Deighton was born in Marylebone, London, in 1929. His father was a chauffeur and mechanic, and his mother was a part-time cook. After leaving school, Deighton worked as a railway clerk before performing his National Service, which he spent as a photographer for the Royal Air Force's Special Investigation Branch. After discharge from the RAF, he studied at St Martin's School of Art in London in 1949, and in 1952 won a scholarship to the Royal College of Art, graduating in 1955. Deighton worked as an airline steward with BOAC. Before he began his writing career he worked as an illustrator in New York and, in 1960, as an art director in a London advertising agency. He is credited with creating the first British cover for Jack Kerouac's On the Road. He has since used his drawing skills to illustrate a number of his own military history books. Following the success of his first novels, Deighton became The Observer's cookery writer and produced illustrated cookbooks. In September 1967 he wrote an article in the Sunday Times Magazine about Operation Snowdrop - an SAS attack on Benghazi during World War II. The following year David Stirling would be awarded substantial damages in libel from the article. He also wrote travel guides and became travel editor of Playboy, before becoming a film producer. After producing a film adaption of his 1968 novel Only When I Larf, Deighton and photographer Brian Duffy bought the film rights to Joan Littlewood and Theatre Workshop's stage musical Oh, What a Lovely War! He had his name removed from the credits of the film, however, which was a move that he later described as "stupid and infantile." That was his last involvement with the cinema. Deighton left England in 1969. He briefly resided in Blackrock, County Louth in Ireland. He has not returned to England apart from some personal visits and very few media appearances, his last one since 1985 being a 2006 interview which formed part of a "Len Deighton Night" on BBC Four. He and his wife Ysabele divide their time between homes in Portugal and Guernsey.

Pat Hutchins is an English illustrator and writer of children's books. She won the 1974 Kate Greenaway Medal from the Library Association, recognising the year's best children's book illustration by a British subject. The work was The Wind Blew, a picture book in rhyme which she also wrote. It shows how "a crowd of people anxiously chase their belongings" in the wind.

Brian Wildsmith (1930-2016) was raised in a small mining village in Yorkshire, England, where, he says, "Everything was grey. There wasn't any colour. It was all up to my imagination. I had to draw in my head..." He won a scholarship to the Slade School of Fine Art where he studied for three years. For a while he taught music at the Royal Military School of Music, but then gave it up so that he could paint full time. He has deservedly earned a reputation as one of the greatest living children's illustrators. In 1962, he published his first children's book, ABC, for which he was awarded the Kate Greenaway Medal, Britain's equivalent to the Caldecott Medal. He was also a runner up for this medal for The Owl and the Woodpecker. Wildsmith has said: "I believe that beautiful picture books are vitally important in subconsciously forming a child's visual appreciation, which will bear fruit in later life." In 1994, the Brian Wildsmith Art Museum was established in Izukogen, a town south of Tokyo, Japan. Almost one and a half million people visited a traveling exhibition of his work in 2005. Eight hundred of his paintings are on loan to the museum. Brian is married, has four children, and currently lives in the south of France. — Source

Quentin Saxby Blake, CBE, FCSD, RDI, is an English cartoonist, illustrator and children's author, well known for his collaborations with writer Roald Dahl. Education Blake was educated at Chislehurst and Sidcup Grammar School. His English teacher, JH Walsh, influenced his ambition to become involved in literature. His first published drawing was for the satirical magazine Punch, at the age of 16. He read English Literature at Downing College, Cambridge (1953-6), received his postgraduate teaching diploma from the University of London, and later studied at the Chelsea School of Art. He gained another teaching diploma at the Institute of Education before working at the Royal College of Art. Career Blake gained a reputation as a reliable and humorous illustrator of over 300 children's books. As well as illustrating the books of others, including Roald Dahl and Elizabeth Bowen, Blake has written numerous books of his own. As of 2006, he has participated in the writing and/or illustrating of 323 books (of which he wrote 35 himself, and 18 were by Dahl). He taught at the Royal College of Art for over twenty years, and was head of the Illustration department from 1978 to 1986. He recently illustrated David Walliams' debut book, The Boy in the Dress and his more recent book Mr Stink.

