Personal Library

The first complete, annotated English Translation of Mikhail Bulgakov's comic masterpiece. An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech. One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

As the turbulent years following the Russian revolution of 1917 settle down into a new Soviet reality, the brilliant and eccentric zoologist Persikov discovers an amazing ray that drastically increases the size and reproductive rate of living organisms. At the same time, a mysterious plague wipes out all the chickens in the Soviet republics. The government expropriates Persikov's untested invention in order to rebuild the poultry industry, but a horrible mix-up quickly leads to a disaster that could threaten the entire world. This H. G. Wells-inspired novel by the legendary Mikhail Bulgakov is the only one of his larger works to have been published in its entirety during the author's lifetime. A poignant work of social science fiction and a brilliant satire on the Soviet revolution, it can now be enjoyed by English-speaking audiences through this accurate new translation. Includes annotations and afterword.

A comprehensive philosophy of contemporary life and politics, by one of the sharpest critics of the present We live in an age of impotence. Stuck between global war and global finance, between identity and capital, we seem to be incapable of producing the radical change that is so desperately needed. Is there still a way to disentangle ourselves from a global order that shapes our politics as well as our imagination? In his most systematic book to date, renowned Italian theorist Franco Berardi tackles this question through a solid yet visionary analysis of the three fundamental concepts of Possibility, Potency, and Power. Characterizing Possibility as the content, Potency as the energy, and Power as the form, Berardi suggests that the road to emancipation unravels from the awareness that the field of the possible is only limited, and not created, by the power structures that implement it. Other futures and other worlds are always already inscribed within the present, despite power's attempt at keeping them invisible. Overcoming any temptation of giving in to despair or nostalgia, Berardi proposes the notion of Futurability as a way to remind us that even within the darkness of our current crisis lies dormant the horizon of possibility.

Ballard here writes a brilliant hybrid of autobiography and fiction. The sequel to The Empire of the Sun, this work puts his earlier account of a boy’s experiences in occupied Shanghai in the context of a lifetime. Ballard’s eye has never been more cinematic, and his writing, especially in the love scenes, is a masterful blend of the raw and the tender.

Alternate cover edition of ISBN 9780451163967 Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

Brace yourself, America, for Irvine Welsh's Trainspotting—the novel and the film that became the cult sensations of Britain. Trainspotting is the hilarious, appalling, riveting, bestselling, and altogether masterful first novel that launched the spectacular career of Irvine Welsh. It is an authentic, unrelenting, and strangely exhilarating group portrait of blasted lives in Edinburgh—as unforgettable a clutch of junkies, rude boys, and nutters as readers will ever encounter.

Welsh’s sizzling new novel, Crime, is a thrilling journey into the bright glamour of the Sunshine State and a seething underworld of utter darkness. Now bereft of both youth and ambition, Detective Inspector Ray Lennox is recovering from a mental breakdown induced by occupational stress and cocaine abuse, and a particularly horrifying child sex murder case back in Edinburgh. On vacation in Florida, his fiancée Trudi is only interested in planning their forthcoming wedding, and a bitter argument sees a deranged Lennox cast adrift in strip-mall Florida. In a seedy bar, Lennox meets two women, ending up at their apartment for a coke binge, which is interrupted by two menacing strangers. After the ensuing brawl, Lennox finds himself alone with Tianna, the terrified ten-year-old daughter of one of the women, and a sheet of instructions that make him responsible for her immediate safety. Lennox takes the girl to an exclusive marina on the Gulf coast, and quickly suspects that he has stumbled into a hornet’s nest: a gang or organized paedophiles, every bit as threatening as the monster that haunted him back in Edinburgh. His priority is to protect the abused girl, but can the edgy Lennox trust his own instincts? And can he negotiate her inappropriate sexuality as well as his own mental fragility? In Crime, Welsh has written a shocking and gripping story about the corruption and abuse of the human soul and the possibilities of redemption.

In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses' life from the day he Is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation into the heroic rebel leader, the Great Emancipator. From his dramatic confrontations with Pharaoh to his fragile negotiations with the wary Hebrews, this very human story is told with great humor, passion, and psychological insight—the hallmarks of Hurston as a writer and champion of black culture.

