On Wall Street, the mere mention of the name Sigsbee Manderson is enough to send a stock soaring—or bring it tumbling back to earth. Feared but not loved, Manderson has no one to mourn him when the gardener at his British country estate finds him facedown in the dirt, a bullet buried in his brain. There are bruises on his wrist and blood on his clothes, but no clue that will lead the police to the murderer. It will take an amateur to—inadvertently—show them the way. Cheerful, charming, and always eager for a mystery, portrait artist and gentleman sleuth Philip Trent leaps into the Manderson affair with all the passion of the autodidact. Simply by reading the newspapers, he discovers overlooked details of the crime. Not all of his reasoning is sound, and his romantic interests are suspect, to say the least, but Trent’s dedication to the art of detection soon uncovers what no one expected him to find: the truth. Delightfully irreverent yet ingeniously plotted, Trent’s Last Case is widely regarded as a masterwork of the mystery genre.

Philip Trent, artist and amateur criminologist, was closely connected with the murder of the philanthropist James Randolph from the beginning, for he had been painting his portrait. But there were many blind alleys in the maze ahead; many faces and places to be investigated while there could be further murders. It was not until Trent had crossed to France and back and searched London for the Felix Poubelle Champagne that he finally emerged triumphant to discover the murderer.

Artist, connoisseur and private detective Philip Trent features in this collection comprising eleven short stories. Including "The Genuine Tabard," in which a clergyman and unique objets d'art are involved in a neat confidence trick; "The Foolproof Lift, in which a blackmailing valet is found murdered; and "The Ordinary Hairpins," in which a golden-haired opera singer commits suicide - but Trent is wisely suspicious.