Photography

A colorful photographic celebration of cats, compiled by some of the world's leading photographers, captures the loving bonds between cats and their owners, as well as the unique characteristics of felines

New technology has made possible this lustrous new printing from all new film. These landmark images now have a clarity and depth not achievable in earlier editions.

In this era of suburban mega-churches and televised Sunday morning services, it is easy to forget that many Americans worship in small, community churches whose sanctuaries are often repurposed commercial spaces. In Articles of Faith, photographer Dave Jordano documents the at once humble and dynamic storefront churches of Chicago’s African American neighborhoods. These churches, which dot the south and west sides of the city, are truly community churches—individualized and idiosyncratic, they cater to the specific needs and wants of their members. For the last five years, Jordano has spent his weekends traveling to different churches in the city, getting to know their pastors and parishioners. And this attention to personal detail is highly evident in his exquisite photographs that capture the identity and personalities of each church, from the hand-lettered signs to the icons. His interior images of the sacred spaces illustrate how the congregants create a comforting environment of affirmation, hope, and family for members who often live in neighborhoods marked by high crime and troubled homes. Infused in the space of these makeshift churches is also a sense of history that traces back to a time in the nineteenth and early twentieth centuries when one of the only forms of open expression available to African Americans was religious practice. These powerful and reverent images illuminate a vital component of urban life for many African Americans and speak to the links between the past and present African American experience.

This long-awaited first monograph presents Brian Ulrich's decade-long exploration of the shifting tectonic plates that make up American consumerism. The photographer focuses in part on the architectural legacies of a retail-driven economy in the midst of collapse—shopping malls on the brink of demolition, empty big box stores and other retail structures in transition. But Ulrich does more than sketch the fraying surfaces of a shopping-obsessed culture; he also offers clear-eyed yet sympathetic portraits of teenaged shoppers lost in reverie over a pair of shoes, thrift-store mavens determined to find the best deal and families in search of that perfect purchase. Cinematic and utterly engrossing, these portraits are interspersed among the forlorn landscapes of empty parking lots and foreclosed malls. Ulrich gets under the skin of the current financial crisis, tracing a palpable economic trajectory from irrational exuberance to debt-laden hangover and providing a sobering document of the American consumer psyche in crisis in the first decade of the twenty-first century.

A South African photojournalist records, in pictures and text, the experiences of the black man living under apartheid, from the time of the treason trials of the 1950s to the Soweto riots of 1977