An alternate cover for this ISBN can be found here. Baldwin's haunting and controversial second novel is his most sustained treatment of sexuality, and a classic of gay literature. In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two. Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

The missing. The forgotten. The brave… The women. From master storyteller Kristin Hannah, #1 New York Times bestselling author of The Nightingale and The Four Winds, comes the story of a turbulent, transformative era in America: the 1960s. The Women is that rarest of novels—at once an intimate portrait of a woman coming of age in a dangerous time and an epic tale of a nation divided by war and broken by politics, of a generation both fueled by dreams and lost on the battlefield. “Women can be heroes, too.” When twenty-year-old nursing student Frances “Frankie” McGrath hears these unexpected words, it is a revelation. Raised on idyllic Coronado Island and sheltered by her conservative parents, she has always prided herself on doing the right thing, being a good girl. But in 1965 the world is changing, and she suddenly imagines a different choice for her life. When her brother ships out to serve in Vietnam, she impulsively joins the Army Nurse Corps and follows his path. As green and inexperienced as the men sent to Vietnam to fight, Frankie is overwhelmed by the chaos and destruction of war, as well as the unexpected trauma of coming home to a changed and politically divided America. The Women is the story of one woman gone to war, but it shines a light on the story of all women who put themselves in harm’s way to help others. Women whose sacrifice and commitment to their country has all too often been forgotten. A novel of searing insight and lyric beauty, The Women is a profoundly emotional, richly drawn story with a memorable heroine whose extraordinary idealism and courage under fire define a generation.

From the Pulitzer Prize–winning author of American Pastoral comes a brilliantly indignant response to the phenomenon that was Richard M. Nixon. • “Disturbing, logical...and very funny.... In short, a masterpiece" — The New York Times Book Review In the character of Trick E. Dixon, Roth shows us a man who outdoes the severest cynic, a peace-loving Quaker and believer in the sanctity of human life who doesn’t have a problem with killing unarmed women and children in self-defense. A master politician with an honest sneer, he finds himself battling the Boy Scouts, declaring war on Pro-Pornography Denmark, all the time trusting in the basic indifference of the voting public.

From a tormented orphan with a clubfoot, Philip Carey grows into an impressionable young man with a voracious appetite for adventure and knowledge. His cravings take him to Paris at age eighteen to try his hand at art, then back to London to study medicine. But even so, nothing can sate his nagging hunger for experience. Then he falls obsessively in love, embarking on a disastrous relationship that will change his life forever.… Marked by countless similarities to Maugham’s own life, his masterpiece is “not an autobiography,” as the author himself once contended, “but an autobiographical novel; fact and fiction are inexorably mingled; the emotions are my own.”

In these six stories, the author of Goodbye Tsugumi and N.P. explores themes of time, healing and fate, and how her urban, sophisticated, independent young men and women come to terms with them. The stories are a blend of traditional Japanese and contemporary popular culture.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

One of the great allegorical masterpieces of world literature, Cancer Ward is both a deeply compassionate study of people facing terminal illness and a brilliant dissection of the “cancerous” Soviet police state.

Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humor, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness, and marriage combine to leave Oedipa in isolation on the threshold of revelation, awaiting the Crying of Lot 49.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government. Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in “one of the darkest places on earth.” Marlow suspects something else of Kurtz: he has gone mad. A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.

In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital. She spent most of the next two years on the ward for teenage girls in a psychiatric hospital as renowned for its famous clientele—Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles—as for its progressive methods of treating those who could afford its sanctuary. Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching documnet that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.

The Keeper of Stories meets The Lost Apothecary in this evocative and charming novel full of mystery and secrets. ‘The thing about books,’ she said ‘is that they help you to imagine a life bigger and better than you could ever dream of.’ On a quiet street in Dublin, a lost bookshop is waiting to be found… For too long, Opaline, Martha and Henry have been the side characters in their own lives. But when a vanishing bookshop casts its spell, these three unsuspecting strangers will discover that their own stories are every bit as extraordinary as the ones found in the pages of their beloved books. And by unlocking the secrets of the shelves, they find themselves transported to a world of wonder… where nothing is as it seems.

Who but Rick Steves can tell travelers the best way to see Rome, Venice, Florence, the hill towns of central Italy, the Dolomites, and the Amalfi Coast? With Rick Steves' Italy 2007, travelers can experience the best of everything Italy has to offer—economically and hassle-free. Completely revised and updated, Rick Steves' Italy 2007 includes opinionated coverage of both famous and lesser-known sights; friendly places to eat and sleep; suggested day plans; walking tours and trip itineraries; clear instructions for smooth travel anywhere by car, train, or foot; and Rick's newest "back door" discoveries. America's number one authority on travel to Europe, Rick's time-tested recommendations for safe and enjoyable travel in Europe have been used by millions of Americans in search of their own unique European travel experience.

