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Collecting three lesser-known works by one of the nineteenth century's greatest authors, Jane Austen's Lady Susan, The Watsons and Sanditon is edited with an introduction by Margaret Drabble in Penguin Classics. These three short works show Austen experimenting with a variety of different literary styles, from melodrama to satire, and exploring a range of social classes and settings. The early epistolary novel Lady Susan depicts an unscrupulous coquette, toying with the affections of several men. In contrast, The Watsons is a delightful fragment, whose spirited heroine Emma Watson finds her marriage opportunities limited by poverty and pride. Written in the last months of Austen's life, the uncompleted novel Sanditon, set in a newly established seaside resort, offers a glorious cast of hypochondriacs and speculators, and shows an author contemplating a the great social upheavals of the Industrial Revolution with a mixture of scepticism and amusement. Margaret Drabble's introduction examines these three works in the context of Jane Austen's major novels and her life, and discusses the social background of her fiction. This edition features a new chronology.

I’m a Londoner now. I’m a voice in the noise. I’m ready. It’s the turn of the millennium and, landing in London with nothing but her CD collection and demo tape, Orla Quinn moves into a squalid Kilburn house with her best mate and a band called Shiva. Orla wants to make music, but juggling two jobs and partying every night isn’t helping. Back in Ireland her parents’ marriage has crumbled, she’s not speaking to her father, and her mother and sister are drinking too much. While Orla’s own dreams seem to be going nowhere, Shiva are on the brink of something big. But as the hype around the band intensifies, so does the hedonism, and relationships in the house are growing strained. This is the story of a young woman thrashing through life, trying to find home in a strange new place. It’s also a story about music: how it can break you down and build you back up again, and how to find your rhythm when all you hear is noise.