Read For High School

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

Dante can swim. Ari can't. Dante is articulate and self-assured. Ari has a hard time with words and suffers from self-doubt. Dante gets lost in poetry and art. Ari gets lost in thoughts of his older brother who is in prison. Dante is fair skinned. Ari's features are much darker. It seems that a boy like Dante, with his open and unique perspective on life, would be the last person to break down the walls that Ari has built around himself. But against all odds, when Ari and Dante meet, they develop a special bond that will teach them the most important truths of their lives, and help define the people they want to be. But there are big hurdles in their way, and only by believing in each other―and the power of their friendship―can Ari and Dante emerge stronger on the other side.

In Much Ado About Nothing, Shakespeare includes two quite different stories of romantic love. Hero and Claudio fall in love almost at first sight, but an outsider, Don John, strikes out at their happiness. Beatrice and Benedick are kept apart by pride and mutual antagonism until others decide to play Cupid.

Born a slave circa1818 (slaves weren't told when they were born) on a plantation in Maryland, Douglass taught himself to read and write. In 1845, seven years after escaping to the North, he published Narrative, the first of three autobiographies. This book calmly but dramatically recounts the horrors and the accomplishments of his early years—the daily, casual brutality of the white masters; his painful efforts to educate himself; his decision to find freedom or die; and his harrowing but successful escape. An astonishing orator and a skillful writer, Douglass became a newspaper editor, a political activist, and an eloquent spokesperson for the civil rights of African Americans. He lived through the Civil War, the end of slavery, and the beginning of segregation. He was celebrated internationally as the leading black intellectual of his day, and his story still resonates in ours.

The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s. The Great Gatsby is one of the great classics of twentieth\-century literature. (from the back cover)

A moving and powerful novel about the lives of the men, women, and children who endure a second-class existence and labor under dangerous conditions as migrant workers in California’s fields. “Viramontes depicts this world with sensuous physicality...working firmly in the social-realist vein of Steinbeck’s The Grapes of Wrath and Upton Sinclair’s The Jungle .”— Publishers Weekly At the center of this powerful tale is Estrella, a girl about to cross the perilous border to womanhood. What she knows of life comes from her mother, who has survived abandonment by her husband in a land that treats her as if she were invisible, even though she and her children pick the crops of the farms that feed its people. But within Estrella, seeds of growth and change are stirring. And in the arms of Alejo, they burst into a full, fierce flower as she tastes the joy and pain of first love. Pushed to the margins of society, she learns to fight back and is able to help the young farmworker she loves when his ambitions and very life are threatened in a harvest of death. Infused with the beauty of the California landscape and shifting splendors of the passing seasons juxtaposed with the bleakness of poverty, this vividly imagined novel is worthy of the people it celebrates and whose story it tells so magnificently. The simple lyrical beauty of Viramontes’ prose, her haunting use of image and metaphor, and the urgency of her themes all announce Under the Feet of Jesus as a landmark work of American fiction. Winner of the John Dos Passos Prize for Literature Selected as the Univesity of Oregon's 2019 Common Reading book

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now. Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

Librarian note: Click here for alternate cover edition Two warring factions in the Department of Elevator Inspectors in a bustling metropolis vie for dominance: the Empiricists, who go by the book and rigorously check every structural and mechanical detail, and the Intuitionists, whose observational methods involve meditation and instinct. Lila Mae Watson, the city’s first black female inspector and a devout Intuitionist with the highest accuracy rate in the department, is at the center of the turmoil. An elevator in a new municipal building has crashed on Lila Mae’s watch, fanning the flames of the Empiticist-Intuitionist feud and compelling Lila Mae to go underground to investigate. As she endeavors to clear her name, she becomes entangled in a web of intrigue that leads her to a secret that will change her life forever. A dead-serious and seriously funny feat of the imagination, The Intuitionist conjures a parallel universe in which latent ironies in matters of morality, politics, and race come to light, and stands as the celebrated debut of an important American writer.

The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."