Where the Crawdads Sing meets The Four Winds as award-winning author Donna Everhart's latest novel immerses readers in its unique setting—the turpentine camps and pine forests of the American South during the Great Depression. This captivating story of friendship, survival, and three vagabonds' intersecting lives will stay with readers long after turning the final page. It takes courage to save yourself... In the dense pine forests of North Carolina, turpentiners labor, hacking into tree trunks to draw out the sticky sap that gives the Tar Heel State its nickname, and hauling the resin to stills to be refined. Among them is Rae Lynn Cobb and her husband, Warren, who run a small turpentine farm together. Though the work is hard and often dangerous, Rae Lynn, who spent her childhood in an orphanage, is thankful for it—and for her kind if careless husband. When Warren falls victim to his own negligence, Rae Lynn undertakes a desperate act of mercy. To keep herself from jail, she disguises herself as a man named "Ray" and heads to the only place she can think of that might offer anonymity—a turpentine camp in Georgia named Swallow Hill. Swallow Hill is no easy haven. The camp is isolated and squalid, and commissary owner Otis Riddle takes out his frustrations on his browbeaten wife, Cornelia. Although Rae Lynn works tirelessly, she becomes a target for Crow, the ever-watchful woods rider who checks each laborer’s tally. Delwood Reese, who’s come to Swallow Hill hoping for his own redemption, offers “Ray” a small measure of protection, and is determined to improve their conditions. As Rae Lynn forges a deeper friendship with both Del and Cornelia, she begins to envision a path out of the camp. But she will have to come to terms with her past, with all its pain and beauty, before she can open herself to a new life and seize the chance to begin again.

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now. Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

Acclaimed cultural critic bell hooks offers an open-hearted and welcoming vision of gender, sexuality, and society in this inspiring and accessible volume. In engaging and provocative style, bell hooks introduces a popular theory of feminism rooted in common sense and the wisdom of experience. Hers is a vision of a beloved community that appeals to all those committed to equality, mutual respect, and justice. hooks applies her critical analysis to the most contentious and challenging issues facing feminists today, including reproductive rights, violence, race, class, and work. With her customary insight and unsparing honesty, hooks calls for a feminism free from barriers but rich with rigorous debate. In language both eye-opening and optimistic, hooks encourages us to demand alternatives to patriarchal, racist, and homophobic culture, and to imagine a different future.

The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s. The Great Gatsby is one of the great classics of twentieth\-century literature. (from the back cover)

Linus describes the summer camp activities that made vacation seem too short.

Peanuts cartoons from 1955, 1956, and 1957.

Discovered in the attic in which she spent the last years of her life, Anne Frank’s remarkable diary has become a world classic—a powerful reminder of the horrors of war and an eloquent testament to the human spirit. In 1942, with the Nazis occupying Holland, a thirteen-year-old Jewish girl and her family fled their home in Amsterdam and went into hiding. For the next two years, until their whereabouts were betrayed to the Gestapo, the Franks and another family lived cloistered in the “Secret Annexe” of an old office building. Cut off from the outside world, they faced hunger, boredom, the constant cruelties of living in confined quarters, and the ever-present threat of discovery and death. In her diary Anne Frank recorded vivid impressions of her experiences during this period. By turns thoughtful, moving, and surprisingly humorous, her account offers a fascinating commentary on human courage and frailty and a compelling self-portrait of a sensitive and spirited young woman whose promise was tragically cut short. —back cover

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

Describes the nature of color, explains how the human eye works, and discusses color mixing, color in art, and the interaction between light and color perception

Henry David Thoreau's masterwork, Walden, is a collection of his reflections on life and society. His simple but profound musings—as well as Civil Disobedience, his protest against the government's interference with civil liberty—have inspired many to embrace his philosophy of individualism and love of nature.