Sara Fanelli was born in 1969 in Florence, where she studied for a Diploma di Maturita at the Liceo Classico Michelangelo before coming to England, where she studied at the City and Guilds of London Art School, Camberwell School of Art, and the Royal College of Art, London. She has undertaken illustration work for various publications, including the New York Times, the Independent on Sunday and the New Scientist. Her clients include The Royal Mail, BBC Worldwide, and Tate.

Jan Michel Pieńkowski is a Polish-born British illustrator and author of children's books. He is probably best known for his Meg and Mog books with writer Helen Nicoll and for his pop-up books, including Haunted House (winner of the 1980 Kate Greenaway Medal), Robot, Dinner Time, Good Night and seventeen others. Pieńkowski illustrated his first book at the age of eight, as a present for his father. During World War II, Pieńkowski's family moved about Europe, finally settling in Herefordshire, England in 1946. He attended the Cardinal Vaughan School in London, and later read English and Classics at King's College, Cambridge. After leaving university Pieńkowski founded the Gallery Five greeting cards company. He began illustrating children's books in his spare time, but soon found the work taking over all his time. He began working with children's author Joan Aiken in 1968; he later won the first of two Kate Greenaway Medals in 1972 for his illustrations for Aiken's The Kingdom Under the Sea. Pieńkowski has had a life-long interest in stage design. He was commissioned to provide designs for Theatre de Complicite, Beauty and the Beast for the Royal Ballet, and Sleeping Beauty at Disneyland Paris. In 2005 Pienkowski contracted a civil partnership with David Walser, with whom he has been in a relationship for over forty years. Pienkowski suffers from bipolar disorder.

Alan Aldridge was a British artist, graphic designer and illustrator. His career began in 1965 when he happened to meet the art director of Penguin Books, and began producing illustrations for book covers. Over the next two years he took over as art director, and introduced his style which resonated with the mood of the time. In 1968 he moved to his own graphic-design firm, INK, which became closely involved with graphic images for the Beatles and Apple Corps.[1] During the 1960s and 1970s he was responsible for a great many album covers, and helped create the graphic style of that era. He designed a series of science fiction book covers for Penguin Books. He made a big impression with his illustrations for the Beatles Illustrated Song lyrics. He also provided illustrations for "The Penguin Book of Comics", a history of British and American comic art. His work was characterised by a flowing, cartoony style and soft airbrushing - very much in step with the psychedelic styles of the times. In the theatre, in February 1969 he designed the graphics for controversial Jane Arden (director) play Vagina Rex and the Gas Oven at the London Arts Laboratory, Drury Lane. He is possibly best known, however, for the picture book The Butterfly Ball and the Grasshopper Feast (1973), a series of illustrations of anthropomorphic insects and other creatures, which he created in collaboration with William Plomer, who wrote the accompanying verses. This was based on William Roscoe's poem of the same name, but was inspired when Aldridge read that John Tenniel had told Lewis Carroll it was impossible to draw a wasp in a wig. Aldridge also created the artwork for Captain Fantastic and the Brown Dirt Cowboy by Elton John in 1975.

Alasdair James Gray was a Scottish writer and artist. His first novel, Lanark (1981), is seen as a landmark of Scottish fiction. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of English and Scots literature. His works of fiction combine realism, fantasy, and science fiction with the use of his own typography and illustrations, and won several awards. He studied at Glasgow School of Art from 1952 to 1957. As well as his book illustrations, he painted portraits and murals. His artwork has been widely exhibited and is in several important collections. Before Lanark, he had plays performed on radio and TV. His writing style is postmodern and has been compared with those of Franz Kafka, George Orwell, Jorge Luis Borges and Italo Calvino. It often contains extensive footnotes explaining the works that influenced it. His books inspired many younger Scottish writers, including Irvine Welsh, Alan Warner, A.L. Kennedy, Janice Galloway, Chris Kelso and Iain Banks. He was writer-in-residence at the University of Glasgow from 1977 to 1979, and professor of Creative Writing at Glasgow and Strathclyde Universities from 2001 to 2003. Gray was a civic nationalist and a republican, and wrote supporting socialism and Scottish independence. He popularised the epigram "Work as if you live in the early days of a better nation" (taken from a poem by Canadian poet Dennis Leigh) which was engraved in the Canongate Wall of the Scottish Parliament Building in Edinburgh when it opened in 2004. He lived almost all his life in Glasgow, married twice, and had one son. On his death The Guardian referred to him as "the father figure of the renaissance in Scottish literature and art".