Reading Backwards is John Crowley’s first collection of non-fiction since In Other Words was published in 2007. Like its predecessor, this new book reflects an astonishing range of interests, both literary and otherwise. Like its predecessor, it is a book that no John Crowley fan can afford to miss. The volume opens with the autobiographical “My Life in the Theater,” a memoir of the younger Crowley’s earliest ambitions, and closes with the moving and memorable “Practicing the Arts of Peace.” In between, the author offers us more than thirty carefully crafted essays, each one notable for its insight, intelligence and typically graceful prose. The opening section, A Voice from the Easy Chair, reflects Crowley’s tenure as Easy Chair columnist for Harper’s Magazine. Subjects include life under the once omni-present threat of the Selective Service Board, the enduring personal importance of the Encyclopedia Britannica, and thoughts on what it means to be truly well read. The second section, Fictional Voices, is filled with acute commentary on a wide range of books and writers, among them SF masters such as Paul Park, Ursula K. le Guin and Thomas Disch; the important, if neglected, historical novelist David Stacton (a model for the fictional Ffellowes Kraft of the Ægypt novels); classic science fiction novels of the 1950s, and much, much more. The final section, Looking Outward, Looking In, ranges freely across a wide variety of subjects and ideas, such as UFO literature, the utopian architecture of Norman Bel Geddes, the life and career of renowned theosophist Helen Blavatsky, and the nature of time. Reading Backwards is a book that can be read from beginning to end with enormous pleasure. It can also be read and enjoyed in whatever order the reader prefers. However it’s read, it’s a multifarious source of entertainment, illumination, and thought, and offers a fascinating glimpse into the intellectual life of one of the finest novelists of our time. Limited: 750 signed numbered hardcover copies Lettered: 26 signed leatherbound copies, housed in a custom traycase Table of Contents: Introduction Prologue: My Life in the Theater 1910—1960 Section One: A Voice from the Easy Chair Everything that Rises Dressed to Kill Rule, Britannica A Ring-Formed World Universal Use Spare the Darling On Not Being Well-Read Selective Service An Artist of the Sleeping World Section Two: Fictional Voices A Postcard from Ursula Paul Park’s Hidden Worlds Life Work: The Fiction of Nicholson Baker Leslie Epstein’s Uproars Ben Katchor’s Cardboard Suitcase Remembering Thomas Disch Joan Aiken and the Wolves of Willoughby Chase David Stacton and the Judges of the Secret Court The Hero of a Thousand Dreams Little Criminals: The Fiction of Richard Hughes Richard Hughes: In Hazard Born to be Posthumous The Whole Household of Man Blossom and Fade: Herman Hesse and The Glass Bead Game Nine Classic Science Fiction novels of the 1950s Section Three: Looking Outward, Looking In The Man who Invented the 20th Century Stranger Things: UFOs and Life on the Moon Metamorphosis: Rosamond Purcell’s Natural History Unrealism Madame and the Masters The Ones Who Walk Away from Metropolis A Few Moments in Eternity Works of Mercy The Next Future/Totalitopia A Well Without a Bottom New Ghosts and How to Know Them Time After Time Squeak and Gibber Practicing the Arts of Peace
Author
Librarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information. John Crowley was born in Presque Isle, Maine, in 1942; his father was then an officer in the US Army Air Corps. He grew up in Vermont, northeastern Kentucky and (for the longest stretch) Indiana, where he went to high school and college. He moved to New York City after college to make movies, and did find work in documentary films, an occupation he still pursues. He published his first novel (The Deep) in 1975, and his 15th volume of fiction (Endless Things) in 2007. Since 1993 he has taught creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. His first published novels were science fiction: The Deep (1975) and Beasts (1976). Engine Summer (1979) was nominated for the 1980 American Book Award; it appears in David Pringle’s 100 Best Science Fiction Novels. In 1981 came Little, Big, which Ursula Le Guin described as a book that “all by itself calls for a redefinition of fantasy.” In 1980 Crowley embarked on an ambitious four-volume novel, Ægypt, comprising The Solitudes (originally published as Ægypt), Love & Sleep, Dæmonomania, and Endless Things, published in May 2007. This series and Little, Big were cited when Crowley received the prestigious American Academy of Arts and Letters Award for Literature. He is also the recipient of an Ingram Merrill Foundation grant. His recent novels are The Translator, recipient of the Premio Flaianno (Italy), and Lord Byron’s Novel: The Evening Land, which contains an entire imaginary novel by the poet. A novella, The Girlhood of Shakespeare's Heroines, appeared in 2002. A museum-quality 25th anniversary edition of Little, Big, featuring the art of Peter Milton and a critical introduction by Harold Bloom, is in preparation. Note: The John Crowley who wrote Sans épines, la rose: Tony Blair, un modèle pour l'Europe? is a different author with the same name. (website)