A uniquely humorous and deeply profound novel from a legendary stand-up comedian that follows the thoughts of a 1960s third grader during a single day at school. Steven Wright is one of the most significant and influential stand-up comedians in history. Rolling Stone ranked him fifteenth on their “50 Best Stand-ups of All Time” list, while the New York Times has written of his enduring “If you made a family tree of modern stand-up, he would top one of the few major and expanding branches. The children of Mr. Wright pack the comedy scene today.” Now comes his first novel, which is sure to be unlike anything you’ve ever read. From the outside, Harold is an average seven-year-old third grader growing up in the 1960s. Bored by school. Crushing on a girl. Likes movies and baseball—especially the hometown Boston Red Sox. Enjoys spending time with his grandfather. But inside Harold’s mind, things are a lot more complex and unusual. His thoughts come to him as birds flying through a small rectangle in the middle of his brain. He visits an outdoor cafe on the moon and is invited aboard a spaceship by famed astronomer Carl Sagan. He envisions his own funeral procession and wonders if the driver of the hearse has even been born yet. Harold documents the meandering, surreal, often hilarious, and always thought-provoking stream-of-consciousness ruminations of the title character during a single day in class. Saturated with the witticisms and profundities for which Wright’s groundbreaking stand-up has long been venerated, this novel will change the way you perceive your daily existence. To quote one of its many memorable “Everything doesn’t have to make sense. Just look at the world and your life.”

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the mania for memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview—a sensibility at once take-no-prisoners sharp and deeply charitable. A tart-tongued mother does dead-on imitations of her young son's nervous tics, to the great amusement of his teachers; a stint of Kerouackian wandering is undertaken (of course!) with a quadriplegic companion; a family gathers for a wedding in the face of imminent death. Through it all is Sedaris' unmistakable voice, without doubt one of the freshest in American writing.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.

Here is the cult classic whose central character is based on the legend of Phil Spector. So there’s this record producer Dennis Contrelle who was huge in the early 1960s, creating epic trash masterpieces from girl groups and surf bands, a veritable Wagner of pop, but he retired at the end of the decade and disappeared into his mansion of tack somewhere in L.A. He’s still there, still married to the singer with his biggest group, a woman effectively held prisoner by the drug-damaged Svengali who can’t let her go ... But “This novel is a work of fiction ... any resemblance to actual persons, living or dead, events, or locales, is entirely coincidental.” Our narrator is a hip late-night DJ, Scott Cochrane, who grew up on the music of Dennis Contrelle, and had a teenage crush on Sharlene, the singer for the Stingrays, whose classic ’60s pop album, Fuel Injected Dreams, is tied up in his mind with his first girlfriend, Cheryl, who mysteriously disappeared the summer of the album’s release. When the DJ belittles one of his tunes, the producer phones in a complaint, and Cochrane is soon lured into the Contrelles’ world of sadomasochistic sexual intrigue.

1000 of the best record covers of all time from the ""Michael Ochs Archives,"" one of the world's largest private collections.

‘I was saying things in songs that female singers didn’t really say back then. I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up, yet I was very serious.’ BRAVE, BEAUTIFUL AND BORN TO BE PUNK DEBBIE HARRY is a musician, actor, activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life – until now. In an arresting mix of visceral, soulful storytelling and stunning visuals that includes never-before-seen photographs, bespoke illustrations and fan art installations, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It recreates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie. Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s break-up as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps – a memoir as dynamic as its subject.

In An Hour Before Daylight, Jimmy Carter, bestselling author of Living Faith and Sources of Strength, recreates his Depression-era boyhood on a Georgia farm before the civil rights movement forever changed it and the country. Carter writes about the powerful rhythms of countryside and community in a sharecropping economy, offering an unforgettable portrait of his father, a brilliant farmer and a strict segregationist who treated black workers with respect and fairness; his strong-willed and well-read mother; and the five other people who shaped his early life, three of whom were black. Carter's clean and eloquent prose evokes a time when the cycles of life were predictable and simple and the rules were heartbreaking and complex. In his singular voice and with a novelist's gift for detail, Jimmy Carter creates a sensitive portrait of an era that shaped the nation and recounts a classic, American story of enduring importance.

A complete summary of the views of the most important philosophers in Western civilization. Each major field of philosophic inquiry comprises a separate chapter for greater accessibility. Includes Plato, Descartes, Spinoza, Kant, Hegel, Dewey, Sartre, and many others.

