henrik Ibsen
Author · 63 books

Henrik Johan Ibsen was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama." Ibsen is held to be the greatest of Norwegian authors and one of the most important playwrights of all time, celebrated as a national symbol by Norwegians. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen largely founded the modern stage by introducing a critical eye and free inquiry into the conditions of life and issues of morality. Victorian-era plays were expected to be moral dramas with noble protagonists pitted against darker forces; every drama was expected to result in a morally appropriate conclusion, meaning that goodness was to bring happiness, and immorality pain. Ibsen challenged this notion and the beliefs of his times and shattered the illusions of his audiences.

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