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Psmith
Series · 4 books · 1909-1923

Books in series

Mike and Psmith book cover
#1

Mike and Psmith

1909

An early Wodehouse novel, this is both a sporting story and a tale of friendship between two boys at boarding school. Mike (introduced in Mike at Wrykyn) is a seriously good cricketer who forms an unlikely alliance with old Etonian Psmith ('the P is silent') after they both find themselves fish out of water at a new school, Sedleigh. Full of entertainment, the plot reaches a satisfying conclusion as the pair eventually overcome the hostility of others and their own prejudices to become stars. Even readers uninterested in cricket are likely to be gripped by descriptions of matches, but the real meat of the book is to be found in the characters, especially the elegant Psmith, one of Wodehouse's immortal creations, who features in three of his later novels.
Psmith in the City book cover
#2

Psmith in the City

1910

Mike Jackson, cricketer and scion of a cricketing clan, has dreams of Cambridge upset by father's financial troubles, sent under Manager Bickersdyke to New Asiatic Bank. Thankfully fellow cricketer PSmith draws off his lavender gloves to work as well, especially unwanted attention to Manager. They squeeze in cricket too.
Psmith, Journalist book cover
#3

Psmith, Journalist

1915

The story begins with Psmith accompanying his fellow Cambridge student Mike to New York on a cricketing tour. Through high spirits and force of personality, Psmith takes charge of a minor periodical, and becomes imbroiled in a scandal involving slum landlords, boxers and gangsters - the story displays a strong social conscience, rare in Wodehouse's generally light-harted works. Psmith, Journalist was first released in the U.K. as a serial in the magazine The Captain in 1909. It was then published, in substantially rewritten form, under the title The Prince and Betty by W.J.Watt and Co., New York on February 14, 1912. The original text of Psmith, Journalist was finally published in book form in the UK on September 29, 1915, by Adam & Charles Black, London.
Leave It to Psmith book cover
#4

Leave It to Psmith

1923

Ronald Psmith (“the ‘p’ is silent, as in pshrimp”) is always willing to help a damsel in distress. So when he sees Eve Halliday without an umbrella during a downpour, he nobly offers her an umbrella, even though it’s one he picks out of the Drone Club’s umbrella rack. Psmith is so besotted with Eve that, when Lord Emsworth, her new boss, mistakes him for Ralston McTodd, a poet, Psmith pretends to be him so he can make his way to Blandings Castle and woo her. And so the farce begins: criminals disguised as poets with a plan to steal a priceless diamond necklace, a secretary who throws flower pots through windows, and a nighttime heist that ends in gunplay. How will everything be sorted out? Leave it to Psmith!

Author

P.G. Wodehouse
P.G. Wodehouse
Author · 205 books

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

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Psmith