Classic introduction to objectives & methods of schools of empiricism & linguistic analysis, especially of the logical positivism derived from the Vienna Circle. Topics: elimination of metaphysics, function of philosophy, nature of philosophical analysis, the a priori, truth & probability, critique of ethics & theology, self & the common world etc. Introduction The elimination of metaphysics The function of philosophy The nature of philosophical analysis The a priori Truth & probability Critique of ethics & theology The self & the common world Solutions of outstanding philosophical disputes Index

Offers eighteen essays that explore thematic, historical, symbolic, and character aspects of Hardy's novel, including similarities to Greek tragedy, Tess' rejection of Christian world views, and determinism versus choice.

Most of our assumptions about language are wrong. Language is not pure. Language is not only words. Language is not divided into real languages and "dialects". Language is not what we write on a page. So what, then, is a language? John McWhorter asks us to do a simple thing: to look at language the way a linguist does. And once we make that leap, we see a whole new world of human communication, celebrating everything from ancient Persian to the Navajo language to "baby mama". What Language Is argues that any language, left untouched, becomes more ingrown over time. Only adults attempting to learn a language (and constructively butchering it) can strip it down. Diving into the astounding complexities of Navajo, McWhorter outlines how a language can become downright disheveled, with more exceptions than rules. Looking at an African language called Twi, McWhorter elucidates how even tongues that sound primitive to the untrained ear enfold immense intricacies, and how what sounds like "improper" language actually constitute new and exciting grammar. McWhorter then examines the difference between written and oral language, and explains that, to a linguist, the notion that the written word is somehow elevated over the spoken in downright bizarre, especially because only two hundred of the world's six thousand languages are written. McWhorter also looks at the way languages cross-pollinate each other and occasionally become entirely new creatures via the example of Saramaccan, a wonderful languages that combines African languages with English, Dutch, and Portuguese.

A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess' nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. And when the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?" This edition includes the controversial last chapter not published in the first edition and Burgess' introduction "A Clockwork Orange Resucked."

Meet the Rabbitte family, motley bunch of loveable ne'er-do-wells whose everyday purgatory is rich with hangovers, dogshit and dirty dishes. When the older sister announces her pregnancy, the family is forced to rally together and discover the strangeness of intimacy. But the question remains: which friend of the family is the father of Sharon's child?

Running into a long-ago friend sets memories from the 1970s in motion for August, transporting her to a time and a place where friendship was everything—until it wasn’t. For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant—a part of a future that belonged to them. But beneath the hopeful veneer, there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where ghosts haunted the night, where mothers disappeared. A world where madness was just a sunset away and fathers found hope in religion.

One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and more than a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm. While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women—all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in—have very little time to make a choice: Should they stay in the only world they’ve ever known or should they dare to escape? Based on real events and told through the “minutes” of the women’s all-female symposium, Toews’s masterful novel uses wry, politically engaged humor to relate this tale of women claiming their own power to decide.

When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen\-year\-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue\-collar community working in its shadow, Moore’s multi\-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide\-reaching novel yet.

The Wesleyan Anthology of Science Fiction features over a 150 years' worth of the best science fiction ever collected in a single volume. The fifty-two stories and critical introductions are organized chronologically as well as thematically for classroom use. Filled with luminous ideas, otherworldly adventures, and startling futuristic speculations, these stories will appeal to all readers as they chart the emergence and evolution of science fiction as a modern literary genre. They also provide a fascinating look at how our Western technoculture has imaginatively expressed its hopes and fears from the Industrial Revolution of the nineteenth century to the digital age of today. A free online teacher's guide accompanies the anthology and offers access to a host of pedagogical aids for using this book in an academic setting. The stories in this anthology have been selected and introduced by the editors of Science Fiction Studies, the world's most respected journal for the critical study of science fiction.

This classic book introduces kinetics, the science of non-verbal communication, which is used to analyze the common gestures we use and observe every day, gestures which reveal our deepest feelings and hidden thoughts to total strangers—if they know how to read them.

Spenser's never had a client like Jill Joyce, the star of TV's Fifty Minutes. She's beautiful, bitchy, sexy—and someone is stalking her. Spenser can hardly blame the would-be assassin...until he means the true meaning of "stage fright."

