Kaveh Akbar’s exquisite, highly anticipated follow-up to Calling a Wolf a Wolf. With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness. Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy.
Author
Kaveh Akbar's poems have appeared in The New Yorker, Poetry, Tin House, PBS NewsHour, A Public Space, Guernica, Boston Review, and elsewhere. He is a recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and the Lucille Medwick Memorial Award from the Poetry Society of America. He is also the founder and editor of Divedapper, a home for dialogues with vital voices in contemporary poetry. His first full-length collection, Calling a Wolf a Wolf, was published in 2017. Kaveh was born in Tehran, Iran and currently lives in Iowa. He was a visiting professor at Purdue University in Indiana in Fall 2017.
