Raymond Knapp came to UCLA in 1989, with degrees from Harvard (BA cum laude in music), Radford (MA in composition), and Duke (PhD in musicology). He has authored four books and co-edited a fifth: Brahms and the Challenge of the Symphony (1997), Symphonic Metamorphoses: Subjectivity and Alienation in Mahler’s Re-Cycled Songs (2003), The American Musical and the Formation of National Identity (2005; winner of the George Jean Nathan Award for Dramatic Criticism), The American Musical and the Performance of Personal Identity (2006), and Musicological Identities: Essays in Honor of Susan McClary (2008, with UCLA alumni Steven Baur and Jacqueline Warwick). His published essays address a wide range of additional interests, including Beethoven, Wagner, Brahms, Tchaikovsky, nationalism, musical allusion, music and identity, and film music. His current projects include a book that considers Haydn and American popular music in the context of German Idealism, and a book co-edited with Stacy Wolf and UCLA’s Mitchell Morris (forthcoming from Oxford). He has originated courses on Mozart and on the American Musical, and has recently given seminars on nationalism, Mahler, Haydn, Mozart, absolute music, allusion, and the American musical.