Gus Van Sant goes from auteur to author in an brilliant, inventive, and endlessly entertaining first novel that reads like a Warholian mix of Kurt Vonnegut and Tom Robbins. In the town of Sasquatch, Oregon, Spunky Davis, middle-aged maker of infomercials, is trying to find his next assignment, finish the screenplay that he hopes will bring him Hollywood glory, and deal with the death of his friend and favorite infomercial presenter, teen idol Felix Arroyo. Enter two young aspiring filmmakers, Jack and Matt, whom Spunky finds strangely familiar—especially as Jack bears an uncanny resemblance to the late Felix. But Jack and Matt are not what they appear to be; they are messengers from a dimension beyond time known as Pink, and they invite Spunky to join them on their voyage of transcendence and recovery. Using a delirious array of voices signified by different typefaces, a flip cartoon that animates the novel's action, footnotes and line drawings, Gus Van Sant turns the novel into an explosively visual experience, a captivating combination of texture and text. As original and involving as any of Van Sant's films, Pink is both a hip, comic deconstruction of our image-obsessed culture and a genuinely tender story on the classic themes of love, time, and loss.

Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a horror movie–scale massacre. In an instant, she became a member of a club no one wants to belong to—a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them, and, with that, one another. Despite the media's attempts, they never meet. Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won’t even allow her to recall the events of that night; the past is in the past. That is, until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit, and Sam, the second, appears on Quincy's doorstep. Blowing through Quincy's life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa's death come to light, Quincy's life becomes a race against time as she tries to unravel Sam's truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.

A charming, clever, and quietly moving debut novel of of endless possibilities and joyful discoveries that explores the promises we make and break, losing and finding ourselves, the objects that hold magic and meaning for our lives, and the surprising connections that bind us. Lime green plastic flower-shaped hair bobbles—Found, on the playing field, Derrywood Park, 2nd September. Bone china cup and saucer—Found, on a bench in Riveria Public Gardens, 31st October. Anthony Peardew is the keeper of lost things. Forty years ago, he carelessly lost a keepsake from his beloved fiancée, Therese. That very same day, she died unexpectedly. Brokenhearted, Anthony sought consolation in rescuing lost objects—the things others have dropped, misplaced, or accidentally left behind—and writing stories about them. Now, in the twilight of his life, Anthony worries that he has not fully discharged his duty to reconcile all the lost things with their owners. As the end nears, he bequeaths his secret life’s mission to his unsuspecting assistant, Laura, leaving her his house and all its lost treasures, including an irritable ghost. Recovering from a bad divorce, Laura, in some ways, is one of Anthony’s lost things. But when the lonely woman moves into his mansion, her life begins to change. She finds a new friend in the neighbor’s quirky daughter, Sunshine, and a welcome distraction in Freddy, the rugged gardener. As the dark cloud engulfing her lifts, Laura, accompanied by her new companions, sets out to realize Anthony’s last wish: reuniting his cherished lost objects with their owners. Long ago, Eunice found a trinket on the London pavement and kept it through the years. Now, with her own end drawing near, she has lost something precious—a tragic twist of fate that forces her to break a promise she once made. As the Keeper of Lost Objects, Laura holds the key to Anthony and Eunice’s redemption. But can she unlock the past and make the connections that will lay their spirits to rest? Full of character, wit, and wisdom, The Keeper of Lost Things is heartwarming tale that will enchant fans of The Particular Sadness of Lemon Cake, Garden Spells, Mrs Queen Takes the Train, and The Silver Linings Playbook.

The only English translation authorized by Aleksandr Solzhenitsyn First published in the Soviet journal Novy Mir in 1962, One Day in the Life of Ivan Denisovich stands as a classic of contemporary literature. The story of labor-camp inmate Ivan Denisovich Shukhov, it graphically describes his struggle to maintain his dignity in the face of communist oppression. An unforgettable portrait of the entire world of Stalin's forced work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary documents to have emerged from the Soviet Union and confirms Solzhenitsyn's stature as "a literary genius whose talent matches that of Dosotevsky, Turgenev, Tolstoy"—Harrison Salisbury This unexpurgated 1991 translation by H. T. Willetts is the only authorized edition available, and fully captures the power and beauty of the original Russian.

Nick Naylor likes his job. In the neo-puritanical nineties, it's a challenge to defend the rights of smokers and a privilege to promote their liberty. Sure, it hurts a little when you're compared to Nazi war criminals, but Nick says he's just doing what it takes to pay the mortgage and put his son through Washington's elite private school St. Euthanasius. He can handle the pressure from the antismoking zealots, but he is less certain about his new boss, BR, who questions whether Nick is worth $150,000 a year to fight a losing war. Under pressure to produce results, Nick goes on a PR offensive. But his heightened notoriety makes him a target for someone who wants to prove just how hazardous smoking can be. If Nick isn't careful, he's going to be stubbed out.

