Afaa Michael Weaver was born Michael S. Weaver and grew up in East Baltimore, the son of a beautician and a steelworker. He entered the University of Maryland–College Park at the age of 16 and studied engineering for two years. He then joined the Army Reserves and worked alongside his father at the Bethlehem Steel mill. His firstborn son died at 10 months of complications from Down syndrome. Weaver worked at the mill and, later, a factory for a total of 15 years, writing poetry on coffee breaks, before publishing his first collection, Water Song (1985). It is a time he describes as a literary apprenticeship, during which he founded 7th Son Press and the journal Blind Alleys. He then earned an MA in theater and playwriting from Brown University, concurrent with a BA from Excelsior College. Influenced by Langston Hughes, Gwendolyn Brooks, Michael Harper, and Jay Wright, Weaver writes poetry that engages the intersection of contemporary African American culture, the African American literary tradition, and the technical constraints of contemporary Chinese poetry. “He explores and rethinks questions of identity. Over the years, he has listened to a chorus of other voices, the inflections of the past, as they have come together to shape and enlarge his own distinctive, musical voice,” Ed Hirsch observed of Weaver’s Timber and Prayer (1995). Weaver’s numerous collections of poetry include The Plum Flower Dance: Poems 1985 to 2005 (2007). He edited the anthology These Hands I Know: African-American Writers on Family (2002), and co-edited Gathering Voices (1985) with James Taylor and David Beaudouin. Weaver has been awarded a Pushcart Prize and grants from the National Endowment for the Arts, the Pew Foundation, and the Pennsylvania Council on the Arts. He was a Poet-in-Residence at Bucknell University’s Stadler Center and taught as a Fulbright Fellow at National Taiwan University. Among Weaver’s achievements is his invention of a new poetic form, “The Bop,” which he created during a Cave Canem summer retreat. He has taught at Rutgers University, Cave Canem, and Simmons College, where he co-founded the Zora Neale Hurston Literary Center and launched the International Chinese Poetry Conference. In 1997, to mark his release from the weight of grief that he had carried since the death of his first son, Weaver chose a new name, Afaa, meaning “oracle,” with the help of Nigerian playwright Osonye Tess Onwueme.

Born and raised in Chatham, Virginia, Claudia Emerson studied writing at the University of North Carolina, Greensboro. Her poetry, steeped in the Southern Narrative tradition, bears the influences of Ellen Bryant Voigt, Betty Adcock, and William Faulkner. Of the collection Late Wife (2005), poet Deborah Pope observed, “Like the estranged lover in one of her poems who pitches horseshoes in the dark with preternatural precision, so Emerson sends her words into a different kind of darkness with steely exactness, their arc of perception over and over striking true.” Emerson’s volumes of poetry include Pharaoh, Pharaoh (1997); Pinion: An Elegy (2002); Late Wife (2005), which won the Pulitzer Prize; Figure Studies (2008); and Secure the Shadow (2012). Her honors include two additional Pulitzer Prize nominations as well as fellowships from the Library of Congress, the Virginia Commission for the Arts, and the National Endowment for the Arts. In 2008 she was appointed poet laureate of Virginia, a two-year role. Emerson was poetry editor for the Greensboro Review and a contributing editor for Shenandoah. She taught at Washington and Lee University, Randolph-Macon Women’s College, and the University of Mary Washington. She died in 2014. From The Poetry Foundation website. http://www.poetryfoundation.org/bio/c...

Molly Peacock is a widely anthologized poet, biographer, memoirist, and New Yorker transplanted to Toronto, her adopted city. Her newest biography is FLOWER DIARY: IN WHICH MARY HIESTER REID PAINTS, TRAVELS, MARRIES & OPENS A DOOR (ECW Press). "In prose as subtle and enchanting as Mary Hiester Reid's own brushstrokes, FLOWER DIARY paints a compelling portrait of a talented and unjustly neglected paiter. Molly Peacock is unfailingly sensitive and intelligent, and at times deeply moving, as she shows how, despite the shade of domestic life and the unfavorable climate of the times, MHR brought forth her bright blossoms," writes Ross King. Molly's latest book of poems is THE ANALYST (W.W. Norton & Company) where she takes up a unique task: telling the story of her psychotherapist who survived a stroke by reconnecting with her girlhood talent for painting. Peacock’s latest work of nonfiction is THE PAPER GARDEN: MRS. DELANY BEGINS HER LIFE'S WORK AT 72, a Canadian bestseller, named a Book of the Year by The Economist, The Globe and Mail, The Irish Times, The London Evening Standard and Booklist, published in the US, UK, Ireland, Australia and New Zealand. “Like her glorious and multilayered collages, Delany is so vivid a character she almost jumps from the page,” Andrea Wulf wrote in The New York Times Book Review. Molly ventured into short fiction with ALPHABETIQUE: 26 CHARACTERISTIC FICTIONS magically illustrated by Kara Kosaka, published by McClelland & Stewart. Her memoir, PARADISE, PIECE BY PIECE, about her choice not to have children, is now an e-book. Molly is featured in MY SO-CALLED SELFISH LIFE, a documentary about choosing to be childfree by Trixifilms, and she is one of the subjects of Renee McCormick’s documentary, A LIFE WITHOUT CONVENTION, https://vimeo.com/178503153. As a New Yorker, she helped create Poetry in Motion on the subways and buses; in Toronto she founded THE BEST CANADIAN POETRY IN ENGLISH. Molly is the widow of Michael Groden, a James Joyce scholar.

Melissa Broder is the author of the novels MILK FED and THE PISCES, the essay collection SO SAD TODAY, and five collections of poems including SUPERDOOM: Selected Poems and LAST SEXT. She lives in Los Angeles. www.melissabroder.com