Poetry

Born in 1907, Nakahara Chuya was one of the most gifted and colourful of Japan’s early modern poets. A bohemian romantic, his death at the early age of thirty, coupled with the delicacy of his imagery, have led to him being compared to the greatest of French symbolist poets. Since the Second World War Nakahara’s stature has risen, and his poetry is now ranked among the finest Japanese verse of the 20th century. Influenced by both Symbolism and Dada, he created lyrics renowned for their songlike eloquence, their personal imagery and their poignant charm. This selection of poems from throughout Nakahara’s creative life includes collected and uncollected work and draws on recent scholarship to give a full account of this extraordinary figure.

Sylvia Plath's celebrated collection. When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. Her husband, Ted Hughes, brought the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel" and once again shows why readers have fallen in love with her work throughout the generations.

Librarian Note: Also available as an Alternate Cover Edition. “And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you I will show you fear in a handful of dust” When The Waste Land was published in 1922, initial reaction to the poem was decidedly negative. Critics attacked the poem's "kaleidoscopic" design, and nearly everyone disagreed furiously about its meaning. The poem was even rumored to a hoax. Eventually, though, The Waste Land went on to become what many regard as the most influential poem written in English in the twentieth century. "In ten years' time," wrote Edmund Wilson in Axel's Castle (1931), "Elliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948, T.S. Eliot was awarded the Nobel Price "for his work as a trail-blazing pioneer of modern poetry." In addition to the title poem, this selection includes "The Love Song of J. Alfred Prufrock," "Geronition," "Ash-Wednesday," and other poems from Eliot's early and middle work. Includes: - The Love Song of J. Alfred Prufrock - Preludes - Gerontion - Sweeney Among the Nightingales - The Waste Land: I. The Burial of the Dead II. A Game of Chess III. The Fire Sermon IV. Death by Water V. What the Thunder Said Notes on 'The Waste Land' - Ash-Wednesday -J ourney of the Magi - Marina - Landscapes: I. New Hampshire II. Virginia III. USK - Two Choruses from 'The Rock'

Lispector at her most philosophically radical. A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

First published in 1945, Elizabeth Smart's By Grand Central Station I Sat Down and Wept is an enigmatic and nearly indescribable book, a small classic of poetic prose whose author has been compared with Anaïs Nin and Djuna Barnes. In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife; the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

Here is the first reliable edition of John Keats' complete poems designed expressly for general readers and students. Upon its publication in 1978, Jack Stillinger's The Poems of John Keats won exceptionally high praise: "The definitive Keats," proclaimed The New Republic—"An authoritative edition embodying the readings the poet himself most probably intended, prepared by the leading scholar in Keats textual studies." Now this scholarship is at last available in a graceful, clear format designed to introduce students and general readers to the "real" Keats. In place of the textual apparatus that was essential to scholars, Stillinger here provides helpful explanatory notes. These notes give dates of composition, identify quotations and allusions, gloss names and words not included in the ordinary desk dictionary, and refer the reader to the best critical interpretations of the poems. The new introduction provides central facts about Keats' life and career, describes the themes of his best work, and speculates on the causes of his greatness.

In this long-awaited follow-up to Crush, Yale Series of Younger Poets prize-winner Richard Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In this restless, swerving book simple questions—such as, Why paint a bird?—are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its—and our own—invention.

From poet and classicist Anne Carson comes this translation of the work of Sappho, together with the original Greek. During her life on the island of Lesbos, Sappho is said to have composed nine books of lyrics. Only one poem has survived complete. In "If Not, Winter", Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written. Carson says of her method of "I like to think that, the more I stand out of the way, the more Sappho shows through". Her translation illuminates Sappho's reflections on love and desire, her companions and rivals, the goddess Aphrodite and her own daughter, Kleis. The book brings us an ancient poet brought to life by an empathetic contemporary poet, and is complete with an introduction and notes.

Grashalme. 218 Pages