In Jonathan Lethem's wryly funny novel, we meet a young man named Chaos, who's living in a movie theater in post-apocalyptic Wyoming, drinking alcohol, and eating food out of cans. It's an unusual and at times unbearable existence, but Chaos soon discovers that his post-nuclear reality may have no connection to the truth. So he takes to the road with a girl named Melinda in order to find answers. As the pair travels through the United States they find that, while each town has been affected differently by the mysterious source of the apocalypse, none of the people they meet can fill in their incomplete memories or answer their questions. Gradually, figures from Chaos' past, including some who appear only under the influence of intravenously administered drugs, make Chaos remember some of his forgotten life as a man named Moon.

Selected by the Modern Library as one of the 100 best novels of all time, Slaughterhouse-Five, an American classic, is one of the world's great antiwar books. Centering on the infamous firebombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we fear most.

In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again. After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises. The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles. With concerns about the child’s home situation, Jo reluctantly agrees to let her stay—just until she learns more about Ursa’s past. Jo enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have. How does a young girl not only read but understand Shakespeare? Why do good things keep happening in her presence? And why aren’t Jo and Gabe checking the missing children’s website anymore? Though the three have formed an incredible bond, they know difficult choices must be made. As the summer nears an end and Ursa gets closer to her fifth miracle, her dangerous past closes in. When it finally catches up to them, all of their painful secrets will be forced into the open, and their fates will be left to the stars.

This novel is in the form of a letter, written by the widowed Ramatoulaye and describing her struggle for survival. It is the winner of the Noma Award.

A riveting, in-depth account of one of New York City’s most notorious crimes. On April 20, 1989, the body of a woman is discovered in Central Park, her skull so badly smashed that nearly 80 percent of her blood has spilled onto the ground. Within days, five black and Latino teenagers confess to her rape and beating. In a city where urban crime is at a high and violence is frequent, the ensuing media frenzy and hysterical public reaction is extraordinary. The young men are tried as adults and convicted of rape, despite the fact that the teens quickly recant their inconsistent and inaccurate confessions and that no DNA tests or eyewitness accounts tie any of them to the victim. They serve their complete sentences before another man, serial rapist Matias Reyes, confesses to the crime and is connected to it by DNA testing. Intertwining the stories of these five young men, the police officers, the district attorneys, the victim, and Matias Reyes, Sarah Burns unravels the forces that made both the crime and its prosecution possible. Most dramatically, she gives us a portrait of a city already beset by violence and deepening rifts between races and classes, whose law enforcement, government, social institutions, and media were undermining the very rights of the individuals they were designed to safeguard and protect.

Georgetown, Washington D.C. Actress and divorced mother Chris MacNeil starts to experience 'difficulties' with her usually sweet-natured eleven-year-old daughter Regan. The child becomes afflicted by spasms, convulsions and unsettling amnesiac episodes; these abruptly worsen into violent fits of appalling foul-mouthed curses, accompanied by physical mutation. Medical science is baffled by Regan's plight and, in her increasing despair, Chris turns to troubled priest and psychiatrist Damien Karras, who immediately recognises something profoundly malevolent in Regan's distorted fetures and speech. On Karras' recommendation, the Church summons Father Merrin, a specialist in the exorcism of demons . . .

What is literary theory? Is there a relationship between literature and culture? In fact, what is literature, and does it matter? These questions and more are addressed in Literary A Very Short Introduction, a book which steers a clear path through a subject which is often perceived to be complex and impenetrable. Jonathan Culler, an extremely lucid commentator and much admired in the field of literary theory, offers discerning insights into such theories as the nature of language and meaning, and whether literature is a form of self-expression or a method of appeal to an audience. Concise yet thorough, Literary Theory also outlines the ideas behind a number of different deconstruction, semiotics, postcolonial theory, and structuralism, among others. From topics such as literature and social identity to poetry, poetics, and rhetoric, Literary A Very Short Introduction is a welcome guide for anyone interested in the importance of literature and the debates surrounding it. About the Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Tom Wolfe, the master social novelist of our time, the spot-on chronicler of all things contemporary and cultural, presents a sensational new novel about life, love, and learning—or the lack of it—amid today's American colleges. Our story unfolds at fictional Dupont University: those Olympian halls of scholarship housing the cream of America's youth, the roseate Gothic spires and manicured lawns suffused with tradition . . . Or so it appears to beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina. But Charlotte soon learns, to her mounting dismay, that for the upper-crust coeds of Dupont, sex, cool, and kegs trump academic achievement every time. As Charlotte encounters the paragons of Dupont's privileged elite—her roommate, Beverly, a Groton-educated Brahmin in lusty pursuit of lacrosse players; Jojo Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennial Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus—she is seduced by the heady glamour of acceptance, betraying both her values and upbringing before she grasps the power of being different—and the exotic allure of her own innocence. With his trademark satirical wit and famously sharp eye for telling detail, Wolfe's I Am Charlotte Simmons draws on extensive observations at campuses across the country to immortalize the early-21st-century college-going experience.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture. This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.

