
Ursula K. Le Guinin romaanit ovat tuttuja fantasian ja tieteiskirjallisuuden harrastajille, mutta hänen novellinsa ovat jääneet vähemmälle huomiolle. Tämä kokoelma esittelee Le Guinin varhaista tuotantoa ajalta, jolloin hänen tunnetuimmat teoksensa olivat vasta muotoutumassa. Mukana on mm. kaksi suomeksi ennen julkaisematonta Maameri-tarinaa, Pimeyden vasemman käden maailmaan Talvi-planeetalle sijoittuva tarina sekä joukko muita kertomuksia, jotka ovat muodostuneet spekulatiivisen kirjallisuuden klassikoiksi. Tarinoiden yhteydessä olevat kirjailijan esipuheet valaisevat tarinoiden taustoja. Sisällys: Pimeälipas (Darkness Box, 1963) Päästösana (The Word of Unbinding, 1964) Nimien laki (The Rule of Names, 1964) Talven kuningas (Winter's King, 1969) Yhdeksän henkeä (Nine Lives, 1969) Verkkaan, valtakuntia laajemmaksi (Vaster Than Empires and More Slow, 1971) Aliset tähdet (The Stars Below, 1973) Tien suunta (Direction of the Road, 1974) Jotka Omelasista poistuvat (The Ones Who Walk Away from Omelas, 1973) – Hugo-palkinto 1974
Author

Ursula K. Le Guin published twenty-two novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. Her recent publications include the novel Lavinia, an essay collection, Cheek by Jowl, and The Wild Girls. She lived in Portland, Oregon. She was known for her treatment of gender (The Left Hand of Darkness, The Matter of Seggri), political systems (The Telling, The Dispossessed) and difference/otherness in any other form. Her interest in non-Western philosophies was reflected in works such as "Solitude" and The Telling but even more interesting are her imagined societies, often mixing traits extracted from her profound knowledge of anthropology acquired from growing up with her father, the famous anthropologist, Alfred Kroeber. The Hainish Cycle reflects the anthropologist's experience of immersing themselves in new strange cultures since most of their main characters and narrators (Le Guin favoured the first-person narration) are envoys from a humanitarian organization, the Ekumen, sent to investigate or ally themselves with the people of a different world and learn their ways.