The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers... Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away... By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

Deanna Madden, aka Jessica Reilly, hasn't touched another person in three years. She hasn't left her apartment. She makes money from performing to webcams on a sex site, where her clients pay $6.99 a minute for her time. She's doing alright. The dollars are piling up in the bank. She's the number 3 model on cams.com. And she hasn't killed anyone for years. But when Deanna sees on the news that a little girl called Annie has gone missing, the story rattles her carefully ordered world. It's uncomfortably similar to the dark fantasy of one of her most disturbing online clients. She's convinced he's responsible for the girl's abduction - but no one will listen to her. So, after three years, Deanna finally leaves the apartment. And this is what happens...

Dr. Norman Taylor, one of the world's most distinguished botanists, who has made dozens of explorations into the remote places of the earth in his investigations, takes us on a highly enlightening tour of the world of drugs. His attitude is scientific, humane and tolerant.

This is the 1st Edition of Human Sexuality by James Leslie McCary. He writes about everything from Homosexuality to abortions in the 1960's.

This satirical novella purports to be a translation of Mikhail Bulgakov’s Heart of a Dog, itself a satire on the Soviet Union of the 1920s, where it was immediately banned. Written a century later, The Mind of a Cat translates Bulgakov’s story into something much more pertinent to modern times by substituting a cat for the dog and an operatic diva for the brawling busker whose transplanted gonads and pituitary gland transform the animal into a human being with tragi-comic results. Drawing on the latest scientific research into autism, domestication, and language, the resulting translation remains faithful to the form, presentation, and essence of the original but, like the animal whose bizarre transmutation it describes, transforms Bulgakov’s book into something completely new. Yet as a true translation, the moral of the story remains the human nature cannot be cancelled by any kind of culture, modern Western or Russian Soviet—even if saying so can be.

CREASES ON CORNERS OF COVERS. READING CREASES ON SPINE. NO WRITING OR MARKS ON PAGES.

Literary criticism essays

The procession that crosses Chaucer's pages is as full of life and as richly textured as a medieval tapestry. The Knight, the Miller, the Friar, the Squire, the Prioress, the Wife of Bath, and others who make up the cast of characters—including Chaucer himself—are real people, with human emotions and weaknesses. When it is remembered that Chaucer wrote in English at a time when Latin was the standard literary language across western Europe, the magnitude of his achievement is even more remarkable. But Chaucer's genius needs no historical introduction; it bursts forth from every page of The Canterbury Tales. If we trust the General Prologue, Chaucer intended that each pilgrim should tell two tales on the way to Canterbury and two tales on the way back. He never finished his enormous project and even the completed tales were not finally revised. Scholars are uncertain about the order of the tales. As the printing press had yet to be invented when Chaucer wrote his works, The Canterbury Tales has been passed down in several handwritten manuscripts.

How to Unleash the Power of Your Mind Without Drugs.

ISBN 0-345-33712-3

Synopsis Let's Talk Italian! 1,001\ Real-life Phrases and Idioms-The way people really speak! \Actually 1,229! From the Publisher This easy-to-use, reference is illustrated with bright, humorous drawings to maximize understanding for all. Each entry appears in English and Spanish (or French or Italian) and is phonetically spelled out to assure correct pronunciation. No instruction, exercise, or quizzes-just the words and phrases that are need-to-know. No previous knowledge of a foreign language necessary-throw this pocket guide in your bag and Let's Talk!

Fawcett Crest k875 1970 paperback, vg+ In stock shipped from our UK warehouse